|Pan Flute - Music-Instruments of the World|
Tuesday, June 19, 2018
Thursday, May 17, 2018
|A saluang (bamboo flute) from West-Sumatra (Photo credit: Wikipedia)|
Each of the flutes was hand carved from sticks of bamboo and then holes were placed in them for the fingers. A location towards the top of it was for the person to blow air into. The way the fingers covered up the holes was what determined what sounds that the flute produced. This is very similar to what most people know as a recorder. Bamboo flutes can be good for children to learn on too before they move on to more advanced models.
Today you can buy bamboo flutes to play as well but you need to be patient in getting on. Each of them is made custom and it can take up to six months before you order will be processed. Yet you will end up with a flute that is original and that you can make music with. They are also very beautiful so you will want to display it when you can for others to see.
Most bamboo flutes don’t have all of the musical ranges with them though. You can get them custom made with particular keys in place though. The majority of bamboo flutes out there though are in D minor. They also feature seven holes for the fingers to cover. You will definitely notice a different sound coming from a bamboo flute though. It is a very low and deep sound that is interesting. It is quite different though from the soft sound you get with a nickel flute.
Bamboo flutes often run a couple of hundred dollars due to the amount of detail that goes into the workmanship. Many of them are imported from other countries too. You can find them online as well as listen to the various sounds they offer. For those that enjoy the flute, this can be a great item to add to the mix.
Sunday, May 13, 2018
|Western concert flute (Photo credit: Wikipedia)|
Now the body of the flute is quite intricate. There are 18 keys on the body of a C flute. The number of springs can vary somewhat but it is around 13 give or take.
The springs can be made of steel or copper or bronze. Steel is the best and easiest to work on. They have to be adjusted for the right strength. They can be too weak, which can cause closing problems and leaks. Also, they can be too strong which can cause the same problem. You have to get a feel for the exact strength and that can vary from flute to flute. Some springs need to be replaced and that in itself can be very tedious indeed. Also, for the first while, as a beginner in flute repair you stab yourself with these little springs and it really hurts to put it mildly!
The pads also need to be taken care of and need to be replaced or reseated. They are made of felt and covered with 2 layers of fish bladder. I have no idea why they use fish bladder. Pads can get torn or punctured or just plain worn out. They are vital and cannot leak or the flute will lose some or all of it's volume.
Pad replacement is time consuming. Each ad is held in with a tiny screw and washer or a nylon snap. They vary in size and thickness. Once you have put them in you have to iron them and reseat them so that they will seal completely. To reseat them you have to wet them with alcohol and then clamp each key and pad, then heat them and if possible leave them overnight. It's not always possible to leave them overnight so I tend to put them in a pad oven and cook them for a couple of hours. This helps make the flute seal air tight when being played.
Next is to balance and regulate the keys with their newly seated pads.
Thursday, April 5, 2018
|Photo by DrBjorn|
There does not appear to be any general date in the creation of this particular type of flute, and there does not appear to be any specific reason why these kinds of flutes were created. Most people are familiar with flutes that must be played when held in a horizontal position; the fact that this flute is meant to be played in an upright position makes it a unique flute.
While many will be unfamiliar with any of the terms mentioned above, such as the vertical flute, rim-blown flute, transversely blown flute or tubular duct flute, many are quite familiar with these kinds of flutes. Different kinds of flutes such as the recorder, or the tin whistle are examples of tubular duct flutes. They are, for the most part, played in an upright position, even if not completely vertical.
Some of the older versions of the vertical flutes have a tube that decreases in size from top to bottom, much like many of them still do today, and has six holes on the top. Unlike the recorder, though, there is no hole on the back of the flute for the thumb to cover. Like just about any type of flute, flutes that fall under the category of being a vertical flute have been around for a very long time. There is no specific period mentioned that would mark when the first vertical flute was created, but it is obvious that it has been around for hundreds of years by looking through the history books.
Today, they are relatively easy to acquire. Just about any kind of vertical flute can be purchased at a relatively inexpensive price, depending on the specific type of flute as some are more expensive than others. The sheet music is also fairly basic and easy to find. Used music stores also tend to have various types of vertical flutes that have been traded in by others who no longer had a use for them. These, of course, usually cost less than if someone were to purchase them new.
Some of these vertical flutes are taught to students at a young age who are attending grade school. The main reasons for this could easily be the cost, but also because the music is so basic and easy for young children to pick up. Some continue to play it on their own time after learning some of the basics in school because they enjoy playing it. It is not a complicated instrument and can be a perfect instrument to play for fun on one's own free time. These kinds of flutes can also be great for individuals who are new to playing a wind instrument because it gets them used to the basics of how to play such an instrument.
Tuesday, March 20, 2018
|Photo by angelaathomas|
The other wind instruments have mouthpieces or reeds to guide their air, and the string family has a bow and resonating box built into the instrument that assists tone production. Understanding 3 basic principles will help beginning and intermediate flute players to both improve their tone on the instrument and make the good tone a consistent part of their playing.
The first principle of good tone is to get as much of your bottom lip on the lip plate as possible. Draw the corners of your lips forward so that they are hugging the lip plate. Do NOT pull them back in a smiling position. Bringing the corners of your lips forward creates more space in your mouth, therefore contributing to the size of your "resonating box". As a flute player, your resonating box consists of the sinus cavity, the space in your mouth and throat, and the chest cavity. This simple act also allows you to engage all of the muscles around your mouth area, which will give you more strength and flexibility when you attempt to change octave.
The second principle of good tone is to understand register production. The flute is capable of playing comfortably in 3 registers - low, middle, and high. It is the direction of your air column (the stream of air you are blowing over the tone hole) that will produce the register you are seeking to play. This should be the primary way you change your register. If you blow your air down, or more directly into the tone hole, you will produce the low register.
The middle register is produced by blowing your air straight out across the tone hole (a parallel line from the hole you are making with your lips), and the high register is produced by directing your air column up like you are trying to blow a bee off of your nose. Other factors will contribute to the production of the different registers, but they should not be your primary focus because you will find that they all have their primary functions. For example, if you increase the size of the hole you are making with your lips, you will find the low register, but you will have also affected the color and pitch of your tone.
The third principle of good tone is to play with good, relaxed posture. Remember, the flute requires the performer's body to be its resonating box. Therefore, a flutist must sit up straight in his or her chair, or stand tall, when playing. Also, the flute requires the left arm of the player to reach across his or her body. A flutist must always remember to keep his or her shoulders square so that this arm does not decrease the size of the box around the lungs. The performer should attempt to play with as little tension in his or her muscles as possible so that tightened muscles do not inhibit the ability of the body to vibrate.
Of course, all of these techniques take practice and time to master, but with careful attention, determination, and practice, every flutist can play with the beautiful tone he or she desires.
Wednesday, March 14, 2018
|A western concert flute divided into many parts. (Photo credit: Wikipedia)|
This is achieved by seating the pads correctly and then bending the keys and testing them continually until you get the best seal possible. We test the seal in several ways. One of the most common ways is to use a strip of cigarette paper. You place it between the rim of the tone hole and the pad and then close the key to see if the paper is grabbed or slips out. If it slips out, that means that air can get out of that space and thus you will lose sound and volume etc. I use a jeweler's eye loop to examine the hole more than I use the cigarette paper because I can get a closer look through the magnification and I find it quicker.
Bending the keys to make them level was at first very scary. You are working on a $300.00 and up instrument and you're taking a pair of flute pliers and bending the key to insure it is setting right over the hole. Yes, you occasionally break the keys right off. At first this is very unnerving but when you realize that you are suppose to be able to fix keys that are broken off, then it becomes no big deal. Once you realize that all the pieces of the flute had to be made and soldered together, you can rest assured that you can fix anything. We have recovered flutes that have been stepped on, sat on, jammed in doors etc., etc.
Alright so we took out all dents and bends, which is a science all on it's own. We made sure the springs are all intact and of the correct tension. We have checked and replaced and seated all the necessary pads. Finally, we bent and leveled all the keys and their pads over the tone holes so that we get as close to a perfect seal as possible.
Then we clamp the keys shut, to make a deep imprint in the pad, thus making a very air tight seal. We do this by first using a small pad iron to iron out any wrinkles from any new pads. Then you soak the pads with alcohol (this is one method). Apply the individual key clamps. Then you place the flute in a pad oven for a few hours. Pad ovens vary in size and shape. I use a long narrow leak light, which I put in the flute and then I put it in a wooden box. Some people don't use an oven.
After that, you'll get a great seal and the flute will play great. The volume will be great with no hissing or leaks.
After that if you give it regular hand cleaning and have someone a tech give it a once over every 6 months you get the best out of your flute and it will last a long time.
Saturday, February 24, 2018
|Shot during first ancient music festival in megève |
(Photo credit: Wikipedia)
If you want to know how to make a flute, you first need to know two numbers. The first one is the measurement of the speed of sound in inches (or centimeters, etc.) per second. In inches, that would be 13526.5, and in centimeters, that would be 34357.31 - this is how far in linear distance sound travels per second, at sea level, at about 70 degrees Fahrenheit, or at about 21 degrees Celsius. The second number to know in flute making is how many Hertz (frequency of vibration) that a particular given note resonates at. For a brief and simple example, let's say we use the note "A". The frequency of "A", in Hertz, is 440. Now we take the speed of sound in inches (or centimeters) per second and divide that number by the note's frequency, in this case, 440, and we will then have the measured length of the wavelength of the note "A". This would end up to be 30.74 inches, or 70.08 centimeters long.
The next step in how to make a flute is simple. With an open-ended flute, the body of the flute would actually need to be one half-wavelength long to play the fundamental note (the lowest note possible to play, with all finger holes closed) properly, in this case, "A". Due to other variable factors in flute making such as bore diameter, wall thickness and etc., the flute will actually need to be a tiny bit shorter - depending upon the thickness of the flute wall factoring in as well, this is generally about 1/3 of the bore diameter. Shorten the length little by little until the correct note is achieved. How to make flute embouchures or the blowing edge hole, is to make it half of the flute's bore diameter wide, measuring the center point of the hole to be a bore diameter's distance from the inner face of the closed end.
A very convenient part about knowing how to make a flute is in the fact that the above mathematical formula is also how you would find the positions for the finger holes' center points, according to the notes they are to play. How to make flute finger holes is to start small, slowly making them bigger as you "creep" them up the length of the flute towards the closed end until the right note is achieved. Finding the correct hole placements along the length of the flute's body is important, but anywhere around the body at that point along the length is fine for hole placements... this allows for the reach of different sized fingers and hands.
Article Directory: EzineArticles
Tuesday, February 13, 2018
|Photo by wplynn|
Mothers of small children often find that Native American flute music is very soothing for their babies. It seems to have a tranquil and calming effect on children. Songs played on the Native American flute can be introduced during naptime and before bedtime to calm children down. The music often puts children to sleep within just a few minutes. Experts have also recommended Native American flute music to families with small babies that have a hard time getting to sleep.
This music also represents an excellent tool for calming down a baby in situations where there may be difficult transitions for such young children, such as when many visitors come to the home. It is often difficult for small babies to adjust to the confusion and noise created by a large number of people at special occasions, and playing Native American flute music can help to calm a baby down in these circumstances.
The music of the Native American flute is very soft, and it creates a wonderful, soothing background for many situations. It is just the sound of keeping babies calm when there are a lot of people in the environment. Babies seem to focus on the flute sounds instead of on the loud noises generated by crowds. Having flute music playing in a room makes it easier for them to adjust to visitors.
Of course, adults will also enjoy the music of the Native American flute. It is easy to find interesting and unique Native American flute music on the Internet since many online stores offer selections of alternative music. It is also possible to purchase Native American flutes and sheet music. Several vendors offer musical compositions for the flute, and they sell Native American flutes as well.
Native American flute music is an excellent way to learn about and enjoy the special features of Native American culture. And since songs are often linked to memories, this music offers a good way to preserve the memory of special times.
Thursday, January 11, 2018
|Shakuhachi player (Photo credit: Wikipedia)|
These days Japanese bamboo flutes or Shakuhachi flutes are used by a lot of practitioners of Zen Buddhism and meditation as well as for playing Jazz, Classical, Japanese folk music and improvisation. The soothing sound of the Japanese bamboo flute or Shakuhachi helps guide us, breath by breath, into a more relaxed and peaceful state of being, while gifting ourselves and others with the beauty of the unique sound.
The Shakuhachi bamboo flute is made from the very bottom of a bamboo tree, but versions now exist in ABS and hardwoods. The name shakuhachi is derived from the term "isshaku hassun" meaning one shaku and eight sun (1.8 Japanese feet). Generally, the term shakuhachi refers to the standard size instrument, which is 54.5 cm in length, but it can also refer to many different sizes ranging from 1.3 - 2.5 shaku (39.4 - 75.7 cm) and longer. The shakuhachi is frequently made from the root portion of a thick-walled bamboo (known as madake in Japanese).
If you see a Japanese bamboo flute you can see that it looks simple in appearance. But, did you know that it is very difficult to play? If played by a master this bamboo flute can create amazing, subtle, sensual music - prized as being perfect for meditation and relaxation. It's beautiful, soulful sound is wonderful to listen to when you are taking a good rest or are relaxing or getting ready for sleep. If you are into Zen then having a Japanese bamboo flute can help you with your focus. The soothing sounds that the bamboo flute make create a calm feeling. Did you know that The Zen flute came from China to Japan sometime in the 6th century? The instrument was then adopted by a sect of Zen Buddhist monks around the 15th century. This fact definitely explains the bamboo flutes long relationship with martial arts.
If you are looking for an instrument for your energetic child to learn, look no further. The Shakuhachi will help calm your child's soul and give them focus and concentration. Imagine if your child took up the bamboo flute as one of their hobbies. Not only it is safe but at the same time your children will be musically inclined and be calmer and more focused because of their daily practice.
Another good thing about bamboo flutes is that you can buy them cheaply or you can make them at home. If you are going to make a homemade bamboo flute just make sure to have the right guidelines and information. You need to know the proper measurements, the holes and the exact length and weight of a good bamboo flute which you can find online. Get yourself a bamboo flute and have soothing and relaxing sounds anytime you want in your own home!
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Articles Source: The Japanese Bamboo Flute - Ezinemark.com
Friday, November 17, 2017
|Photo by conner395|
In the early 17th century pipers were not given an official role in the regiment - even when the role of piper and drummer and bugle player were recognized - indeed sometimes the piper was sometimes listed as a 'drummer' on any military records. The first official recognition of the piper was in 1679, and they played an integral part of the regiment greatly boosting the morale of the troops.
Following the battle of Culloden, the victorious Hanoverians banned bagpipes, this was at the same time that the wearing of tartan was always banned.
Playing military pipes was seen as on a par with any the role of any other member of the regiment - highlighted by the sentencing to death of a piper in the regiment captured during the 1745 uprising.
'A Highland regiment never marched without a piper... therefore his bagpipe, in the eye of the law, was an instrument of war'
So what music did military pipers play - there were three types of 'pibrochs' (tunes) - as well as tunes for marching to and well as laments for playing at funerals. Many of the pibrochs were inspired by famous battles, in particular, the Jacobite Rebellion. As such some tunes are linked to certain regiments.
In 1840, the popularity of military pipe bands was given a boost - Queen Victoria's enthusiasm for all things Highland was behind the War Office's decision to provide each of the Highland Regiments five pipers and a Pipe Major. Pipe bands grew in reputation both at home and abroad a positive image of Scotland. While pipers were forbidden from playing in trenches many pipers disobeyed this order and many were killed alongside their comrades, with some pipers receiving the Victorian Cross for their bravery. Military pipers were also present in more recent conflict including the Gulf War. Today pipers in the army are also required to take on a secondary role in the army, such as a medic.
Today military pipe bands, also referred to as 'pipe and drums' have expanded and are common outside of the military and thousands of civilian pipe bands have sprung up all over the world
Pipe band proficiency is typically measured in grades from 1-4. With grade 1 the highest level and grade 4 the most basic or training level. Traditional Pipe bands are made up of a section of pipers, a section of snare drummers, several tenor drummers and a single bass drummer.
Countries that have strong cultural links to Scotland such as America, Canada, and Australia also have a 1000s of pipe bands which celebrate their shared Celtic heritage.
At the annual World Pipe Band Championships pipe bands from around the world come together to perform. The Edinburgh Tattoo is also a key fixture for pipe bands - military bands from around the world play together to create a magnificent sound and spectacle.
An important part of playing in a pipe band is the specific dress that is worm, this allows members to feel part of Scottish Heritage and the impressive look of the uniform adds to the spectacle.
Monday, November 13, 2017
Friday, November 3, 2017
|Flute keys (Yamaha concert flute) (Photo credit: Wikipedia)|
One of the weakest points on the flute is where the foot joint joins the body. This is called the lower tenon and can be easily damaged. The foot joint can become loose and cause air leakage and loss of sound or become too tight and be very difficult to remove or put on. This can lead to numerous problems. The fact is that the foot joint is long, almost 6 inches in some cases, and the tenon that supports its weight is only half an inch long. Supporting that much weight and length as well as being constantly put under the pressure of the keys being pushed down can tend to take it's toll if not maintained.
Like the body of the flute, the foot joint keys, springs and pads have to be maintained. Replacing, levelling, and seating all have to be done in order to have the keys seal correctly and thus allow the lower notes to play.
Almost all of the keys of the flute work in conjunction with one or more other keys. This means that when you press down on one key it may also cause one or more other keys to be pressed down at the same time. These keys have to be regulated so that when it is required that two or more keys close at the same time, it has to be the same time or you will have loss of sound and the flute won't play. Regulating the keys so that they work in this fashion is probably the most vital repair of the instrument. It requires a delicate balance of bending and levelling the keys as well as seating the pads better and adjusting spring tensions.
The final result of all of this should be a flute that is solid feeling, with no rattles or excessive key noise. No sticky pads or loose feeling keys. When you press the keys it should be very light pressure with a big sound and minimal effort. The last thing you want when you are playing the flute or any instrument really is to be fighting with the physicalness of it instead of just enjoying the artistic and creative nature of it.
To sum it up, you need to have respect for the instrument you are playing and give it the attention it needs. Care and maintenance mean that it will always perform the way it is intended to play and you will enjoy your creativity uninterrupted by physical glitches.
Tuesday, October 31, 2017
|Photo by Silly Little Man|
Playing of the bagpipes is rapidly becoming something of a lost art, but those who choose to take up the instrument will find a world of pleasure. Learning to play the instrument itself is somewhat difficult, and hinges on a trio of important opening steps: the purchase and playing of a practice chanter, the use of an instruction book and lessons from a teacher.
A practice chanter looks something like a recorder that many of us played for a time in elementary school. The practice chanter should be used well in advance of picking up a full instrument in order for the student become acquainted with the method behind playing the bagpipes. Later the practice chanter will become a way to practice songs, learn highly complex fingering sequences and to take to places where pulling out the entire instrument is just not feasible. Look for a practice chanter of a good design, featuring a good reed. Quality is highly important at this stage because a student learning to play needs to learn on a reliable instrument.
At this point, the student needs to incorporate both a practice book published by a reputable source and, if at all possible, lessons with an instructor. This is important because the student needs to know fingerings of notes and technique well in advance of picking up an actual bagpipe. Search hard for a formal instructor, or even just an accomplished player, to help with hands-on, real-life experience.
After the practice chanter is mastered, the student can move on to the actual bagpipe. The first step in picking up the entire instrument is basically to pick it up in parts. At first, students need to use a "goose," which is a bagpipe without its three drones. The drones are simple tubes, each usually featuring a single reed, which lay over the shoulder or across the arm opposite the bag. Players change the pitch of the tune by manipulating the drones. Using the "goose" lets the student begin to play while concentrating on developing adequate breathing techniques and learning bag control.
The process of setting up a pipe, its reeds and the tuning process can be highly complicated and can take years for a beginning player to learn and fully master. This is yet another reason why some instruction from an experienced player or professional tutor is essential. Care of the instrument includes the ability to put it together and take it apart correctly from the beginning, and these are skills more easily learned from an experienced individual than from a book or a tutorial video.
With some work, a player wanting to learn to play the bagpipe can begin to master the craft. All it takes is the proper equipment and adequate instruction, and a would-be player can be belting out tunes in seemingly no time at all. Find a reputable provider of the necessary equipment, along with a teacher to help along the way, and the ability to play the bagpipes is well within grasp.
Saturday, October 28, 2017
Tuesday, October 10, 2017
|Photo by chidorian|
The tin whistle is a simple instrument -- and it's simple to play, and simple to play easy tunes. But -- it's not simple to master! The instrument may be cheap, but you'll have to pay for mastery ... by practicing! The haunting whistle tunes from the movie "Titanic" illustrate the deep soul found in this instrument.
This instrument is commonly made from metal (usually brass) with a molded whistle mouthpiece. By playing it open (not covering any of the six fingerholes), then by covering each fingerhole in turn, you can play the 7 notes in a diatonic (a simple Do-Re-Mi scale -- essentially the white keys on a piano) scale. Blow a little bit harder and you'll play the same note, but an octave higher. While it is a diatonic instrument, you can achieve sharps and flats by half-covering fingerholes.
Since there are essentially only two open notes -- a note, then the note an octave higher when you blow harder -- each tin whistle is said to represent a certain Key signature. For instance, if the open note sounds a "D", then the whistle is considered to be in the key of D. Many players carry a small set of whistles in the most commonly used keys.
Some people don't realize you can actually tune a tin whistle! You do so by sliding the metal barrel of the whistle in and out of the mouthpiece head. Some whistles have the head glues securely to the barrel. You can usually loosen the glue by holding the joined portion under hot running water. Don't use boiling water -- this may melt the plastic whistle head!
Key signatures commonly found in Celtic Music are "D Major" and "G Major". By default, all tin whistles are in a Major key (since they play a diatonic scale). However, if you begin your scale with all the fingerholes covered (instead of all fingerholes open), then you're beginning one step higher than a diatonic scale -- which results in a minor key signature! For instance, a tin whistle in "D" can play in E Minor if you begin your scale by covering all the fingerholes. Interestingly enough, the chord sequence "E Minor" and "D Major" is commonly found in Celtic Music. (This is the same chord sequence used in "What Would You Do with A Drunken Sailor".) A whistle in "G Major" could easily play in A Minor (A Minor and G being another commonly found chord sequence).
Thursday, September 14, 2017
So you've decided to play the flute. Terrific decision!
Now you need an instrument. If you're completely new to the flute world, this may be a hard decision, but here are a few suggestions to get you started.
First, develop a budget. Just like any major purchase, your wallet should guide you. The more money you have to spend, the higher quality instrument you can acquire.
|Romantic 14 keys flute (Photo credit: Wikipedia)|
The biggest factor in determining the price is the metal your flute is made from.
Student flutes are made from plated silver, where higher end flutes are built out of solid silver.
It is also possible to "split the difference" and get a flute with a plated silver body and a solid silver head joint. This is a good option for those on a limited budget because the head joint contributes more to the tone quality of the flute.
If money is no object, you can buy flutes made from gold, yellow gold, rose gold, and even platinum.
There are a number of features that can drive up the price of a flute.
The traditional flute extends down to a low C, or middle C. With a B-foot joint, you can play the B below that C.
Is this a necessary option?
No, not at all. It's kind of a status symbol among flutists and some argue that the increased length of tubing improves the tone. This is highly subjective, however, and that low B is hardly ever played! You can do just fine without the low B-foot joint.
Another popular flute upgrade is the "open hole" flute. On this type of flute, the keys look like little donuts; that is, there are holes in the middle of the keys.
The benefit of this? Proper finger placement is one. The fingers must cover these holes in order for the notes to sound, so sloppy fingering can't be tolerated.
Improved tone quality is also a purported benefit.
For those flutists that are into "extended techniques," lots of cool effects can be obtained with open-hole keys, such as sliding the fingers off the keys for "smeary" sounds, playing half tones, or even playing Irish-style or penny-whistle style music.
Are open holes necessary? Not at all.
The lip plate on head joints can be engraved with a floral or scroll pattern. This not only makes the flute more beautiful but prevents slippage of the flute against the chin. Necessary? No. Fun? Of course! I have this option on my flute and I really love it.
So where to buy your flute?
A music store is the obvious answer. In addition to purchasing outright, stores usually have a very reasonable rental program available to students who aren't sure if they will stick with the band program. Ask the store if this is available to adults as well.
Flutes that come back from the rental program can be a good deal for purchase. The store's repairman will overhaul the flute and then it is offered at a reduced price from new.
You can also find a flute for sale in the classified ads in the newspaper or just by asking around. Stop over at a local university and you will probably find notices of flutes for sale on bulletin boards in the music department.
In these instances, have a professional look at the flute first and give you an opinion.
You can find flutes for sale on eBay, too. Be sure that you have the option of trying the flute out first and sending it back if you aren't happy with it.
There are many instrument sellers online, probably the largest is The Woodwind and Brasswind, http://www.wwbw.com. You can get a great deal from this company and they will send the instrument out to you to try first, even more than one at a time.
Take your time, decide carefully, and get lots of opinions. Your flute will become a friend to you and if you buy it right the first time, it will last a lifetime.