A saluang (bamboo flute) from West-Sumatra (Photo credit: Wikipedia)
One of the many materials used to create the musical instruments known as flutes is bamboo. This is a tradition that stems back to the early generations of Australia and the Aborigines. The Chinese are also well known for using bamboo to create flutes but they are believed to have been directly influenced by those found in Australia.
Each of the flutes was hand carved from sticks of bamboo and then holes were placed in them for the fingers. A location towards the top of it was for the person to blow air into. The way the fingers covered up the holes was what determined what sounds that the flute produced. This is very similar to what most people know as a recorder. Bamboo flutes can be good for children to learn on too before they move on to more advanced models.
Today you can buy bamboo flutes to play as well but you need to be patient in getting on. Each of them is made custom and it can take up to six months before you order will be processed. Yet you will end up with a flute that is original and that you can make music with. They are also very beautiful so you will want to display it when you can for others to see.
Most bamboo flutes don’t have all of the musical ranges with them though. You can get them custom made with particular keys in place though. The majority of bamboo flutes out there though are in D minor. They also feature seven holes for the fingers to cover. You will definitely notice a different sound coming from a bamboo flute though. It is a very low and deep sound that is interesting. It is quite different though from the soft sound you get with a nickel flute.
Bamboo flutes often run a couple of hundred dollars due to the amount of detail that goes into the workmanship. Many of them are imported from other countries too. You can find them online as well as listen to the various sounds they offer. For those that enjoy the flute, this can be a great item to add to the mix.
Portrait of Harry Belafonte, singing, 1954 Feb. 18.
(Photo credit: Wikipedia)
Need a little help to improve your singing voice? Here are 10 tips to help you reach your potential!
1. Breath from the diaphragm, not the lungs. You need to really control the air that you're expelling when you sing, and breathing from the diaphragm gives you more air to work with. To do this, breathe so that your stomach goes out rather than your chest when you inhale. When you practice, try to focus on using the same amount of air for low notes and high notes. This will help erase the break between your registers and give you more steady tone.
2. Run through scales-a lot. If this was guitar, it wouldn't be different, and the human voice is a lot less accurate than a guitar. You need to get your sense of pitch down, and you need to train your voice to reach higher and higher if you want to really hit all the notes in your range.
3. Don't strain your voice. Practice is a good thing, but don't try to sing too high or you might damage your vocal cords. Go slow and steady and you'll sing well in no time. Keep your practice time to an hour or so a day, then move up if you feel like it. If you ever feel like your voice is straining, or if you feel soreness or pain, stop right away.
4. Listen to criticism. Singing well takes a long time, and in the meantime, you're going to hear people say a lot of bad things about you. If you notice a trend, recognize that people are probably making a good judgment and try to work on the problem aspect of your voice. Don't let anyone get you down who really has nothing to say other than, "you suck," though. You don't see them trying to do this, and they have no idea what they're talking about.
5. Make recordings of yourself. This is the only way to hear your problems because you can separate yourself from your voice and listen to what other people hear. You may not like this at first, but keep at it; you'll improve vastly, and you'll start to notice stuff you like about your voice and really expand on those things.
6. Talk to established singers. Most of them will be happy to give you some tips and exercises that helped them out, and any time you need to ask for directions, the best idea is to ask the person that's already at your destination.
7. Eat and drink well. Don't do anything that'll dry out your voice and stop you from singing well. Caffeine is bad, as is anything that causes mucous buildup like dairy products (milk, in particular, is a very bad choice). Don't smoke or drink too much; this can really make you sing poorly. One famous case of booze and cigarettes ruining a classic voice is Harry Nilsson, who shred his vocal cords while working on his "Pussycats" album with John Lennon and ended up carrying a bucket with him to spit blood into during the recording session. His fantastic voice eventually improved and sounded great, but he never could sing quite as well again; his highest register was permanently damaged.
8. Sing for the style. If you're singing country, listen to country singers; if you're singing rock, listen to rock singers. Notice things that are the same in each style and emulate those. Be careful, however, to keep your voice unique, and not to simply copy another singer's voice. Make your personality come out in your music.
9. Experiment with different sounds. Certain noises, like a really nasal note, can help you expand your range if you practice with them. Ask singers for their suggestions, and take them up on it.
10. Finally, stay positive! If you've had a few bad scales, that doesn't mean your voice is going to be bad all day. Drink some warm tea and try again. Don't get down on yourself, and don't think that your voice is bad, or it certainly will be. I know how stupid that sounds, but the mindset is definitely a big part of singing, and if you don't think you sound good, neither will anyone else.
If you are a social singer or someone looking for a career using their voice you can benefit from a little training. Online learn to sing software is not better than ever and can help you get started right away! Click below to find out what is available and what suits your needs best!
Mozart is recognized for completing twenty-seven concertos over the span of his career. He began composing his materials when he was four years old. He was able to play the same things over and over again from memory. Realizing his son had an extraordinary gift, his father began writing down the notes of the music when Mozart was only five years old. Some of these concertos that Mozart wrote are considered to be the best musical compositions of all time.
The first works of Mozart were all written for the piano. This is the instrument he learned how to play at the young age of three. As he got older he challenged himself to write them for complete orchestras of instruments as well. Mozart always took pride in playing music that he composed on his own. He wasn’t willing to accept the boundaries in place for classical music at the time either.
The most well-known concerto written by Mozart was composed in 1784. It is called KV 449 and is played in E flat. Over the next two years, he wrote ten more concertos. Some of them appear to be a continuation of the ones before it. This is similar to how some movies become sequels and even trilogies. When these various concertos are played consecutively you can hear an introduction, body, climax, and finale.
While not everyone took immediately to the various concertos of Mozart, even the most difficult of critics had to agree he had talent. Mozart seemed to have a vision with his concertos that others could only imagine. Each piece seems to be more complicated and detailed than the one before it. At the same time though he continued to strive for something different than what was already being done in the area of classical music.
Today many performances of classical music include pieces of concertos from Mozart. It is considered a tremendous honour to be a part of an orchestra that plays such pieces of music. It is a tribute to Mozart for his donation to classical music. While he always loved music and composing, the legacy he left behind is something that will always be a vital piece of history.
Now the body of the flute is quite intricate. There are 18 keys on the body of a C flute. The number of springs can vary somewhat but it is around 13 give or take.
The springs can be made of steel or copper or bronze. Steel is the best and easiest to work on. They have to be adjusted for the right strength. They can be too weak, which can cause closing problems and leaks. Also, they can be too strong which can cause the same problem. You have to get a feel for the exact strength and that can vary from flute to flute. Some springs need to be replaced and that in itself can be very tedious indeed. Also, for the first while, as a beginner in flute repair you stab yourself with these little springs and it really hurts to put it mildly!
The pads also need to be taken care of and need to be replaced or reseated. They are made of felt and covered with 2 layers of fish bladder. I have no idea why they use fish bladder. Pads can get torn or punctured or just plain worn out. They are vital and cannot leak or the flute will lose some or all of it's volume.
Pad replacement is time consuming. Each ad is held in with a tiny screw and washer or a nylon snap. They vary in size and thickness. Once you have put them in you have to iron them and reseat them so that they will seal completely. To reseat them you have to wet them with alcohol and then clamp each key and pad, then heat them and if possible leave them overnight. It's not always possible to leave them overnight so I tend to put them in a pad oven and cook them for a couple of hours. This helps make the flute seal air tight when being played.
Next is to balance and regulate the keys with their newly seated pads.
Some ethnic percussion instruments (Photo credit: Wikipedia)
The drum is perhaps the oldest of musical instruments, dating back thousands of years. Most civilizations, ancient and otherwise, have developed their own unique variations on the basic drum design. Over the centuries, these instruments have been used to create distinct, indigenous musical styles for nearly every region of the planet.
As drums and other percussion instruments developed, many of them became specific to certain functions. The snare drum, for instance, became popular through its military functions. These drums were often used for communicating on the battlefield, as well as for more formal military ceremonies.
Gradually, as this drum type became more popular, it was incorporated into the symphonic works of many of the 18th and 19th century's most important composers.
Other percussion instruments, such as the bass drum, various hand drums, and cymbals continued to develop along their own unique lines. Cymbals, originally an Eastern invention, began being manufactured for a number of sonic effects. African and Indonesian hand drums of all shapes and sizes began making appearances in European music during the "exoticism" movement of the late 19th century.
With the dawning of the 20th century, a new musical movement was beginning in the port city of New Orleans, Louisiana. A combination of African and European musical traditions, with a heavy emphasis on improvisation, jazz had become the first authentically American art form. Because rhythm and syncopation were integral to the music, the drummer was the heart of a jazz ensemble.
Most venues for jazz music, in the beginning, were small clubs that had limited stage space. A drummer was therefore forced into a small dilemma; what to bring and where to put it. This was the beginning of what we consider modern drum sets.
Drum sets were essentially an assortment of commonly used drums and other percussion instruments that could be set up in a way that took up a minimal amount of space. A standard trap kit usually consisted of a kick drum (originally a marching bass drum was used), snare drum, high-hats (two small cymbals that are hit against one another using a foot pedal), and a ride/crash cymbal. Despite improvements in drum technology, modern drum kits are still based on this standard design.
Since the introduction of jazz, popular music has continually required the use of a drum set. Within American and European pop music the instrument has become ubiquitous. Over the last century, the drum kit has also become a popular instrument in many other parts of the world as well. Because of the nature of the instrument, drum sets are one of the most versatile instruments in the world; an attribute that will help ensure that it has a long musical life ahead of it.
Anne Clarke writes numerous articles for Web sites on gardening, parenting, and home decor. Her background also includes teaching, recreation, and fashion.
Trumpets are among the oldest musical instruments...dating back to at least 2000 BC. Notes are played by blowing into a mouthpiece known as a "fipple", which directs air towards a bladed edge, located at the big hole you'll see at the top of most whistles. Trumpet instruments come in a variety of designs.
Trumpet players are able to get an incredible variety of sounds partly due to the various mutes that are available for them. They are the most likely to play music demanding the use of a mute (often indicated by the words con sordini oravec sourdine in the score).
Players know when they've got a horn they like, know when it performs at a high level, and know especially if it has a sound and feels they like. Playing the trumpet is intimate and personal.
Trumpeters with great endurance and/or range are said to have impressive chops. Some believe that Wynton Marsalis has done things with his trumpet that Louis Armstrong couldn't even imagine in his day.
Players can be heard across nearly all genres of music, including classical, jazz, rock, pop, ska, polka, swing, blues, and funk. Trumpet players are popular for wedding ceremonies as well as receptions and they do it with 3 fingers.
Trumpets pitched in the key of low G are also called sopranos, or soprano bugles, after their adaptation from military bugles. Trumpet players are arguably the "state of the art" among brass players.
They are quite in demand even during street festivals, carnivals, marriage celebrations, school band marches and almost everywhere where there's a requirement of a loud and clear musical accompaniment.
Jazz is a symbiotic, synergistic communication medium that expresses the mind, body, and spirit in music through all instruments. Jazz trumpet players have been at the forefront of the evolution of jazz as an art form.
A reviewer wrote this description: Playing the high register playing softly "pp" playing a nice rich tone playing vibrato Double Tonguing between different notes playing Legato (ties) without changing the fingering.
Brass instruments are almost universally made from brass, but a solid gold or silver trumpet might be created for special occasions. Brass horns are properly classified by the means by which they produce sound, not by the materials used in their construction.
Bach used the trumpet for high parts in his festive church music and wrote for trumpet along with recorder, oboe, and violin in Brandenburg Concerto (no. unknown)
Bass trumpet is played with a shallower trombone mouthpiece, and music for it is written in treble clef. Piccolo trumpets in G, F, and even C are also manufactured but are rarer.
Modern trumpets also have three piston valves, each of which increases the length of tubing when engaged, thereby lowering the pitch. Modern trumpets are built in various bores and the so-called "Medium" bore.
Common bad habits include pressing the mouthpiece to the lips, uneven pressure (Double buzz), inflating cheeks when blowing (although this is debatably a bad habit considering jazz trumpeter Dizzy Gillespie was known for it), playing with poor posture, and closing the throat (tensing of the throat) muscles, resulting in partially choking the air flow.
Jackie Spivey is the Author of this Article. He is an artist who has a very creative, eclectic collection of music that is available for your listening pleasure. You can listen to and/or download songs at JacSan Records. And learn much more about music at JacSanRecords Music Blog.
Tootsie's Orchid Lounge in Nashville, Tennessee, is a honky-tonk. (Photo credit: Wikipedia)
The term honky-tonk is slang and often used to refer to a small bar. Generally, it has a country theme to it and features live music as well. There are plenty of them found out there all over the place. People love to go hang out with them to drink, visit with friends, meet new people, and to listen to the music. It is also a great type of environment to hear up and coming stars without the crowd or the high ticket price.
Most musical artists that have hit the big time will tell you stories of starting out in honky tonk bars. They were paid a measly amount of money for their performances and some will tell you they even waited tables or tended to the bar in between sets. This is a great way to say you met a certain performer before they were huge stars and hard to gain access to.
Most of these honky tonks are establishments were regulars show up. They are common places for the nighttime crowd to hang out and have a good time. Another common element of them is neon lights. This can be on the signs outdoors as well as inside of the establishments. No matter where you may travel to for work or vacation, you should be able to come across some fun honky tonks to hang out in.
Since country music is what is commonly played at honky tonks there is usually a dance floor. Here you will see people getting into the swing of things with various types of songs. Some are fast to dance to and others are slow moving for close dancing. There is also plenty of music for line dancing to take place.
The environment you will find inside of a honky-tonk depends on where you are at. Some of them are still pretty tough as far as the crowd that goes into them on a regular basis. You may find it isn’t very comfortable for you to be hanging out there. Others are full of real cowboys and cowgirls that want to have some fun. You may want to do some checking before you go to a honky tonk just so you are familiar with what the atmosphere will be like in there.
Hubert Parry (1848 -1918) was an English composer, teacher, and music historian. Some of his contemporaries thought that he was the finest English composer since Purcell, but his academic duties left him little time to compose. He came from an upper-middle-class family and as such went to school at Eton. Although he excelled in music while at Eton (as well as sports) his father demanded that he study for a different career, so when he went to Oxford he didn't study music but law and history.
He worked as an insurance underwriter at Lloyd's of London from 1870 to 1877, all the while continuing his studies in music. He tried to obtain lessons from Brahms, but he was not available. Parry ended up taking lessons from Edward Dannreuther, a pianist, and writer. Parry's compositions began to be known by the public and he was also hired on as a music scholar in 1875 by George Grove as an assistant editor for the Grove Dictionary of Music and Musicians to which he contributed 123 articles. He was appointed a professor of composition and musical history at the Royal College of Music in 1883. He became director of the College in 1900 and worked in that capacity until his death.
The Piano Concerto in F-sharp Major was one of Parry's first major works. He began the work in 1878 and completed it in 1879. It was premiered in 1880 with his own teacher Dannreuther as soloist. It got rave reviews but some considered it avant-garde. Parry went on to write much vocal music, five symphonies, and other pieces, plus books on music and music history.
Parry thought that German music and traditions to be the standard, so with the oncoming World War, he felt confident that the English and Germans would not fight each other. Of course, he was sadly wrong and had to watch his musical world become yet another victim of the war. Parry had suffered from heart disease for many years and when he contracted the Spanish flu during the 1918 pandemic, it took his life.
Parry wrote only one piano concerto. It is an interesting piece, not least of all because to think that it was at one time considered avant-garde. It is very well written, with a piano part that calls for the skill of a virtuoso. It is one of the many neglected pieces in the repertoire that could use an occasional hearing.
A double bass is one of the largest musical instruments you can buy and is commonly used in orchestral music and genres such as jazz.
But people who are purchasing one for the first time may wish to consider a number of factors before making an investment. For instance, what size of double bass do you intend to buy and do you have to stick to a budget?
Double basses in different price ranges are available, so musicians have the option of deciding what sounds best for the amount of money they intend to spend.
The age of the player could also influence their choice, as a three-quarter size instrument would probably be more suitable for younger people.
And the type of music you want to perform is another factor. For example, jazz musicians, in particular, are often known to favour three-quarter size double basses.
There are four main parts to the instrument.
Firstly, there is the bridge, which supports the strings and transfers vibrations to the body of the double bass.
This contains the F hole - a space on the main body of the instrument that allows sound to escape.
Double basses also contain tuning pegs similar to those on most types of guitar, which make the strings longer or shorter to get them into tune.
And finally, they include a tail spike, which allows musicians to balance the bow on the floor when playing the instrument.
Musicians can buy a brand new double bass at highly affordable prices, but some may opt to purchase a secondhand instrument.
However, if you do intend to buy a used double bass, do not worry too much about aesthetics, as the sound should be its most important quality. Indeed, the large size of the instrument means that you would be very lucky to find a used instrument that does not have at least some superficial damage to its body.
But a double bass with well-repaired cracks should not present a problem to any musician, although if it has severe cracks, it could make a strong buzzing sound when it is used.
People who are looking to buy a secondhand double bass should also look closely at whether it has any loose parts that may need replacing, such as a tuning peg.
And since this instrument is likely to be a long-term investment, make sure it is a good quality item that is not likely to fall apart any time soon.
Other practical considerations also need to be addressed. This is a very large instrument so do you have sufficient storage space for it? A double bass stand can be purchased to ensure it is stored safely and neatly.
And for those who plan to play their instrument outside of the home, it would be prudent to see whether it comes with a hard case, as this should stop it from getting damaged in transit.
Musicians should remember that they will need to keep their instrument well-maintained. For example, a double bass player will need to use rosin to make sure the bow is properly looked after.
But if prospective players take all this into account when making a purchase, they should be able to make the most of their double bass.
I am the Communications Manager of Gear4music.com. I am committed to delivering the most informative and useful articles about musical instruments and equipment.
Ballet is a dance that beautifies our movements and builds gracefulness into our body and limbs. Transcending centuries, ballet has a long history. With roots in the Renaissance court spectacle in Italy, ballet has taken its form from the French ballet de cour.
Enchanting and graceful with unbelievable steps, ballet is an extremely difficult dance to be learned perfectly. Great determination, undying spirit, hard work, unbounded practice, and pain are required to master the steps and make a graceful and superb dancer.
To enable dancers to perform perfectly, there are special shoes available - simply called ballet shoes or ballet slippers - made out of leather, satin, or canvas which makes ballet steps and movements possible without causing any injuries to the dancer.
Research shows that some brands are particularly known for making good ballet shoes of different types, materials, and designs. Angelo Luzio, Freed, Gamba, Grishko, Leo, Patterson, Sansha, Art Stone, Bloch, Capezio, and Danshuz are some brands among others which specialize in ballet shoes or slippers.
Ballet slippers are always preferred to be snug but not tight, and to have enough room for the toes to spread out comfortably. Good ballet shoes also have ribbons and elastics to allow for flexibility and feet comfort. Options exist as to the type of sole pattern desired - split or full sole.
Multitudes of ballet schools exist which have brilliant teachers imparting ballet lessons to people of all ages. Apart from the normal ballet lessons, there are even summer intensive courses and some special courses to children aged 3 or 4 years. Such courses help to tune in their movements to music. However, most professional courses begin at the age of 9 years.
American Repertory Ballet's Princeton Ballet School, School of American Ballet, the San Francisco Ballet School, and Canada's Royal Winnipeg Ballet are some schools which impart professional ballet dancing lessons.
Some talented and famous dancers include Anna Pavlova, Vaslav Nijinsky, Alicia Alonso, Briely Movric, Paloma Herrera, and Mikhail Baryshnikov, besides many, many others.
An expressive dance form, ballet continues today in its ever-growing popularity, stealing hearts of millions of people all over the world.
Before your child starts playing a kind of musical instrument, particularly a wind instrument such as a clarinet or saxophone, a New York orthodontist strongly recommends that you check first with your dentist. The dentist said that faulty alignment of teeth and gum difficulties are among the dental problems that certain individuals have because of the instruments that they play. He said in a report published in a recent issue of the Journal of the American Dental Association that millions of American children are playing some kind of instruments they selected themselves or are studying music in schools using instruments that may have been assigned to them on a haphazard basis.
There are just certain instruments that are not suited for children dentally or temperamentally, and this would be later on discovered by the children. Many would be a musician is handicapped from the start and will never be any more than mediocre in his field. Dentists who want to provide good service for their patients must remember to tell would be musicians, music teachers, and parents that some dental problems are caused by the playing of wind instruments.
Before the parents invest time, effort, and money to this musical pursuit, a dental consultation should be done first. There are a lot of dentists who claim that single reed instruments are usually to blame for cases of body tissue illnesses experienced by wind instrumentalists. The lower lip is supported by the teeth, and unfortunately, it is also here that a lot of weight from the instrument is applied. Applying pressure on the teeth reduces the blood circulation in the affected bone area.
The upper teeth may also be misaligned due to the pressure exerted by the lower jaw onto the upper teeth. Compression of the lips against the upper and lower teeth is the result of playing brass instruments like a trumpet. Tooth mobility may come as a result of playing these instruments for extended periods of time. A short upper lip prevents a person from playing the flute well and comfortably, while irregular teeth cause a person's lips to hurt while he is playing the oboe or bassoon.
Dental problems may arise because of string instruments also. Certain studies indicate that faulty bite is a common problem of violinists since a lot of pressure is put on their jaw when they play. These dental problems can be prevented if an oral examination is given to would be musicians. Proper early recommendations can ensure dental suitability and oral health so that a would-be musician is not needlessly handicapped in playing his or her favorite musical instruments, he said.
Getting check-ups before anything else is definitely a great way to make sure you don't get complications in the latter stages of life. Seeing your dentist beforehand is especially true when it comes to playing wind instruments. Seeing a dentist is never a bad thing.
No matter who you are or where you've been, chances are that you've heard one or more of Aretha Franklin's songs. Chances are also that you've had one of those classics ringing pleasurably in your head for hours on end. The Queen of Soul has that effect on people everywhere, and she's heading out on the road again this summer to provide millions of her fans with another reason to cherish her work.
Life Story
Franklin was born in Memphis on March 25, 1942. After a bit of moving around, her family settled in Detroit when Aretha was seven. She was exposed to music at an early age and began singing in her father's church. She was soon a very popular member of the choir, and she produced her first recording at the age of 14.
Subsequent to this first recording, Franklin entered "adulthood" almost immediately. She signed a recording contract with Columbia Records and became a mother when she was 15, having her first son, Clarence, Jr. Franklin had another son, Eddie when she was 16.
At this point, Franklin had to make a choice - be a full-time mother or pursue her music career. She chose the latter, as her grandmother helped her care for her sons while she continued to record songs. Franklin married Ted White in 1962 and had another son, "Teddy" White, Jr. in 1969.
She stayed with Columbia Records until 1967, when she moved to Atlantic Records, and the results were almost immediate due to the expanded artistic freedom she had with her new label. Franklin dabbled in gospel, soul and blues themes with her music, and several of her songs from this time period became top hits.
Blossoming Career
However, it was her R&B work that earned her the nickname, "The Queen of Soul" in the 1960's. Franklin's work with Atlantic Records made her an international star, and several of her most famous songs, including Respect, was released during this period.
Franklin continued to not only tour but to record, and her career totals are astonishing. She has released a total of 52 albums and has had 17 singles reach the Top Ten of the US Hot 100 Singles chart.
Franklin has also won 17 Grammy Awards in several categories, but that is far from her only entry into her list of accomplishments. Franklin became the first woman inducted into the Rock and Roll Hall of Fame in 1987 and was the second woman to gain entry into the UK Music Hall of Fame in 2005.
The Queen of Soul has also been recognized by more than one President of the United States. In 1999, President Bill Clinton awarded Franklin with the National Medal of Arts, and President George W. Bush bestowed upon Franklin the Presidential Medal of Freedom in 2005.
What It All Means
All of these accomplishments should make it clear that Aretha Franklin is a national icon. She has appeared in movies like The Blues Brothers in 1980 and sang the national anthem in her adopted hometown of Detroit prior to Super Bowl XL.
Her songs are timeless, and the memories from her live shows live on in the minds of all who are lucky enough to be able to attend a concert. Franklin will be providing those same memories this summer.
The organ is one of the oldest instruments in European classical music with many heralding it as the grandest musical instrument in terms of both its size and range. The most common type of organ is the pipe organ so called because the sound is produced from groups of pipes the sets of which are called ranks. Organs are the mainstay of many large venues pipe organs are found most often in Churches, Synagogues, Concert Halls and Theatres to name the most common ones.
A pipe organ produces sound by driving pressurized air through pipes that they player of the instrument selects via the keyboard of which there are sometimes one or two. Referencing back to the sets of pipes on the organ which are in sets called racks, each pipe produces a certain pitch. The groups or racks as they are known all offer a different sound in terms of how loud, the pitch and the timbre. The racks are operated via the stops which are the controls of the organ and you can opt to play the pipes singly or as part of a combination. As I said before a pipe organ has either one or two keyboards which are obviously played by the hands and there is a pedal board which is operated by the player's feet.
One main difference or advantage to a pipe organ is that the pipes can sustain a note for as long as the player has the corresponding key pressed, unlike the piano where the sound dissipates off. The other well-known type of organ is the electric organ which you may have heard of before, especially the Hammond organ which was used prolifically by many bands in the sixties.
Church organs were first recorded as early as the 7th century and Pope Vitalian has been recorded as the one who introduced the organ to religious services. It has also been recorded that even earlier or in some other religious sects that organs or indeed musical instruments did not exist in churches as they were viewed to be secular (which means with no religious or spiritual basis). Pipe organs are not only found in Christian churches but also in Jewish Synagogues and all throughout Europe, America and Australasia.
Throughout the United Kingdom in many churches, the organ one of the main focusses in the building. The organ traditionally is incorporated in many different types of services throughout the church including Christenings and weddings.
Although the concept of a bass guitar was first developed in the 1930s, it wasn't until the 1950s that mass production met with popularity and the concept of an electric bass guitar became mainstream. Once the idea of an electric bass guitar took hold, and was used widely in groups and bands performing across the world, many companies began developing new styles and methods to create some fantastic ideas for the instrument, and help its popularity grow. Today the electric bass guitar has stepped forwards from the dark shadows of the back of the stage to take a much more prominent position at the front - and has become known as a very popular and stylish instrument to play. Not forgetting, of course, that the quality of sound and versatility have come a long way too.
Since it took about twenty years for the idea of an electric bass guitar to become a mainstream popular idea, it is unsurprising perhaps that it took another twenty years for the next big jump in design and innovation. It was in the 1970s that the company known as Music Man was founded by Leo Fender. It was this company that designed and created the StingRay, which was the first bass guitar to include active electronics. Although these active electronics can sound quite complex, the simple effect was to increase the range of high and low notes, and enhance the crispness of each.
In the early seventies a company called Alembic created the basic design for the high end bass guitars, known as boutique guitars. These were crafted using the highest degree of expertise, with the most highly skilled craftsmen using the finest quality materials. With unique, custom designs, the most premium woods available and some of the most innovative electronic gadgetry included, these boutique bass guitars became well known as the top guitar to have - and brought bass guitars from the back of the stage to the very front - an equal to the standard electric guitar.
Over the next thirty years the designs of electric bass guitars have varied, with new innovations, odd and unusual features and designs, including a headless bass by Ned Steinberger, who also introduced the Trans-Trem tremolo bar. A few years later the Guild Guitar Corporation introduced the astonishing fretless bass, known as the Ashbory. Quite how a guitar would work without frets would challenge any sane thinker - but the Ashbory used silicone rubber strings, with a piezoelectric pickup. The result of this was a sound more like a double bass than an electric guitar.
It was in the nineties that five string basses became popular, and prices began to reduce quite significantly, seeing pre-amplifiers built in to most bass guitars - previously something reserved for the higher end guitar. Today we see electric bass guitars include digital modelling circuits actually built in to the guitar - almost like having a computer built in to the body of the guitar, and able to enhance, distort, amplify and altar the voice of the guitar in such a way that it is possible to program the guitar to sound like any of the well known types of guitar available previously.
Victor Epand is an expert consultant for guitars, drums, keyboards, sheet music, guitar tab, and home theater audio. Article Directory: Article Dashboard
Rolling Stones in Statesboro The Rolling Stones perform at Georgia Southern College-May 4,1965. Photo by Kevin Delaney with a 110 Kodak Instamatic. (Photo credit: Wikipedia)
1. You Can't Always Get What You Want
2. Only Rock 'n Roll
3. Get Off My Cloud
4. She's A Rainbow
5. Under My Thumb
6. It's All Over Now
7. Don't Stop
8. Happy
9. The Last Time
1. You Can't Always Get What You Want
Mere days after their release of "Beggar's Banquet" in 1968, the band pulled together a real-life circus of a show. Designed as a television spectacle consisting of real circus performers, and some top rock acts of the day. Jethro Tull, The Who, and Eric Clapton were in attendance, as were lions, trapeze artists, John Lennon and Yoko Ono. The kind of show you might only now see on the very best of David Letterman.
The idea was to produce a unique showcase, but the footage was eventually shelved and hidden away for nearly 3 decades due to what was deemed sub-standard performances. It was not shown publicly for 27 years, except for brief excerpts in home videos. The Who's performance of "A Quick One" was used in their own film/career documentary, "The Kids Are Alright". The true landmark of the show for The Rolling Stones was it was Brian Jones' last performance with the band.
2. Only Rock 'n Roll
Before the Rolling Stones had galvanized their name as the World Greatest Rock & Roll Band in the late '60s, they had already laid a handsome claim to the title. The Beatles had paved the way for the British Invasion, but the Rolling Stones pioneered the gritty, hard-pounding blues-infused rock and roll that now defines the genre. Mick Jagger might be a tiny little man by many standards, but with no question, he is the biggest front man to ever grace a rock stage. Wild. Macho. Campy. Sexy. He created the role of the rockstar.
3. Get Off My Cloud
To nightcap their hugely successful 1969 North American tour, the band planned a large, free concert in San Francisco similar to a successful concert they had done in London's Hyde Park earlier that summer. But between permit denials, greed and a last-minute change of venue, the event spiraled from what was potentially a West Coast Woodstock to a jumbled chaotic mess.
Things turned for the worse with their bad choice of security, the biker gang the "Hell's Angels", contributing to a day-long sideshow of brutal violence and truly bad vibes. By the time the Stones took the stage that evening, things had already come undone with a dramatic stabbing of the spectator by one of the Hell's Angels. The stabbing was captured on film in the documentary, "Gimme Shelter".
4. She's A Rainbow
The band's longtime acquaintance with law enforcement started with an infamous 'pissing' incident in March of 1965. Bill Wyman needed to use the restroom at a gas station, but was refused admittance and told to promptly vacate the premises. Mick Jagger and Brian Jones joined Bill in pissing against a wall, and the Rolling Stones' image as bad boys was firmly established. In a remarkable show of solidarity and opportunism, which was not to be repeated, all five-band members showed up at court, several weeks later.
5. Under My Thumb
How can you be the next Keith Richards? Well, asides from several obvious personal decisions, to get his legendary sound, first you're going to need to go out and get yourself a Fender Telecaster. Keith plays in open G tuning with his own customized 5-string version. Take your low E string off the guitar and then tune it low to high as GDGBD. You can always tune the low E string to D as well if you're not into removing the sixth string. Keith sums up his approach with a simple phrase that only he could truly relate, "5 strings, 3 fingers, and one ***hole." There's no one like Keith Richards.
6. It's All Over Now
The famous tongue and lip design and countless variations of such have graced countless official and unofficial Rolling Stones memorabilia and products since it first appeared when the band formed "Rolling Stones Records" in 1971. Credit for the creation of the original design has been mistakenly given to several people over the years. Many have stated that Andy Warhol was the originator. He did design two album covers for the band, but not the tongue design. In 1995, Billboard Magazine printed that it was from the mind of Ruby Mazur. Discovering their mistake, they later corrected their statement, identifying Mazur as the designer of the first official variation of the tongue design. With further research later that year, Billboard definitely uncovered that the original classic design came from John Pasch. Two years later, Mick Jagger confirmed that Pasch was the originator of the fabled logo.
If you never get a chance to stand live in the crowd and soak the sound waves as they emit straight from the wall of loudspeakers, then the next best chance at the excitement is one many films made from their various shows. Perhaps the most famous is from their 1972 North American tour. Titled, "Ladies and Gentlemen, The Rolling Stones", unfortunately, the screening of it can prove difficult. Originally released in Quadraphonic sound, the original soundtrack, record as it is on the film in an unusual manner requires considerable labor to view properly. The effort is occasionally undertaken, as it was done in a September 1996 screening at New York's Lincoln Center. Hmmm, maybe it would be easier to just see them live after all.
9. The Last Time
Is this their last world tour? They've been fielding that question ever since they were first asked it way back in 1966. Mick Jagger turned 59 this past July 26th and Keith Richards turns 59 on December 18th. Jagger will be 60 by the time they wrap up their European tour, perhaps that's old enough to retire, but we're betting that they'll be back as long as they're around. Why stop now?
