Showing posts with label Woodwind Instruments. Show all posts
Showing posts with label Woodwind Instruments. Show all posts

Thursday, May 17, 2018

BAMBOO FLUTES

a saluang (bamboo flute) from West-Sumatra
A saluang (bamboo flute) from West-Sumatra (Photo credit: Wikipedia)
One of the many materials used to create the musical instruments known as flutes is bamboo. This is a tradition that stems back to the early generations of Australia and the Aborigines. The Chinese are also well known for using bamboo to create flutes but they are believed to have been directly influenced by those found in Australia.

Each of the flutes was hand carved from sticks of bamboo and then holes were placed in them for the fingers. A location towards the top of it was for the person to blow air into. The way the fingers covered up the holes was what determined what sounds that the flute produced. This is very similar to what most people know as a recorder. Bamboo flutes can be good for children to learn on too before they move on to more advanced models.

Today you can buy bamboo flutes to play as well but you need to be patient in getting on. Each of them is made custom and it can take up to six months before you order will be processed. Yet you will end up with a flute that is original and that you can make music with. They are also very beautiful so you will want to display it when you can for others to see.

Most bamboo flutes don’t have all of the musical ranges with them though. You can get them custom made with particular keys in place though. The majority of bamboo flutes out there though are in D minor. They also feature seven holes for the fingers to cover. You will definitely notice a different sound coming from a bamboo flute though. It is a very low and deep sound that is interesting. It is quite different though from the soft sound you get with a nickel flute.

Bamboo flutes often run a couple of hundred dollars due to the amount of detail that goes into the workmanship. Many of them are imported from other countries too. You can find them online as well as listen to the various sounds they offer. For those that enjoy the flute, this can be a great item to add to the mix.



Sunday, May 13, 2018

Band Instrument Repair - FLUTE - Body

Western concert flute 1
Western concert flute (Photo credit: Wikipedia)
Now the body of the flute is quite intricate. There are 18 keys on the body of a C flute. The number of springs can vary somewhat but it is around 13 give or take.

The springs can be made of steel or copper or bronze. Steel is the best and easiest to work on. They have to be adjusted for the right strength. They can be too weak, which can cause closing problems and leaks. Also, they can be too strong which can cause the same problem. You have to get a feel for the exact strength and that can vary from flute to flute. Some springs need to be replaced and that in itself can be very tedious indeed. Also, for the first while, as a beginner in flute repair you stab yourself with these little springs and it really hurts to put it mildly!

The pads also need to be taken care of and need to be replaced or reseated. They are made of felt and covered with 2 layers of fish bladder. I have no idea why they use fish bladder. Pads can get torn or punctured or just plain worn out. They are vital and cannot leak or the flute will lose some or all of it's volume.

Pad replacement is time consuming. Each ad is held in with a tiny screw and washer or a nylon snap. They vary in size and thickness. Once you have put them in you have to iron them and reseat them so that they will seal completely. To reseat them you have to wet them with alcohol and then clamp each key and pad, then heat them and if possible leave them overnight. It's not always possible to leave them overnight so I tend to put them in a pad oven and cook them for a couple of hours. This helps make the flute seal air tight when being played.

Next is to balance and regulate the keys with their newly seated pads.





Thursday, April 5, 2018

The Unusual Sounds Of The Vertical FLUTE

Flute Player
Photo   by DrBjorn 
The vertical flute is meant to be played in an upright position. There are three designs of a vertical flute, including the rim-blown flute, a transversely blown flute, and a tubular duct flute. While these three different types are referred to as a vertical flute, the rim-blown flute is more readily recognized as a vertical flute.

There does not appear to be any general date in the creation of this particular type of flute, and there does not appear to be any specific reason why these kinds of flutes were created. Most people are familiar with flutes that must be played when held in a horizontal position; the fact that this flute is meant to be played in an upright position makes it a unique flute.


While many will be unfamiliar with any of the terms mentioned above, such as the vertical flute, rim-blown flute, transversely blown flute or tubular duct flute, many are quite familiar with these kinds of flutes. Different kinds of flutes such as the recorder, or the tin whistle are examples of tubular duct flutes. They are, for the most part, played in an upright position, even if not completely vertical.

Some of the older versions of the vertical flutes have a tube that decreases in size from top to bottom, much like many of them still do today, and has six holes on the top. Unlike the recorder, though, there is no hole on the back of the flute for the thumb to cover. Like just about any type of flute, flutes that fall under the category of being a vertical flute have been around for a very long time. There is no specific period mentioned that would mark when the first vertical flute was created, but it is obvious that it has been around for hundreds of years by looking through the history books.

Today, they are relatively easy to acquire. Just about any kind of vertical flute can be purchased at a relatively inexpensive price, depending on the specific type of flute as some are more expensive than others. The sheet music is also fairly basic and easy to find. Used music stores also tend to have various types of vertical flutes that have been traded in by others who no longer had a use for them. These, of course, usually cost less than if someone were to purchase them new.

Some of these vertical flutes are taught to students at a young age who are attending grade school. The main reasons for this could easily be the cost, but also because the music is so basic and easy for young children to pick up. Some continue to play it on their own time after learning some of the basics in school because they enjoy playing it. It is not a complicated instrument and can be a perfect instrument to play for fun on one's own free time. These kinds of flutes can also be great for individuals who are new to playing a wind instrument because it gets them used to the basics of how to play such an instrument.

    Victor Epand is an expert consultant for used CDs, autographed CDs, and used musical instruments. - Article Directory: EzineArticles



Tuesday, March 20, 2018

Understanding Tone Production on the FLUTE in Easy Words

fluteplaying
Photo  by angelaathomas 
The flute is one of the most difficult instruments on which to produce a good tone. This is because the flute is the only instrument that relies solely on the performer's ability to direct his or her air column accurately and simultaneously continue to create space in his or her body for the sound to resonate. 

The other wind instruments have mouthpieces or reeds to guide their air, and the string family has a bow and resonating box built into the instrument that assists tone production. Understanding 3 basic principles will help beginning and intermediate flute players to both improve their tone on the instrument and make the good tone a consistent part of their playing.

The first principle of good tone is to get as much of your bottom lip on the lip plate as possible. Draw the corners of your lips forward so that they are hugging the lip plate. Do NOT pull them back in a smiling position. Bringing the corners of your lips forward creates more space in your mouth, therefore contributing to the size of your "resonating box". As a flute player, your resonating box consists of the sinus cavity, the space in your mouth and throat, and the chest cavity. This simple act also allows you to engage all of the muscles around your mouth area, which will give you more strength and flexibility when you attempt to change octave.

The second principle of good tone is to understand register production. The flute is capable of playing comfortably in 3 registers - low, middle, and high. It is the direction of your air column (the stream of air you are blowing over the tone hole) that will produce the register you are seeking to play. This should be the primary way you change your register. If you blow your air down, or more directly into the tone hole, you will produce the low register. 

The middle register is produced by blowing your air straight out across the tone hole (a parallel line from the hole you are making with your lips), and the high register is produced by directing your air column up like you are trying to blow a bee off of your nose. Other factors will contribute to the production of the different registers, but they should not be your primary focus because you will find that they all have their primary functions. For example, if you increase the size of the hole you are making with your lips, you will find the low register, but you will have also affected the color and pitch of your tone.


The third principle of good tone is to play with good, relaxed posture. Remember, the flute requires the performer's body to be its resonating box. Therefore, a flutist must sit up straight in his or her chair, or stand tall, when playing. Also, the flute requires the left arm of the player to reach across his or her body. A flutist must always remember to keep his or her shoulders square so that this arm does not decrease the size of the box around the lungs. The performer should attempt to play with as little tension in his or her muscles as possible so that tightened muscles do not inhibit the ability of the body to vibrate.

Of course, all of these techniques take practice and time to master, but with careful attention, determination, and practice, every flutist can play with the beautiful tone he or she desires.



Wednesday, March 14, 2018

Band Instrument Repair - FLUTE - Balancing and Regulating the Keys and Pads

English: A western concert flute devided into ...
A western concert flute divided into many parts. (Photo credit: Wikipedia)
Flute keys have to close exactly on the tone holes to seal them from air leakage and then an exact tone can be produced. The only way this can happen is to ensure the key is level and the tone hole is level and the pad has no holes or creases in them.

This is achieved by seating the pads correctly and then bending the keys and testing them continually until you get the best seal possible. We test the seal in several ways. One of the most common ways is to use a strip of cigarette paper. You place it between the rim of the tone hole and the pad and then close the key to see if the paper is grabbed or slips out. If it slips out, that means that air can get out of that space and thus you will lose sound and volume etc. I use a jeweler's eye loop to examine the hole more than I use the cigarette paper because I can get a closer look through the magnification and I find it quicker.

Bending the keys to make them level was at first very scary. You are working on a $300.00 and up instrument and you're taking a pair of flute pliers and bending the key to insure it is setting right over the hole. Yes, you occasionally break the keys right off. At first this is very unnerving but when you realize that you are suppose to be able to fix keys that are broken off, then it becomes no big deal. Once you realize that all the pieces of the flute had to be made and soldered together, you can rest assured that you can fix anything. We have recovered flutes that have been stepped on, sat on, jammed in doors etc., etc.

Alright so we took out all dents and bends, which is a science all on it's own. We made sure the springs are all intact and of the correct tension. We have checked and replaced and seated all the necessary pads. Finally, we bent and leveled all the keys and their pads over the tone holes so that we get as close to a perfect seal as possible.


Then we clamp the keys shut, to make a deep imprint in the pad, thus making a very air tight seal. We do this by first using a small pad iron to iron out any wrinkles from any new pads. Then you soak the pads with alcohol (this is one method). Apply the individual key clamps. Then you place the flute in a pad oven for a few hours. Pad ovens vary in size and shape. I use a long narrow leak light, which I put in the flute and then I put it in a wooden box. Some people don't use an oven.

After that, you'll get a great seal and the flute will play great. The volume will be great with no hissing or leaks.

After that if you give it regular hand cleaning and have someone a tech give it a once over every 6 months you get the best out of your flute and it will last a long time.




Saturday, February 24, 2018

How to Make a FLUTE - The All Important Mathematical Formula

Shot during first ancient music festival in megève
Shot during first ancient music festival in megève
(Photo credit: Wikipedia)
Ever wondered how to make a flute? I'm not talking about something cut from a drinking straw with scissors, or put together using a cardboard paper towel tube... I mean make a flute that's a genuine quality, professionally tuned musical instrument. Whether you use wood, PVC (flutes made from this material sound like blowing through glass - an excellent sound), or copper pipe (also sounds just as excellent) in flute making, there are a few mathematical things to keep in mind, but they all pretty much revolve around, and stem from, the one all-important mathematical formula involved in how to make flute type woodwind instruments or even those of other types. Do you know what this mathematical formula is? Well, I'll tell you...

If you want to know how to make a flute, you first need to know two numbers. The first one is the measurement of the speed of sound in inches (or centimeters, etc.) per second. In inches, that would be 13526.5, and in centimeters, that would be 34357.31 - this is how far in linear distance sound travels per second, at sea level, at about 70 degrees Fahrenheit, or at about 21 degrees Celsius. The second number to know in flute making is how many Hertz (frequency of vibration) that a particular given note resonates at. For a brief and simple example, let's say we use the note "A". The frequency of "A", in Hertz, is 440. Now we take the speed of sound in inches (or centimeters) per second and divide that number by the note's frequency, in this case, 440, and we will then have the measured length of the wavelength of the note "A". This would end up to be 30.74 inches, or 70.08 centimeters long.

The next step in how to make a flute is simple. With an open-ended flute, the body of the flute would actually need to be one half-wavelength long to play the fundamental note (the lowest note possible to play, with all finger holes closed) properly, in this case, "A". Due to other variable factors in flute making such as bore diameter, wall thickness and etc., the flute will actually need to be a tiny bit shorter - depending upon the thickness of the flute wall factoring in as well, this is generally about 1/3 of the bore diameter. Shorten the length little by little until the correct note is achieved. How to make flute embouchures or the blowing edge hole, is to make it half of the flute's bore diameter wide, measuring the center point of the hole to be a bore diameter's distance from the inner face of the closed end.



A very convenient part about knowing how to make a flute is in the fact that the above mathematical formula is also how you would find the positions for the finger holes' center points, according to the notes they are to play. How to make flute finger holes is to start small, slowly making them bigger as you "creep" them up the length of the flute towards the closed end until the right note is achieved. Finding the correct hole placements along the length of the flute's body is important, but anywhere around the body at that point along the length is fine for hole placements... this allows for the reach of different sized fingers and hands.

    If you'd like to learn more about how to make a flute, flutes of many types, or any homemade instruments of types such as woodwinds, percussion instruments or strings with precision, feel free visit my website on how to make your own music with homemade musical instruments you make yourself, at http://rockfreakinsolid.com - these aren't your kids' paper plate tambourines, plastic butter bowl drums or shoebox and rubber band guitars!

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Tuesday, February 13, 2018

Soothing Music: The NATIVE AMERICAN FLUTE

High-A Flute
Photo  by wplynn 
Native Americans are eager to share their ancestry with their families and friends. One of the ways they do this is through their music, particularly through the music of the Native American flute They want to ensure that their children have a strong link with their ancient culture, and music is an excellent way to teach non-Native Americans about this culture as well.

Mothers of small children often find that Native American flute music is very soothing for their babies. It seems to have a tranquil and calming effect on children. Songs played on the Native American flute can be introduced during naptime and before bedtime to calm children down. The music often puts children to sleep within just a few minutes. Experts have also recommended Native American flute music to families with small babies that have a hard time getting to sleep.

This music also represents an excellent tool for calming down a baby in situations where there may be difficult transitions for such young children, such as when many visitors come to the home. It is often difficult for small babies to adjust to the confusion and noise created by a large number of people at special occasions, and playing Native American flute music can help to calm a baby down in these circumstances.

The music of the Native American flute is very soft, and it creates a wonderful, soothing background for many situations. It is just the sound of keeping babies calm when there are a lot of people in the environment. Babies seem to focus on the flute sounds instead of on the loud noises generated by crowds. Having flute music playing in a room makes it easier for them to adjust to visitors.


Of course, adults will also enjoy the music of the Native American flute. It is easy to find interesting and unique Native American flute music on the Internet since many online stores offer selections of alternative music. It is also possible to purchase Native American flutes and sheet music. Several vendors offer musical compositions for the flute, and they sell Native American flutes as well.

Native American flute music is an excellent way to learn about and enjoy the special features of Native American culture. And since songs are often linked to memories, this music offers a good way to preserve the memory of special times.



Thursday, January 11, 2018

The Japanese BAMBOO FLUTE

Shakuhachi_player.jpg
Shakuhachi player (Photo credit: Wikipedia)
These days Japanese bamboo flutes or Shakuhachi flutes are used by a lot of practitioners of Zen Buddhism and meditation as well as for playing Jazz, Classical, Japanese folk music and improvisation. The soothing sound of the Japanese bamboo flute or Shakuhachi helps guide us, breath by breath, into a more relaxed and peaceful state of being, while gifting ourselves and others with the beauty of the unique sound.

The Shakuhachi bamboo flute is made from the very bottom of a bamboo tree, but versions now exist in ABS and hardwoods. The name shakuhachi is derived from the term "isshaku hassun" meaning one shaku and eight sun (1.8 Japanese feet). Generally, the term shakuhachi refers to the standard size instrument, which is 54.5 cm in length, but it can also refer to many different sizes ranging from 1.3 - 2.5 shaku (39.4 - 75.7 cm) and longer. The shakuhachi is frequently made from the root portion of a thick-walled bamboo (known as madake in Japanese).

If you see a Japanese bamboo flute you can see that it looks simple in appearance. But, did you know that it is very difficult to play? If played by a master this bamboo flute can create amazing, subtle, sensual music - prized as being perfect for meditation and relaxation. It's beautiful, soulful sound is wonderful to listen to when you are taking a good rest or are relaxing or getting ready for sleep. If you are into Zen then having a Japanese bamboo flute can help you with your focus. The soothing sounds that the bamboo flute make create a calm feeling. Did you know that The Zen flute came from China to Japan sometime in the 6th century? The instrument was then adopted by a sect of Zen Buddhist monks around the 15th century. This fact definitely explains the bamboo flutes long relationship with martial arts.

If you are looking for an instrument for your energetic child to learn, look no further. The Shakuhachi will help calm your child's soul and give them focus and concentration. Imagine if your child took up the bamboo flute as one of their hobbies. Not only it is safe but at the same time your children will be musically inclined and be calmer and more focused because of their daily practice.
Another good thing about bamboo flutes is that you can buy them cheaply or you can make them at home. If you are going to make a homemade bamboo flute just make sure to have the right guidelines and information. You need to know the proper measurements, the holes and the exact length and weight of a good bamboo flute which you can find online. Get yourself a bamboo flute and have soothing and relaxing sounds anytime you want in your own home!





Monday, November 13, 2017

RECORDER - Music-Instruments of the World

Recorder - Music-Instruments of the World



Tuesday, October 31, 2017

Playing the BAGPIPES: What to Know and What It Takes?

Mr Bagpipes
Photo  by Silly Little Man 
BAGPIPES are ancient and enchantingly beautiful sounding instruments in the world. They arouse feelings of honour, loss and profound respect. Maybe you have wondered what it takes to play the bagpipes. With that bag and all those pipes, it may be a little daunting to know how to even begin. However, if you take the steps listed below, that big goal to play the bagpipes suddenly seems manageable.

Playing of the bagpipes is rapidly becoming something of a lost art, but those who choose to take up the instrument will find a world of pleasure. Learning to play the instrument itself is somewhat difficult, and hinges on a trio of important opening steps: the purchase and playing of a practice chanter, the use of an instruction book and lessons from a teacher.


A practice chanter looks something like a recorder that many of us played for a time in elementary school. The practice chanter should be used well in advance of picking up a full instrument in order for the student become acquainted with the method behind playing the bagpipes. Later the practice chanter will become a way to practice songs, learn highly complex fingering sequences and to take to places where pulling out the entire instrument is just not feasible. Look for a practice chanter of a good design, featuring a good reed. Quality is highly important at this stage because a student learning to play needs to learn on a reliable instrument.

At this point, the student needs to incorporate both a practice book published by a reputable source and, if at all possible, lessons with an instructor. This is important because the student needs to know fingerings of notes and technique well in advance of picking up an actual bagpipe. Search hard for a formal instructor, or even just an accomplished player, to help with hands-on, real-life experience.

After the practice chanter is mastered, the student can move on to the actual bagpipe. The first step in picking up the entire instrument is basically to pick it up in parts. At first, students need to use a "goose," which is a bagpipe without its three drones. The drones are simple tubes, each usually featuring a single reed, which lay over the shoulder or across the arm opposite the bag. Players change the pitch of the tune by manipulating the drones. Using the "goose" lets the student begin to play while concentrating on developing adequate breathing techniques and learning bag control.



The process of setting up a pipe, its reeds and the tuning process can be highly complicated and can take years for a beginning player to learn and fully master. This is yet another reason why some instruction from an experienced player or professional tutor is essential. Care of the instrument includes the ability to put it together and take it apart correctly from the beginning, and these are skills more easily learned from an experienced individual than from a book or a tutorial video.

With some work, a player wanting to learn to play the bagpipe can begin to master the craft. All it takes is the proper equipment and adequate instruction, and a would-be player can be belting out tunes in seemingly no time at all. Find a reputable provider of the necessary equipment, along with a teacher to help along the way, and the ability to play the bagpipes is well within grasp.

    Joshua Perry Joshua Perry - ArticleSource: GoArticles



Saturday, October 28, 2017

BAGPIPE - Music-Instruments of the World

Bagpipe - Music-Instruments of the World



Tuesday, October 10, 2017

CELTIC MUSIC - The Tin Whistle

Whistle
Photo  by chidorian 
The Tin Whistle (sometimes called a pennywhistle) is a simple and cheap instrument. It's simply a metal tube with six fingerholes and a mouthpiece (much like a recorder); it has a range of about two octaves. Costs range from a few dollars to a few hundred dollars -- although some of the best players play only the cheaper brands.

The tin whistle is a simple instrument -- and it's simple to play, and simple to play easy tunes. But -- it's not simple to master! The instrument may be cheap, but you'll have to pay for mastery ... by practicing! The haunting whistle tunes from the movie "Titanic" illustrate the deep soul found in this instrument.

This instrument is commonly made from metal (usually brass) with a molded whistle mouthpiece. By playing it open (not covering any of the six fingerholes), then by covering each fingerhole in turn, you can play the 7 notes in a diatonic (a simple Do-Re-Mi scale -- essentially the white keys on a piano) scale. Blow a little bit harder and you'll play the same note, but an octave higher. While it is a diatonic instrument, you can achieve sharps and flats by half-covering fingerholes.

Since there are essentially only two open notes -- a note, then the note an octave higher when you blow harder -- each tin whistle is said to represent a certain Key signature. For instance, if the open note sounds a "D", then the whistle is considered to be in the key of D. Many players carry a small set of whistles in the most commonly used keys.

Some people don't realize you can actually tune a tin whistle! You do so by sliding the metal barrel of the whistle in and out of the mouthpiece head. Some whistles have the head glues securely to the barrel. You can usually loosen the glue by holding the joined portion under hot running water. Don't use boiling water -- this may melt the plastic whistle head!


Key signatures commonly found in Celtic Music are "D Major" and "G Major". By default, all tin whistles are in a Major key (since they play a diatonic scale). However, if you begin your scale with all the fingerholes covered (instead of all fingerholes open), then you're beginning one step higher than a diatonic scale -- which results in a minor key signature! For instance, a tin whistle in "D" can play in E Minor if you begin your scale by covering all the fingerholes. Interestingly enough, the chord sequence "E Minor" and "D Major" is commonly found in Celtic Music. (This is the same chord sequence used in "What Would You Do with A Drunken Sailor".) A whistle in "G Major" could easily play in A Minor (A Minor and G being another commonly found chord sequence).




Thursday, September 14, 2017

How to Buy a FLUTE

So you've decided to play the flute.  Terrific decision!

Now you need an instrument.  If you're completely new to the flute world, this may be a hard decision, but here are a few suggestions to get you started.

First, develop a budget.  Just like any major purchase, your wallet should guide you.  The more money you have to spend, the higher quality instrument you can acquire.

romantic 14 keys flute
Romantic 14 keys flute (Photo credit: Wikipedia)

The biggest factor in determining the price is the metal your flute is made from.

Student flutes are made from plated silver, where higher end flutes are built out of solid silver.

It is also possible to "split the difference" and get a flute with a plated silver body and a solid silver head joint.  This is a good option for those on a limited budget because the head joint contributes more to the tone quality of the flute.

If money is no object, you can buy flutes made from gold, yellow gold, rose gold, and even platinum.

There are a number of features that can drive up the price of a flute.

The traditional flute extends down to a low C, or middle C.  With a B-foot joint, you can play the B below that C.

Is this a necessary option?

No, not at all.  It's kind of a status symbol among flutists and some argue that the increased length of tubing improves the tone.  This is highly subjective, however, and that low B is hardly ever played!  You can do just fine without the low B-foot joint.

Another popular flute upgrade is the "open hole" flute.  On this type of flute, the keys look like little donuts; that is, there are holes in the middle of the keys.

The benefit of this?  Proper finger placement is one.  The fingers must cover these holes in order for the notes to sound, so sloppy fingering can't be tolerated.

Improved tone quality is also a purported benefit.

For those flutists that are into "extended techniques," lots of cool effects can be obtained with open-hole keys, such as sliding the fingers off the keys for "smeary" sounds, playing half tones, or even playing Irish-style or penny-whistle style music.

Are open holes necessary?  Not at all.

The lip plate on head joints can be engraved with a floral or scroll pattern.  This not only makes the flute more beautiful but prevents slippage of the flute against the chin.  Necessary?  No.  Fun?  Of course!  I have this option on my flute and I really love it.

So where to buy your flute?

A music store is the obvious answer.  In addition to purchasing outright, stores usually have a very reasonable rental program available to students who aren't sure if they will stick with the band program.  Ask the store if this is available to adults as well.

Flutes that come back from the rental program can be a good deal for purchase.  The store's repairman will overhaul the flute and then it is offered at a reduced price from new.



You can also find a flute for sale in the classified ads in the newspaper or just by asking around.  Stop over at a local university and you will probably find notices of flutes for sale on bulletin boards in the music department.

In these instances, have a professional look at the flute first and give you an opinion.

You can find flutes for sale on eBay, too.  Be sure that you have the option of trying the flute out first and sending it back if you aren't happy with it.

There are many instrument sellers online, probably the largest is The Woodwind and Brasswind, http://www.wwbw.com.  You can get a great deal from this company and they will send the instrument out to you to try first, even more than one at a time.

Take your time, decide carefully, and get lots of opinions.  Your flute will become a friend to you and if you buy it right the first time, it will last a lifetime.

    Kathy Ferneau has been a passionate flutist for 40 years! Her web site contains the most extensive collection of flute figurines on the Internet. Check them out! http://www.cyberflute.com/

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Saturday, September 9, 2017

CLARINET MOUTHPIECE Basics - Choosing a CLARINET Mouthpiece

Your choice of clarinet mouthpiece will largely affect the quality and type of sound that you will produce. After all, the mouthpiece is where sound starts and clarinet players have to use the right mouthpiece according to their level of expertise. Choosing a clarinet mouthpiece according to your specific needs and expertise is important to avoid problems while playing.

The mouthpiece has several purposes. First of all, it allows the user to get air vibrating through the clarinet in order to produce sound. And second, the mouthpiece works to hold the reed in place. A lot of things go into the decision on the type of mouthpiece that you should use. These include the material, interior and exterior design and the mouthpiece facing.

In a clarinet, facing on a mouthpiece is also referred to as the lay. This is the part where the reed sits in the mouthpiece. The size and length of the facing can affect the timbre of sound that the clarinet produces but it's not a focus of concern when choosing a clarinet mouthpiece.

Mouthpieces can be made of various materials. Most are made of plastic. Pieces made of wood or glass are rare. Even the material can affect the quality of the tone produced although many beginners cannot even tell the difference. As such, it's better to base your decision on your budget. You want to assess the practicality of purchasing a mouthpiece that is made from a specialty material in relation to the sound that it produces at your particular stage of expertise.

When choosing a clarinet mouthpiece it's also a good idea to look at the mouthpiece bore. If you want to produce a focused and compact tone, opt for a clarinet mouthpiece that has a small bore. A larger one is required if you want to create a dark and mellow tone.




Saturday, August 12, 2017

NATIVE AMERICAN FLUTE - Music-Instruments of the World

Native American Flute



Friday, August 11, 2017

Adjusting BASSOON REEDS

Are you collecting musical instruments since you have this dream to learn to play as many instruments as you can? Well, you have an extremely unique goal in your life and if you are really determined to do it; you'll definitely reach it the end. All you need to do is to apply your patience and do it with proper timing. Each step must be taken one at a time. Do you already have a bassoon? Is it still functioning well or can you sense some problem for it can't achieve or hit perfect notes? The pitch is wobbling, isn't it? Your bassoon reed is probably a problem now. But, what really are bassoon reeds and how can you adjust them?
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Bassoon Reed - Photo by sigurdga 

Bassoon reeds are important parts that make up your instrument and they are frequently made out of two pieces of thin wood and they must be made for good and satisfying performance. However, the natural variations of the materials and your personal technique in playing the instrument can greatly affect the overall sound produced by the reed. Sounds very right? Thus, a player's style of playing the bassoon and the reeds are among the two main reasons for these differences.

Proper adjustments of the bassoon reeds are really necessary because it will affect the way you play the instrument and if you don't know how, this article will reveal to you some important considerations in doing the adjustments. You need tools and a bit of trial and error in the process so you can determine the defect. Gather the tools first, such as plaque, knife, needle nose pliers, small flat file, mandrel, electronic tuner, and lastly the 35-400 grit sandpaper.



After you've completed those materials you need, moisten the reed and test by playing different notes. Be attentive in hearing the notes and note any problem. Then, adjust two wires with the use of pliers and clip the end of the reed to maintain it and so to increase the pitch if it is flat. Clipping of the reed will enhance the ability of playing high notes.

After which, put the plaque in between two halves of the reed and file down the back area of the reed for you to lessen the buzzing and shard effect of notes when played. End the process by doing again the testing. If you need more adjustments, consider an expert or search for more information online.




Wednesday, July 12, 2017

The Medieval Sounds of the RECORDER

Soprano Recorder
Soprano Recorder (Photo credit: Wikipedia)
The recorder is a type of flute that belongs to the woodwind musical instrument family, and is more specifically a fipple flute. The recorder is a long tube with a wide mouth piece that the musician blows directly into. It has seven holes for fingers, one hole on the back of the instrument for a thumb and the tube tapers a little near the end of the recorder. This particular instrument has not changed much since it was popular in medieval times, which is when it was fairly popular until people appeared to lose interest in it during the 1700s.

During the 1700s, when interest in the recorder started to decline, people were beginning to favor other woodwind instruments like the flute, clarinet and the oboe. The reason for this change of interest could be that the recorder was a fairly simple instrument that was not overly complex and did not have a wide range of sounds. The other instruments offered a wider range of sounds that were quite possibly more appealing to people at the time. It could also be that people did not have much use for recorders anymore. The sound of the recorder was often associated with the sounds of birds, funerals, marriages and even shepherds when played. In fact, Vivaldi and Bach, too noted musicians, often used the recorder in their music. 

Even though the recorder may have lost popularity at one time, it was still being used. The use of the recorder would also become a little more popular during the 1900s. The biggest reason for this could be that this woodwind instrument is fairly easy to learn how to play. It is also inexpensive and easy to supply to students in schools. For this reason, many elementary schools will introduce the children in a certain grade to the recorder. For most, this will be the first instrument they will have learned how to play. It will also be the first time that many of them will see and learn how to read simple sheet music.

The instrument may not have a large range or variety of different sounds, but it is simple to play and its sound can be fairly calming and soothing. Some people don't like the sound of it, but when played right the sound can actually be quite nice. Many will not choose to play the recorder for the rest of their lives. Many would prefer to choose more complicated instruments that offer more variety in the different sounds they can make.



The recorder, however, can be the perfect first instrument for anyone who has never played an instrument before or ever seen sheet music; it is a great instrument to play when trying to learn simple sheet music. When people get comfortable with the basics, changing to a more complex instrument will be a lot easier. In the end, it may not be the instrument to choose when looking for something to play throughout your musical career, but it could be a good backup instrument that could add to the song. It may be simple, and it might not be very dynamic, but it does have a sound that is unique to its own.

    By Victor Epand
    Victor Epand is an expert consultant for used CDs, autographed CDs, and used musical instruments.
    Article Source: EzineArticles