Showing posts with label Trumpet. Show all posts
Showing posts with label Trumpet. Show all posts

Saturday, August 18, 2018

FLUGELHORN Tips - Make Good Music With a Quality FLUGELHORN

English: Rotary valves in a flugelhorn. EspaƱo...
Rotary valves in a flugelhorn.
(Photo credit: Wikipedia)
Originally used to summon army wings, the flugelhorn is at present an important instrument for creating jazz, popular, and brass band music. This brass wind instrument closely resembles a trumpet and saxophone, but its bore is wider and more conical. Likewise, while it shares the same B-flat pitch of most trumpets, the flugelhorn is more adapted for producing more mellow music as compared to the trumpet's bright and aggressive tone.

Flugelhorn tips for buyers

Depending on your level of expertise, you can choose from different types of flugelhorn of various quality and price ranges. In general, however, flugelhorns are more expensive than trumpets. New students are advised to first buy a trumpet to practice on before switching to a flugelhorn. This switch should be easy given the two instruments' similarities with regards to playing style. If money is not a problem though, beginners can opt for a student grade flugelhorn which can set them back by an average of $700.

Regardless of the type of flugelhorn, you intend to buy, make sure that you try each one before making a purchase. This would help you get a good feel of the horn, especially if you are choosing between horns of different bore sizes. Flugelhorns with small bores play differently from those with larger bores and trying one of each would help you asses which one is better for you.

More flugelhorn tips

Aside from flugelhorn tips on buying a good instrument, it also pays to heed advice on how to play the horn. The best way to learn the instrument is to take classes from a professional player. Likewise, it is advisable to buy some CDs and other audio materials that feature the flugelhorn being played by renowned artists such as Frank Fezishin and Rachel Woolham.

Aside from listening to recorded albums, you must also try to watch live performances where the horn is played. You can attend jazz concerts or brass band recitals. The flugelhorn is also sometimes used for orchestra, so you can likewise check such productions.




Sunday, July 8, 2018

Do You Want to Learn the FRENCH HORN?

French Horn - Photo Wikipedia
The French horn is the second highest sounding member of the brass family and produces a full and mellow tone. It is the best-known member of the horn family and the one you see most often in the orchestra.

It consists of a tube of conical bore coiled into a spiral shape. At the blowing end, its bore is around 1/4 inch wide ( 6.2 mm ) and it widens into a bell of about 11-14 inches wide ( 28 - 36 cm )
The French horn developed over the years in several stages as follows.

1.From the Hunting Horn or signaling instrument, which consisted of a tube bent round in a simple curve over the player's shoulder. The French horn was used regularly in 18-century orchestras in music that need an outdoor, haunting sound.

2. By use of Crooks:
These were extra pieces of metal tubing add to the horn to create extra length. They were detachable and there were seven different sized ones.

The reason for the addition of crooks was that composers wanted to write less limiting pieces for the French horn and the extra tube lengths created more notes and allowed the players to have music written in more keys.

3.By use of Three Valves:
These were introduced in 1830 with use of extra tubing built into the main body. They replaced the crooks as they served the same function. When the player presses the valves either separately or in any combination extra sections of tubing are added and hence different notes. This invention provided the instrument as we know it today which is a flexible instrument that has a range of notes spanning over three and a half octaves and the ability to play in any key. The French horn is usually pitched in the key of F

French horn players produce a sound the same way as any other brass instrument. The sound starts from a persons' lips buzzing into a mouthpiece. The air then vibrates through the tubing of the instrument. The less tubing the higher the pitch. The more tubing the lower the pitch. The pitch can also be changed by the tightening or loosening of a person's embouchure or mouth position. Hence when a player moves a valve or two or three in various combinations then this alters the tubing length and the note pitch. Placing the hand or a mute in the bell will also change the pitch.

French horn players read music written on the treble clef most of the time but the bass clef is used if the music is low and stays low.


The French horn is commonly found in orchestras and brass bands. There are no French horns in a marching band but french horn players play the mellophone which is also a brass instrument with three valves, operated with the right hand and fingering identical to that of a trumpet. A marching band needs a projection of the sound in the direction that the player is facing and a mellophone has its bell in the front.

Dennis Brain, born on 17 May 1921 and died 1 September 1957 was a British virtuoso horn player. Much credit was given to him for popularizing the horn as a solo classical instrument. He recorded Wolfgang Amadeus Mozart's Horn Concertos with Herbert von Karajan, a conductor, and the London Philharmonia Orchestra.



Thursday, June 21, 2018

TRUMPET CLEANING - Preventative Maintenance Makes It Easy

Old Trumpet
Photo  by Igor Gusarov 
A drab, dirty, and unpolished trumpet has never been inviting to play. Yet, most players, especially in high school, never do anything to care for their horn. The trumpet is one of the most visible instruments on the marching band field. Clarinets do not need to be polished, flutes are too small, mellophones are pointed straight ahead, and tubas are mostly hidden in the back. However, the trumpet is at the front of every show, with its dirty bell pointing up (hopefully) at the judges.

Your trumpet does not need to be unattractive in appearance. In fact, a few minutes every day and an hour every couple of months will keep your horn looking fifty times better than all the rest.

A preparatory note: if the trumpet appears to have the lacquer (finish) chipping off or wearing through, take it to a repair shop. Polishing the horn further will only harm the exposed metal.

Major Cleaning:
I recommend a major cleaning about three times per year. Once just after school ends, once after marching band ends, and once in the spring. A major cleaning should take an hour or less if you do it right.

First, disassemble the horn and place all parts on a soft towel or cloth. Take all parts of the valves apart, including the felt and valve caps. Keep all parts organized by valve number because some pieces fit better on a certain valve. In a bathtub or large sink, heat water until it is fairly warm. Add a drop or two of mild dish detergent, if desired. Take a spray nozzle and use it to spray through all of the tubings on the trumpet and slides. Let the horn soak in the water for twenty minutes.

Now assemble three cleaning tools: a mouthpiece brush, valve, brush, and snake. The snake is a small brush connected to plastic tubing that allows you to push the tool through the piping of the horn. Clean the mouthpiece, valves, and piping with the tools, pushing and twisting the brushes as you go to ensure that all grime is removed. Use the snake to clean the valve holes.

Rinse all the parts of the horn and place them on towels to air dry. Reassemble the trumpet. Place a fair amount of valve oil directly on the valves and work the valve up and down for at least thirty seconds to get the oil worked in. Use a very small amount of tuning slide grease on all four slides (including the second valve slide). If the slides are prone to sticking, skip the slide grease and add a very small amount of valve oil to loosen the slides up.

You can now choose to polish the horn or wipe it down.

After Practice Polishing:
Polishing the horn with a polishing cloth will reduce the number of times you need to give a major cleaning or polishing. This polishing can be extensive or very brief. Purchase two polishing cloths for your horn finish (brass or silver). Also, have another cloth that is just as flexible and small for general cleaning. Hold the trumpet with one hand near the mouthpiece, protected by one cloth. Use the non-polishing cloth to work between the slides, valve holes, and in any other hard-to-reach areas. Then, use the second polishing cloth to shine the instrument. You must apply some pressure to actually get any polishing done. Go over the same area five or ten times. Move down the horn so you are not touching any of the areas already completed. Spend the most amount of time on the outside and inside of the bell and the mouthpiece tube. They are the most visible parts of the horn.

Silver Polish:
Before marching band competitions or large performances, I always do a whole horn polish. This makes the most difference for silver horns, but can be done with brass polish on brass horns as well. This is an extremely messy process for both you and your horn.

Obtain some silver polish. I recommend using a kind that is not too liquid. The best types are those that are a semi-solid and are applied with a foam sponge. Get several small towels, hand towels work well enough, that can get very dirty. You will also need a pair of bad quality thin gloves and the three cloths used above.


You must polish only the outside portions of your horn, so do not remove any of the valves or slide parts. Also, do not polish your mouthpiece. Lay out a hand towel or two on the floor and stand the trumpet on its bell. Hold it by the pipe curve near the mouthpiece. Use one gloved hand to apply enough polish to thinly cover all easily accessible surfaces. Do not waste time trying to get polish between the slides or piping. You must work quickly so that the polish does not get cemented on. Work from the top down, ending with the outside of the bell. Then, lift the trumpet up; and complete the inside of the bell, making sure not to put polish very far into the bell. Set the trumpet back down.

Take about a one-minute break. You want to make sure that all the polish dries, but it will get hard if you wait too long. Take another towel and carefully wipe as much of the polish off as you can. Be sure that the towel remains relatively clean during the wiping process to avoid smearing used polish back on the horn. Remember to wipe off the inside of the bell.

Use the rag cloth to work out the polish that may be in the little crevices of the piping. Make sure to get off all of the polish; it will become a nightmare if left to bake on for a long time. Touch up some areas with the polishing cloths. Then you are done! Wash the towels and gloves so that they can be used for later polishing.

Benefits:
Caring for a horn properly does take some time. However, you only will need to give your trumpet a bath or use silver polish a few times per year if you wipe the horn down after every practice or two. One major benefit of keeping a horn clean is that the valves and slide will move faster and get stuck much less often. This helps keep the horn out of the shop and lasting longer. The second advantage is appearance. Such a benefit may seem obvious, but even the most beat-up trumpet can still look great if polished.

Resources and Products:
If you are in a high school band, hopefully, your trumpet section leader or director can point you in the right direction to get supplies. I recommend Blue Juice or Yamaha valve oil. I have found that the Blue Juice does a great job at keeping valves working quickly, but it needs to be applied often and sometimes gets gunk buildup. I have had good success with the Yamaha oil lasting a very long time and causing no buildup. It is not as fast-moving and will not unstick a valve quickly, but it is a good all-around choice. Silver polish is mostly your choice and can be purchased at grocery stores. 

Purchasing a trumpet "care kit" should get you the requisite cleaning brushes; Selmer makes one that should be fine for most. Finally, I like large polishing cloths of no particular brand. It is easier to get into small areas with a larger cloth.

William O'Brochta is a recipient of the William T. Hornaday Silver Medal for Distinguished Service to Conservation in the Boy Scouts of America and William T. Hornaday Badge. He is an Eagle Scout with nine Eagle palms and has earned sixty-five Merit Badges. William is currently an Assistant Scoutmaster for Troop 17 in Roanoke, Virginia working with Troop elections, new Scout advancement, and Eagle projects. He also serves as an active member of the Blue Ridge Mountains Council Conservation, Advancement, Eagle Board of Review, and Troop Committees. He has been involved in Scouting for more than ten years.

William attends Patrick Henry High School and the Roanoke Valley Governor's School and is ranked first in his class of 500. Currently, he is working on a three-year environmental research project dealing with using plants to remove pesticides from the soil. He has presented this research at the Society of Toxicology Annual Meeting. A musician, he plays trumpet and serves as Drum Major for the Marching Band.

Committed to community service, he has volunteered for six months for Habitat for Humanity in Hungary and helped Breakell, Inc. General Contractors achieve LEED Platinum energy efficiency certification.



Friday, June 8, 2018

Do You Want to Learn the TRUMPET?

English: Trumpet in C, german model by Bernhar...
Trumpet in C, German model by Bernhardt Willenberg Markneukirchen
(Photo credit: Wikipedia)
The trumpet is a brass instrument with the earliest one found in the tomb of the Egyptian King Tutankhamen. Many people play the trumpet in brass bands, military bands, big bands, orchestras or on their own. You are thinking of learning a musical instrument. Will this instrument be the trumpet? You need information to help your decision?

What is a trumpet?
A trumpet is made from brass and is cylindrical in shape consisting of 4 feet 7 inches of tubing wrapped into the compact shape with a cup shape mouthpiece and a moderate size ball at the end. There is a variety of trumpets in the trumpet family. The modern trumpets we are familiar with today have three valves and were first made in the 1820s. Earlier trumpets did not have valves.

How is the sound produced?
The trumpeter or trumpet player produces the sound by:
1. Pressing the mouthpiece to his or her mouth.
2. Blowing air through closed lips making the lips vibrate.
3. The buzzing sound produced from this action sets the column of air inside the tube of the instrument vibrate.
4. The player regulates the sound produced by altering the tension of the lips.

Low sounds are produced when the player's lips are fairly slack making all the air in the tube vibrate.

Higher sounds are produced when the player tightens his lips thus making only fractions of the air vibrate. These higher sounds are called natural harmonics. Each tube produces a different set of harmonics depending on the length. This produces a limited range of sounds in one or two keys. To get a wider range of sounds the modern trumpet player can press down the three valves in a range of configurations which will open various extra lengths of tubing thus changing the length of tubing.
What does the trumpet sound like?

The trumpet has both a piercing, brassy sound and a soft, muted sound. It is more brilliant and penetrating than the bugle or horn. The tone of the trumpet can be changed when a mute is placed in the bell of the instrument. A mute is a cone made of cardboard, fibre, felt or metal.

The trumpet player reads music using notes placed on the treble clef, plays music faster than other brass instruments and plays notes ranging over two octaves from F-sharp below middle C to C above the treble clef, however, some trumpeters can extend this range.

Example of A Trumpet Piece
The Last Post is a well-known piece of music played by a bugle or trumpet player. It is a bugle call used at Commonwealth military funerals and ceremonies commemorating those who have fallen in war. It is used especially on Remembrance day in Commonwealth Nations and also on Anzac Day in Australia and New Zealand.

A bugle call is a short tune, telling one of scheduled and certain non-scheduled events on a military installation, battlefield, or ship. It consists of notes from a single overtone series and hence no valves need to be moved. One key may be favoured over the others.
Please note that a trumpet can play almost any type of music including classical, jazz, rock, blues, pop, funk.

Example of A Trumpeter
Louise Armstrong also known as Satchmo or Pops was one of the greatest jazz trumpeters of all time is. He was also known for his singing with a raspy singing voice and had a foundational influence on jazz. He was born August 4, 1901, in New Orleans, Louisiana. and died July 6, 1971, from a heart attack.

There are many other well-known trumpet players including Miles Davis, Dizzy Gillespie and Fats Navarro.

You have now had some basic information on the trumpet including what it is, how a sound is produced, what a trumpet sound is, types of music a trumpeter plays with an example and well-known trumpet players with an example.



Thursday, June 7, 2018

Bach Stradivarius TRUMPETS and Imitators

Trompete der Firma Bach
Trompete der Firma Bach (Photo credit: Wikipedia)

For years, the Bach Stradivarius Trumpet has been the mainstay of the performing trumpet world. Sure, there were other trumpets out there, and in the Jazz world, many of them were very successful. In the classical world, the Bach reigned supreme for many years.

Today, the Bach is still the dominant instrument, but it has had its setbacks. The Bach strike a few years ago had a major impact in the Bach reputation. The strike lasted for a couple years, and many horror stories were told about poor quality trumpets being made after the strike. Also, the price increased substantially after the strike ended.

The end result of everything...the Bach trumpets made now are as good as they have been in many years, and many people think they are even better. I played on several trumpets at a convention recently, and they played better than any Bach I have played in years. I would not hesitate to recommend them right now. Bach trumpets have always played much different from horn to horn. In the past, you might get a good one, or you might get a great one. You seldom saw a bad one. A friend of mine remarked recently that even though the current crop of Bach trumpets all still play differently, they are all great horns. That is a definite positive change.

Since Bach was the predominant trumpet on the market, many companies produced trumpets that shared many of the same features. Yamaha started things with their Heavywall series...the 6335HS. The large bore version was the 6345HS. The "H" is very important in that designation. They also produced 6335 trumpets of totally different styles that did not use the "H" in the model number. These trumpets played more like a Bach, than any other trumpet up to that time, but it still did not have the Bach sound that most people liked in the classical world.

Yamaha later brought out the Xeno line of trumpets which is still made. Their model number is the 8335S. These are quite comparable to Bach trumpets. Yamaha is also considerably more consistent in their manufacturing processes. Yamaha trumpets pretty much all play the same.

The most recent addition to the Yamaha line of classical trumpets is the artist series. These are truly exceptional trumpets. Yamaha recently hired Bob Malone to design their trumpets, and he has totally revolutionized the line. These horns are some of the best available today.

The B&S Challenger line is also another option today in Bach-like trumpets, and it's a good one. There are quite a few professional players using them today, and depending on the current exchange rate, the price is often close the price of a Bach.



The Getzen custom line is also another option. The custom series is comparable to Bach and Yamaha instruments. Getzen has always been known for their valves. Once you try Getzen valves, you'll probably always like them.

There are many other copies out there, but for truly good Bach or Bach-like professional horns, this pretty much rounds out my list. They all play very well.

    Harry Richardson has been a band director for 14 years with college degrees in trumpet performance and music education. 


Tuesday, June 5, 2018

TRUMPET - Music-Instruments of the World

Trumpet - Music-Instruments of the World



Friday, May 11, 2018

Observation Of The TRUMPET

English: Wynton Marsalis at the Oskar Schindle...
Wynton Marsalis Photo credit: Wikipedia)
Trumpets are among the oldest musical instruments...dating back to at least 2000 BC. Notes are played by blowing into a mouthpiece known as a "fipple", which directs air towards a bladed edge, located at the big hole you'll see at the top of most whistles. Trumpet instruments come in a variety of designs.

Trumpet players are able to get an incredible variety of sounds partly due to the various mutes that are available for them. They are the most likely to play music demanding the use of a mute (often indicated by the words con sordini oravec sourdine in the score).

Players know when they've got a horn they like, know when it performs at a high level, and know especially if it has a sound and feels they like. Playing the trumpet is intimate and personal.

Trumpeters with great endurance and/or range are said to have impressive chops. Some believe that Wynton Marsalis has done things with his trumpet that Louis Armstrong couldn't even imagine in his day.

Players can be heard across nearly all genres of music, including classical, jazz, rock, pop, ska, polka, swing, blues, and funk. Trumpet players are popular for wedding ceremonies as well as receptions and they do it with 3 fingers.

Trumpets pitched in the key of low G are also called sopranos, or soprano bugles, after their adaptation from military bugles. Trumpet players are arguably the "state of the art" among brass players.

They are quite in demand even during street festivals, carnivals, marriage celebrations, school band marches and almost everywhere where there's a requirement of a loud and clear musical accompaniment.

Jazz is a symbiotic, synergistic communication medium that expresses the mind, body, and spirit in music through all instruments. Jazz trumpet players have been at the forefront of the evolution of jazz as an art form.

A reviewer wrote this description: Playing the high register playing softly "pp" playing a nice rich tone playing vibrato Double Tonguing between different notes playing Legato (ties) without changing the fingering.

Brass instruments are almost universally made from brass, but a solid gold or silver trumpet might be created for special occasions. Brass horns are properly classified by the means by which they produce sound, not by the materials used in their construction.

Bach used the trumpet for high parts in his festive church music and wrote for trumpet along with recorder, oboe, and violin in Brandenburg Concerto (no. unknown)

Bass trumpet is played with a shallower trombone mouthpiece, and music for it is written in treble clef. Piccolo trumpets in G, F, and even C are also manufactured but are rarer.

Modern trumpets also have three piston valves, each of which increases the length of tubing when engaged, thereby lowering the pitch. Modern trumpets are built in various bores and the so-called "Medium" bore.

Common bad habits include pressing the mouthpiece to the lips, uneven pressure (Double buzz), inflating cheeks when blowing (although this is debatably a bad habit considering jazz trumpeter Dizzy Gillespie was known for it), playing with poor posture, and closing the throat (tensing of the throat) muscles, resulting in partially choking the air flow.

    Jackie Spivey is the Author of this Article. He is an artist who has a very creative, eclectic collection of music that is available for your listening pleasure. You can listen to and/or download songs at JacSan Records. And learn much more about music at JacSanRecords Music Blog.

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Friday, April 27, 2018

The Advantage of a Custom Built SCHILKE TRUMPET

English: Schilke trumpet modell X3 in silver. ...
Schilke trumpet model X3 in silver. (Photo credit: Wikipedia)
Schilke trumpets have a reputation as being "open" horns, which is a quality that many professional horn players prefer. Schilke is known as the custom builder that are among the most reasonably priced on the market. Silver plated and gold plated models are available, and professional trumpet players can be very particular about the exact mouthpiece, mouth pipe, bell, and tubing design. They want to get the best possible sound for their particular likes and playing situations, whether it's a community band or a professional symphonic band or orchestra.

When trumpet enthusiasts talk about Schilke trumpets, they know that they are talking about one of the most respected brands of musical instrument in the world. Not everyone can afford a custom trumpet, but Schilke makes several non-custom models so that those who love playing trumpet, but who don't have the money for a custom built instrument can experience the great Schilke sound first hand.

There are a number of factors that go into getting a great sound from a trumpet. Of course, the particulars of the musician - embouchure, practice habits, venue for playing - definitely have an influence. But the qualities of the trumpet itself makes a difference, too. Silver plated bells are known for their richer sound, and the bore of the tubing has an influence on the sound a musician is able to get from a trumpet. Schilke maximizes the qualities that result in great trumpet sound, and for those who are extra particular and have the means, they make custom trumpets to create the best match between musician and instrument.

Depending on the type of music and the venue in which it is played, different models of the same instrument can make a difference to the sound quality. Schilke trumpets are experts at knowing what goes into getting the right sound for an auditorium, an outdoor setting, or any other arrangement of acoustics. When professional trumpet players feel like they are ready to buy a custom horn, Schilke is the brand they often turn to first.




Thursday, April 26, 2018

Sailing the Double High C's (A TRUMPETER'S Dream)

Trumpet player
Trumpet player (Photo credit: Wikipedia)
High note jazz trumpet legends nearly single-handedly changed the desire of young trumpeters all around the world decades ago. Hearing one of these giants live was an amazing and inspiring experience, and created a desire in so many trumpet players that it could be considered near cult status for trumpeters.

Maynard Ferguson, Cat Anderson, Doc Severinsen are just a few that were extremely sought after players... they each had a command of the upper register up to and beyond Double C. 

The more players tried to ascend to these upper register notes, the more the mystery built. Advice in every aspect of trumpet playing can be found. Mostly confusing, and some very much incorrect.

In 2004, I had the pleasure and distinct honor of being a part of the great Maynard Ferguson's band, and got to share a lot of time with "Boss" (as we called him). While on his band, I got to ask questions, take notes, and learn from the master.

What most players who begin this quest do incorrectly is mostly overcompensated and fail to see what actually generates higher notes on trumpet. It is not sheer brute force that produces these notes with power, it is control and a balance between air and aperture.

To begin this journey properly, a player must master "whisper" tones... extreme soft playing that helps the aperture stay the size of a pinhole without pinching or straining the facial muscles. 

Starting with a second line G and holding it as soft as possible for extended lengths of time (2 minutes to 20 minutes) and allowing ample rest will start a player on the correct path. 

As the player develops more control, scales, etudes, and melodies can be incorporated into practicing that will have the player ascend to higher notes. Once control is established, playing louder is merely pushing a bit more with the air and allowing the aperture to open SLIGHTLY.

There is no fast solution to this. For many players this is a lengthy journey. Especially if the trumpeter has been practicing the "higher / louder / faster" method for months or years. Old habits will have to be broken... but once they are, the trumpet player will be amazed at how easily they can ascend to Double High C and beyond!




Saturday, March 3, 2018

The Little Heard Cousin of the Trumpet - CORNET


The cornet is an instrument that is a member of the brass instrument family. Its appearance is close to that of the trumpet in its design. The tubing is wrapped in a clever way that will allow the musician to easily carry and play the instrument, and the tube's diameter increases in size until the end. It is a common mistake for people to believe that the cornet has originated from the medieval cornett, but in truth, there is no relation. In fact, the cornet originated from the simple horn, just as the bugle was. The cornet really developed when the improvements on piston valves were made, which was in the early 1800s.

Today, the cornet is a fairly popular instrument that is used in concert bands and brass bands more than it is used in marching bands and military, though it can sometimes be used in these too. Referring back to the valves of the cornet, they really were the largest part in bringing in the creation of the cornet. In fact, it was in adding these valves to the horn in the early 1800s that the actual cornet was first invented. While the cornet would seem similar to the trumpet, they differed greatly for a while before the trumpet also had the valves added into its design. Today, they are so similar that the coronet and the trumpet can play the same notes and fingerings.

The cornet has not changed too much since it was first invented, and it has only been around for a couple hundred years, but it is a brass instrument that has received a decent amount of interest over the years. One can see it played in a number of different musical genres and people of different ages have given it a try. In fact, a number of young jazz musicians in the 1900s began their careers by learning how to play the cornet.

The cornet has a more mellow and warm tone that is attractive to many people who decide to learn how to play the instrument. It is also an instrument that is recommended for beginners who have never played a brass instrument before. It can be a little challenging at first for someone who is new to playing any kind of wind instrument, but it can be quite rewarding in the end. Learning the sheet music and how to manipulate the keys properly can also take some time, but not as long as it can take to learn other more complex instruments. It is also another instrument that can be offered at some schools that have them.



Overall, the instrument is not too difficult to learn and so is a great instrument to offer in grade school to younger people who would like to try learning a musical instrument. The sheet music for the cornet is also easier to acquire than more expensive sheet music for other instruments. The instrument is even donated to the schools on occasion by people who have no more use for their cornet. Anyone who wishes to try the instrument outside of school can often find used cornets in used instrument stores or pawn shops.

    Victor Epand is an expert consultant for used CDs, autographed CDs, and used musical instruments.   Article Directory: Article Dashboard



Saturday, January 20, 2018

The Melodic Sounds of the TRUMPET

Trumpet player Maynard Ferguson
Trumpet player Maynard Ferguson (Photo credit: Wikipedia)
The trumpet is an instrument that is a member of the brass family, though it has also been referred to as a wind or an aerophone instrument, and has the highest register among all the brass instruments. The trumpet is made out of brass tubing that is narrowest at the mouthpiece and widest at the end.

This particular instrument, like other brass instruments, is played by blowing into the mouthpiece through closed lips to create a vibration. The instrument as three keys or piston valves that work to alter the sound produced, often creating a lower pitch. Each valve will lower the sound the trumpet makes as it is pressed down by the musician. There are also different kinds of trumpets that are tuned to different notes. The most common trumpet played is known as the B-flat trumpet. Other types of trumpets that are played but are not as common are the C, D, E, F, G, and A.

Surprisingly enough, the trumpet has been around for a very long time, even if the earlier trumpets did not look like the trumpets people are more familiar with today. The earliest proof of the existence of trumpets goes back as far as 1500 BC, though it is believed that trumpets could have easily existed before this as well.

Another interesting note about the trumpet is that it was not originally used for music. Instead, it was used for signaling purposes for religious ceremonies or military use. It really was not until medieval times that the trumpet started to be used more as a musical instrument instead of being limited to previous purposes. In fact, it was even seen as a special talent, which those who played would keep to themselves because it was regarded as a guarded craft. It was after this time that the trumpet really started to change, as improvements and adaptations were made to have the trumpet keep up with its demands. Even with these improvements, the addition of the valves on the trumpet did not occur until the early to mid-1800s.


It appears that few young people will take up the instrument instead of popular instruments like the guitar and the piano. A common misconception is that it is really simple to play, but the truth is that it can be a little complex. One has to have good control of the air that they blow into the trumpet in order to get the right sound. Some will take an interest in the trumpet because they appreciate its bold and bright sound. It is common in marching bands, in the military and is also common in schools.

It is a relatively inexpensive instrument to play in comparison to others, so school bands will sometimes be able to teach students who want to learn it. Its drawback for many people is that it does not have a wide range of sounds and many who want to learn how to play an instrument are looking for something that can create a variety of different sounds.


    Victor Epand is an expert consultant for used CDs, autographed CDs, and used musical instruments. 
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Tuesday, January 16, 2018

LOUIS ARMSTRONG: Transformation From Reform School to Infamous Trumpets

Head and shoulders portrait of jazz musician L...
Head and shoulders portrait of jazz musician Louis Armstrong. (Photo credit: Wikipedia)
Trumpets have been in existence since primitive times, but they did not really gain the recognition they deserved until the infiltration of jazz into the music world. When Buddy Bolden altered his own music style in the 1890's, it had the first inklings of what jazz music would become with its hearty spirit and spontaneity. He eventually leads the first genuine New Orleans jazz band. Continuing to invent jazz music was Freddie Keppard and Joe "King" Oliver playing the cornet as the lead instrument.

Then along came Louis Armstrong from a poor section of New Orleans where the heroes of the neighborhood were gamblers and pimps. His first musical instrument, within the family of trumpets, was a long, tin horn that he would blast while working on a coal delivery wagon to let clients know the wagon was coming. At age 10 Louis Armstrong had earned enough money to buy a battered cornet in a pawnshop. By age 11 he had left school, left his job, and organized a street corner quartet. Unfortunately, while on the street he committed some minor crimes and was sent to reform school at the age of 12. While in reform school Louis Armstrong joined the band and developed his talent. He became the leader of the band which changed his reputation. By the age of 13, he was back on the street and found small jobs to keep himself out of trouble.

As a teenager, Louis Armstrong worked with professional musicians and joined Fate Marable's band playing on a riverboat in Mississippi. By his early twenties, he could outplay any trumpets at cutting contests where soloists improvised until one was clearly outperforming the others. With the addition of 23-year-old Lois Armstrong to the Fletcher Henderson band in New York, the band began to really swing with their new featured soloist. A year later he formed his own group in Chicago called the Hot Five. He organized the band and music around the solos which became one of the key characteristics of modern jazz.


Louis Armstrong became known as the father of modern jazz trumpets and the first modern jazz soloist. He greatly extended the range of trumpets as he could hit high notes that none of his peers could reach. His main contribution to jazz was his sense of rhythm which had a natural beat that made anyone listening want to get up and dance. Louis Armstrong taught the world how to really swing. He also taught jazz musicians how to extend the melodic line with improvisations on trumpets. Louis Armstrong used trumpets to belt out loud, sharp cutting sounds that commanded his listeners to pay attention. He had made trumpets the leading instruments with cornets virtually disappearing from the jazz scene.

Trumpets were not the only driving force in Louis Armstrong's career. Not only did he extend the range of trumpets, but he also showcased the extension of his own range of talents. He had a unique compositional and vocal ability, he was comedic, he had charisma, and he had charm. All of these talents wrapped up together made for a famously popular musician and showman.

    By Dianna Joseph
    Dianna Joseph is the owner of DJ Music Store. She is a saxophonist, novice pianist, and novice guitarist. In addition, she is an occupational therapist who works with a host of disabilities utilizing sensory integration and neurodevelopmental therapy in combination with music and a variety of other techniques to assist these persons in achieving the highest level of function and quality of life possible.
    Article Source: EzineArticles



Wednesday, December 27, 2017

Birth and Development of the FRENCH HORN

French horn back
French horn back (Photo credit: Wikipedia)
If you ask someone to think of a musical instrument, most likely French horns are not the first instrument that comes to mind. Yet, it is quite an interesting, beautiful, and exceptional looking music instrument. It brings with it a mysterious quality that projects a mellow and subdued sound to any orchestra, marching band, concert band, or even a brass ensemble.

It is quite intriguing actually, to look at the historical underpinnings of French horns. Looking back at their birth and development brings to light how they acquired their sound and unique features. It also explains why even today they are not the most popular musical instrument in any type of music group.

The most primitive form of french horns were megaphones. They were made from a hollow branch or cane and the player sang, spoke, or made vocal noises into them to produce a harsh sound to frighten away evil spirits. Megaphones evolved into the early trumpets which could produce only one or two notes and made a terrifying sound. These trumpets were used at circumcisions, funerals, and sunset rites.

It was not until the Renaissance period, about 1550, that a music instrument was developed which bears the most resemblance to the present day French horns. This was the close-coiled helical horn, established in Central Europe. About one hundred years later, the parent of French horns was constructed in the form of a thin conical tube with two or more circular coils.

There is no evidence that French horns were used for purely musical purposes with other music instruments prior to the eighteenth century, only for hunting in France, Germany, and Italy. Their introduction in Germany by Graf Franz Anton von Sporck in 1681 and their inclusion in a German orchestra score in 1705 helped them to gain a position in the music world. In England, however, they were used mainly in the form of an entertaining duet in the gardens or along the river versus attaining the prestigious right to be in an orchestra. France continued to restrict their use to the chase for hunting until 1735.

To play French horns during the early 1700's, musicians would point the widely flared bell upwards like a bugle horn. The length of the tubing varied according to the pitch needed, so separate horns were needed for every key change. This problem was solved by the crook system, developed in 1715, which consisted of various lengths of tube rings fitting into the end of the mouthpiece socket. It allowed the player to use any key.



An important technique came to fruition when Anton Joseph Hampel of Germany was testing out various mutes in 1750. He discovered that he could progressively lower the pitch by pushing a cotton pad or his hand into the bell further and further, called "stopping". This hand-horn technique required that the horn is held horizontally and is still used today. Hampel then redesigned it with the crooks in the center of the hoop versus near the mouthpiece. However, just like the unpleasant sound of the original horns, there was still a disparity between tone and power of the open and stopped notes.

The best innovation for french horns came when two German musicians invented the valve in 1815. Voila! Crooks no longer needed to be changed as the descending spring valves lowered the pitch. The last notable invention for french horns was in 1899 when double F/Bb French horns were first sold.

Over one hundred years later, no significant alterations or additions have been necessary. Materials may have changed somewhat, but spring valves are still used as well as the hand-horn technique to attain a perfect mellow timbre and keep the natural roughness of tone in check. French horns have continued to maintain their musical status all over the world.



Wednesday, November 29, 2017

FLUGELHORN - Music-Instruments of the World

Flugelhorn - Music-Instruments of the World



Thursday, November 23, 2017

CORNETand TRUMPET Care For the Busy Musician

Cornet Patent Drawing from 1899
Photo  by Patents Wall Art 
As a performer, it is essential that you keep your instrument in pristine condition. Most players don't seem to be bothered about cleaning their instrument often enough. If you rely on your instrument to earn a living you may form a different opinion. It's a bit cut-throat out there and the difference between having a pure tone quality and a muffled uninteresting sound could mean the difference between getting the gig or not. Not to mention the hygiene problems that could develop.

Cornets were developed from basically a post horn, which over time was curled and developed into the form you see today. Valves were added which allowed more playable notes and dexterity of performance. It's the careful manufacturing and handwork that make it into a cornet that plays well. Take care of your instrument and it won't let you down.

There is nothing worse than being in the middle of a show and your valves or slides start to stick. It can ruin a perfectly good performance.

Cleaning the cornet should only take about 10 to 15 minutes of your time and the results are more than beneficial to your playing. You would be surprised at the "gunge" that appears out of the tubes after a good clean.

So let's begin. Run a warm bath - Yes a bath, and put a small amount of dishwashing soap into it. Check with your product information or your manufacturer's website to make sure before you use it. Pull all the valves and slides out of the cornet and place everything submerged under the water - Leave to soak for about 30 mins. That was easy! Note - you may have to disconnect the "triggers" on the first and third valve slides if they are fitted.

You'll need a flexible cleaning pull-through brush, a valve casing brush, and a mouthpiece brush. You'll also need silver polish and two lint-free polishing cloths, valve oil, and slide grease. (I use a petroleum jelly)

Now it's time to put the pull-through brush to work. Gently feed it into the tubes of the cornet and pull through the brush, watch out for the "Gunge". Do this a couple of times and then rise the cornet tubes out under running water until it runs clear. Do this now to all the removable slides as well.

Now using the valve brush we need to clean the valve casing. Just push the brush in and out a couple of times and all should be well. Now turning to the valves themselves. First of all you need to clean the internal surfaces of holes. You can also use the pull through for this but be careful not to scratch them. Using a Silver polish and the lint free cloth, now clean the valves outer surface, dry off and polish with a separate clean rag.


Now the Slides. Again using the silver polish clean the slides. If your cornet is of the lacquered type (brass looking) DO DOT use silver polish on the external surfaces. This attacks the coating. Finally, clean the inside surface of the valve caps both top and bottom again with a soft rag.

After all, the internals of the cornet is clean, its time now to clean the external surfaces, again remember if it is of the lacquered type just soap and water will clean it. Otherwise, on silver-plated surfaces use your metal.

Now it's time to re-assemble the cornet, oil the valves and 1st and 3rd valve slides, and grease the slides. If you have triggers on your instrument on the first and third slides it is better to use valve oil on them as they will move faster.


    Trevor Halliwell has been a band player and director for 45 years with college diplomas in trumpet performance and music education. For more information about playing the cornet or trumpet, please visit http://www.trevorhalliwell.co.uk/ - Author Name: Trevor Halliwell - Contact Email Address: trevorhalliwell@gmail.com Trevor Halliwell (http://www.trevorhalliwell.co.uk) is a Cornet/Trumpet performer and teacher in the North West of England. He is a Fellow of the Trinity College of Music London. 
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