Monday, November 19, 2018

Theater Art - KABUKI

Kabuki Theater
Kabuki Theater (Photo credit: Wikipedia)
Kabuki is a traditional Japanese theater art. The word Kabuki is derived from the Japanese word kabuki which means avant-garde or bizarre theater. Kabukimono were youngsters who were rebellious and used to dress strangely. Because the kanji characters sing and dance, kabuki also means the art of singing and dancing.   

This work has been tampered with over a period of time. The kabuki which we witness now isn’t the same what it used to be before. The founder of this art was Okuni, who was a young lady who served a Shinto shrine named Izumo Taisha. She gained attention by adapting a completely new dance form at the theaters at the dry river beds of Kyoto in the year 1603. Basically, it started with an only female artist who even did the role of men. The stories were based on the common people with a comedic twist. After the initial success, Okuni was invited to show her performance at the royal court. Out of envy, other troupes began adopting the same style of dancing and kabuki became a common style. The women involved in kabuki began entering prostitution so they were banned from performing further and men took over their place. The attention shifted from dance to performance. But the performance by the men also became salacious and they too started prostitution as a side profession and worked for both men and women customers. This affected the audiences which attended this performance they became ill-mannered and a fight used to break out over a young and handsome actor. This led to the imposing of a ban on young male actors too.

Kabuki then became a field of art for matured men. These men put in more effort to bring up the reputation of kabuki. The men who performed the role of women were known as Oyama or Onnagata. Basically, there were two types of a role named Aragoto or rough style and Wagoto or Sakata tojuro. Yaro kabuki or men’s kabuki was the stylized version and Kyogen comic theater was a very influential factor as it was very popular then. 

The kabuki artists wore detailed makeup. Aragoto character or the reckless warrior character has a pompous role with bright clothing and loud makeup. The style too is loud and exaggerated and involves more action.  On the contrary, Wagoto is a more cultured role with decent dialogue delivery and gestures.



The Genroku period showed more interest in Kabuki arts. It had started to be performed in formal theaters. Chikamatsu Monzaemon was the first known playwright of kabuki and later on produced many other renowned works. His works revolve around tragic-romances where the lovers used to suicide in the end. Many followed this theme which forced the authorities to put a ban on such kinds of plays known as Shinju Mono. After few years of success, kabuki was taken over by Bunraku or Puppetry. This was due to the increase in the number of Bunraku playwrights. 

But after the defeat of Tokugawa Shogunate Empire in 1868 kabuki arts returned to its full form. Initially, a kabuki performance was made in front of the king Meiji. It caught his interest in the first instance. Many kabuki theaters were brought up during that era.

During the World War II, many theaters were lost during the bombing and a ban was levied on kabuki. But in 1947, the kabuki performances started again with the lift of the ban and once again began to flourish across the country.


Saturday, November 17, 2018

CD ACCOPANIMENT For VIOLIN PLAYER And More: Find Great Choices At Music Minus One

English: Violin with sheet music in a repair s...
Violin with sheet music in a repair shop, Salzburg (Photo credit: Wikipedia)
Accompaniment CDs make violin practice more fun and enjoyable. Music Minus One has always specialized in selling musicians the best choices for sheet music and audio accompaniment and, with our online store, it's never been easier to begin discovering the difference that our products can make for your musical life.

Music Minus One first started to offer our customers a unique way to practice over sixty years ago. Since 1950, we've continued to ensure that we maintain our current position as the top choice in sheet music and audio accompaniment by constantly expanding our catalog. Our mission has always been to help musicians find the most enjoyable way to improve playing their instrument. Music Minus One works hard to ensure that we're the number one choice for players of all genres of music and all types of instruments by stocking plenty of options for every style and every skill level.

Our store is a complete resource for all types of musicians. Music Minus One sells accompaniment CDs for violin, piano, guitar and much more. We are dedicated to giving every one of our customers a great choice for their sheet music and CD needs and stock exceptional options for nearly every instrument and vocalist. The Music Minus One online store currently sells accompaniment CDs for violin, drums, harmonica, accordion, oboe, saxophone, flute, electric bass, harp, vocalists [across all ranges and styles] and much, much more. Our products span many different genres of music, from modern pop and folk to baroque, gospel, Broadway and more. Every type of musician is bound to find the type of sheet music and audio accompaniment they desire when shopping the selection available through Music Minus One.

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Get the most out of your time playing or practicing your instrument by shopping for violin accompaniment CDs and more at Music Minus One. We maintain a comprehensive range of choices for any musician to shop from and are always.

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Friday, November 16, 2018

NEW YORK ORCHESTRA

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"Toscaniniontour". Licensed under PD-US via Wikipedia.
Entertainment is certainly a very popular element found all over in New York. People love to see live music and they can find it where various types of orchestras person. You can even listen to them when you are at live productions such as the Phantom of the Opera. There are certainly some wonderful productions in New York that one can enjoy. Some of them take place on a regular basis and others only perform on a special basis.

The longest running orchestra in the United States is the Philharmonic. They have been in place since 1842. They have performed more than 15,000 shows and they always get rave reviews for their efforts. Tickets for their shows sell out fast and there are always plenty of people who show up for tryouts to be a part of this musical group. Plan to pay a premium price though for any performance by this well known New York group.

If you will be traveling to New York in the future, check online to find out about the various orchestra performances that will be taking place. This can be a wonderful treat when you get some time to relax. Many of them are at really nice locations and so you can decide to have a nice dinner that evening as well.

Sometimes though various New York orchestras have been known to travel to other locations. You may find you are able to catch a performance of theirs much closer to home. They are definitely worth the price of a ticket though as you won’t find live music this great too many other places. Yet if you can’t get enough of it you can buy CDs with the sounds of the New York orchestra on them. You can also download songs to your iPod.



For those that have big musical dreams, the quest for being accepted to join one of the various orchestras in New York is one that can come true. It takes plenty of hard work and dedication in order to do so. Of course, there is a great deal of pride that comes with the territory when you are performing in the New York orchestra.



Thursday, November 15, 2018

CONTRABASS TROMBONE - Music Instruments of the World

Contrabass Trombone - Music Instruments of the World



Wednesday, November 14, 2018

Trumpet - Tone Versus Range

English: Trumpet mouthpiece front view large
Trumpet mouthpiece front view large  - (Photo credit: Wikipedia)
In the trumpet world, high note playing is perceived as one of the more difficult tasks of learning to play.  Trumpeters tend to believe that they have to switch to a "jazz mouthpiece" to achieve high notes on a trumpet.  So then they have this belief that they play 2 different mouthpieces - one for tone, one for high notes.

What's interesting to me is that while some mouthpieces can tend to aid in the ease of producing faster air, that's all a high note really is.  Players who turn to shallower cups tend to play with a brighter sound in general (hence the jazz mouthpiece).  Once in a concert setting, they tend to return to a "C" cup or a "B" cup and regain a "classical" tone (hence the classical mouthpieces).

If a player learned to develop a clear upper register on a "C" cup, they wouldn't necessarily have to switch mouthpieces and confuse muscles, air stream, embouchure, or their minds with varying degrees of myths!

The mouthpiece that I've developed is close to a "C" depth, what I've changed for my playing is the rim size.  I have found that the rim size affects my comfort - not my tone.  There are other variables in the anatomy of a mouthpiece that will either enhance or hinder one's tone and range, such as backbore, throat size, etc.  But if we stay with a standard backbore and throat, such as in the Bach line of mouthpieces, we can change tone just by changing cup depth.


This is what most trumpet players don't want to face up to - if we just did the work without looking for equipment to do it for us, we'd come out with a lot more money in our pockets and a lot less frustrated!  My line of mouthpieces are great because they don't offer a bunch of hocus-pocus, empty promises, or claims that they will give you range that you don't already have... they do offer a more comfortable rim, and variable rim sizes in a kit form - something that most manufacturers don't do.