As a fan of the electric guitar and an enthusiastic player of acoustic music, I would like to share some of the most fascinating aspects of the nylon string guitar to give you an idea of the beauty of this instrument as a stepping stone for beginner guitarists or as the subject of a lifelong devotion. Although a nylon string guitar fan can go on and on about the wonderful mellow sound and the potential for extracting new meaning from music, maybe we can focus on the more practical aspects of the nylon string acoustic like the different styles of music played on it and the advantages it can hold for an amateur or professional guitarist.
First let's talk about the types of guitars using nylon strings. Many experts say the flamenco guitar with its dry sound is more typical of what a guitar was like before the emergence of the sonorous and lyrical sound of the classical guitar which evolved in the first half of the twentieth century. The flamenco guitar has always been common in some areas of Spain, and it is simply the musical instrument used by a family or group of friends to play the local folk music. The classical guitar was developed to play the classical style compositions which became popular in the nineteenth and twentieth centuries. A descendent of the classical guitar is the basic nylon string acoustic guitar you see in music stores today. It lends itself to the accompaniment of all types of songs and was made popular in the 1960's folk boom by artists like Pete Seeger, Bob Dylan and Peter, Paul And Mary. These artists captured the public's imagination with their songs and planted the sound of the nylon string guitar firmly in the realms of popular music.
The sound of the nylon string guitar is much more peaceful compared to the brighter sound of the steel string acoustic. Another major advantage of the nylon string guitar is that it provides musical accompaniment to songs without distracting attention from your vocals.
By the way - did you know that players of electric guitars or steel string acoustic instruments need to develop callouses on their left hand fingers? Nylon strings are generally a little kinder to your hands. You will find that your nylon string guitar is easy to tune and you can just pick your guitar up and play it at any time of day or night without disturbing anybody in the immediate environment. Also the wider fret board allows you to play chords and single notes without accidentally touching the wrong string.
Nylon string guitars are kinder to finger picking guitarists. Anybody can learn finger style guitar on nylon strings without running too much risk of breaking fingernails, plus you will be pleased at how your first finger picking efforts are rewarded by the more beginner-friendly tone of the nylon acoustic.
Now you have some idea of the attractive aspects of the nylon string acoustic guitar, I do hope you will find some time to devote to this beautiful and, in recent times, neglected instrument.
Well, like any thing, guitar skill progress takes time and practice, but many of us have much difficulty practicing regularly because it is so easy to let other things take priority over our guitar lessons.
Broke the guitar out today. She hit for the cycle on music - recorder, piano, and guitar. Nice. (Photo credit: Wikipedia)
First, you need to absolutely make up your mind that you want to improve your guitar playing and then make sure that your progress is truly is a priority for you.
Make a list of the most important things that you need to focus on in your life right now and honestly assess where guitar fits into your list.
Ideally, you want to be engaged in a guitar lesson for at least an hour a day in order to make any significant progress.
However, you may have to conclude that at this point you are not going to be able to devote even an hour a week to the task.
If that is the case, try to spend some casual time reading guitar-related publications or listening to your favorite guitarists to nurture your love of the music. When your priorities change and you have more time, you will then at least still have a strong interest in becoming as good a guitarist as you can. Listening to Eric Clapton or other greats will only kindle your interest and may even cause you to reprioritize your guitar lessons.
Once you see where your guitar practice fits in with the rest of your life, make a true appointment with yourself. Put your practice into your schedule. Get it in your planner or it won't get done!
Okay, now that you are regularly spending time with your beloved guitar, what should you do?
First, make sure it is quality time. Don't have the television on or be hanging out with friends. Then, make sure you are working on skills that you need to sharpen.
If you spend time strumming popular solos and cranking up your amplifier, you may have some fun, but you will not improve your skills.
Think about the chords and scales that you struggle with. Grade yourself on them on a scale (no pun intended) of 1 to 10 and then re-evaluate every week or so. Re-grading every practice or guitar lesson is not appropriate because it is unfair to measure progress that frequently.
No one improves in a straight line. You may hit a certain chord great one day and then have two of the strings sound very unclear the next day. However, if you work diligently you will make progress when measured every couple weeks or so.
Do the same thing with scales and even notes depending on your current skill level.
Once you have a way of measuring your progress, you will be inspired to continue with your regular practice regimen and guitar lessons.
As an advanced step, after you have made progress with a certain group of chords and scales, you should find a song you like that uses many of those elements and work on that as a way of applying your improved ability.
This can be very rewarding.
You may even want to start with the song and work backwards, but make sure that you do spend a great deal of time on the fundamentals before you get serious about the song.
The key to all this is regular consistent work and a measurement of results. Achieve this, and you will enjoy your practice time more and more. Challenge yourself to be at a certain grade by a specific time.
Make a game of your practice efforts and you will surprise yourself!
Playing an acoustic guitar. The guitar is a Harley Benton (HBF20CE/TS); an Ovation clone, that is. (A friend of mine plays the guitar on a dock by a lake, in front of a summer cottage at Mäntyharju,
The nylon string acoustic guitar has a softer, mellower sound than the steel string guitar. Strangely, modern audiences can still be spellbound by the depth of feeling of a nylon string guitar. It's entirely up to you which one you choose to play. I could cite a list of artists who used either nylon or steel string for this or that record, and make a wild guess or two at why the artists made the choices they did, but the bottom line is that if you want a deep, quiet sound that doesn't compete with your singing, the nylon string guitar is the way to go.
When you go out to buy a guitar, go past the general music store and on to your local guitar dealer if you have one. That way you will have a guitar expert guiding you and not some dufus who only plays two-and-a-half chords. Don't let the guy in the store automatically steer you to the top-of-the-range guitars, and equally don't succumb to your inner cheapskate. Pick a guitar that you like the look, sound and feel of, then come down in price range if you really need to.
To get some idea of the range you could be looking at, the Alvarez Masterworks Series MC90 Classical Guitar, a more pricey instrument, has solid rosewood back and sides, western cedar top with precision scalloped bracing, mosaic rosette and gold tuning pegs with tortoise buttons and sells for over $600. The Alvarez Regent, a beginner's model, is about $150. Of course there are many grades of price and quality in between.
The kinds of music that the nylon string guitar was designed for are classical and flamenco music. Classical guitar music is classical music composed for other instruments but arranged for the guitar, and classical style pieces composed especially for the guitar or other stringed instruments. There is a wide repertoire of music composed in the medieval or renaissance eras for the vihuela or mandolin and arranged for the guitar which can be extremely enjoyable and satisfying to play. Flamenco music is a folk music of Spain, and is usually comparatively technically advanced simply due to flamenco being a "flashy" kind of music. If you are interested in exploring either of these kinds of music I suggest you go to YouTube and check out the classical or flamenco guitar videos. John Williams (the British guitarist, not the Starwars guy) and Julian Bream are two obvious starting points for classical guitar. Paco De Lucia, Paco Pena and Sabicas will open your heart to flamenco.
We can't finish without mentioning the nylon string guitar-driven folk music boom of the 1960's which has given us a lot of great music which can be easily picked up by beginner guitarists. The music of Pete Seeger, Burl Ives, Joan Baez or The Kingston Trio still holds some interest for modern guitarists.
So that is an overview of the world of the nylon string guitar. I hope you have found something to spark your interest.
"Di Giorgio classic guitar", model "Amazonia" (Photo credit: Wikipedia)
If you enjoy the idea of learning the guitar and you visualize yourself sitting down and playing your favorite songs for your own enjoyment, acoustic guitar tabs give you the possibility of realizing your dream. You can pick up an acoustic guitar any time of the day or night and play without disturbing your family or neighbors. Some people even play the acoustic guitar while the family is watching TV in the same room!
Tablature, or tab, is the ideal way for any beginner guitar player to learn or for a more seasoned guitarist to learn new material quickly. A basic definition of guitar tab is a diagram showing the guitar strings with the frets where the guitarist is to play the notes indicated by numbers. Quite often a guitarist approaching a new piece of music will struggle with conventional music notation whereas tab is a quick and easy way of getting the feel of a new piece.
Also a pianist or other musician can look at a piece of guitar sheet music and play it right away but would have no hope of playing from guitar tab because it is only written for one instrument. Another limitation of guitar tab is that you won't be able to learn the rhythm from it. You will need a strumming pattern diagram or, having heard the song before, have some idea of how to approach the playing of the rhythm. If you are prepared to live with these limitations tablature will be a great tool for you to learn your favorite songs quickly.
When you search the internet for acoustic guitar tab what kind of music can you expect to find? Well, the variety is astonishing. Basically acoustic guitar tab is written with the idea of the guitar supplying the basic accompaniment for the song. So if you are a singer wanting to interpret the lyrics, your interest in the guitar arrangement may be slight. The second thing acoustic guitar tab usually gives you is the notes for any distinctive melody or riff in the song - music that people recognize before they hear the words being sung. A simple example of this is the few notes repeated throughout the record of "Something" by The Beatles. Of course you are quite free to leave out or change any music to make the arrangement your own.
Acoustic guitar tabs are often fingerstyle arrangements of songs. These arrangements will not be readily available in music stores or the usual sources of sheet music on the internet. Fingerstyle arrangements can give you some added depth to your guitar playing even if you don't utilize all the techniques shown in the tab. Finally there is one advantage to using acoustic tab for electric guitar players. You can learn the muisc for the song without having to set up your guitar and amp. You can work on arranging your song for electric guitar once you know the chords and the basic structure.
I hope I have given you something to think about if you have not given tabs for acoustic guitar much of a look so far. If you look around you will be quite amazed at the range of popular - and obscure - music available.
Classical Gas is one of the most requested and most familiar instrumental pieces of all time. In an episode of The Simpsons called "Last Exit to Springfield" Homer leads the workers of the nuclear power plant in a strike to recover their lost dental plan. While they picket the plant, Lisa plays a bleak worker's song. As she finishes, Lenny shouts, "Play Classical Gas". Lisa plays the guitar and everybody watching the episode on TV goes, "Oh, yeah, THAT tune!" Classical Gas is always asked for whenever a bunch of people and a nylon string acoustic guitar are in the same room. It is not really a great technical showcase for finger style guitarists but it is a great vehicle to show off the sound of the classical guitar.
Classical Gas was released into the world in 1968. A song by The Doors prevented it from turning into a number one hit but it remained in the second place for two weeks. Forty years later it is still among the most familiar tunes of all time and, along with The Anonymous Romance and Leucona's Malaguena regarded as an essential element of the classical guitar repertoire. And nobody can say why.
The impact of Classical Gas is way more than the sum of its parts. There are very few musical ideas in the tune. It is mainly repetition of a theme made up of a few notes. There are a few parts that are unforgettable "surprises" making use of syncopation, scales, strums, and abrupt time signature changes. Somehow all the bits link together like pearls on a necklace, and the final note adds a sublime resolution.
The composer, Mason Williams, states on his website, "I didn't really have any big plans for it, other than maybe to have a piece to play at parties when they passed the guitar around. I envisioned it as simply repertoire or "fuel" for the classical guitar, so I called it Classical Gasoline." Mason Williams' day job was as a comedy writer and stand-up comedian who had lots of other projects besides writing a classical guitar instrumental.
It was Mason Williams' work on the Smothers Brothers' "Comedy Hour" which gave him the opportunity to have his pet composition heard by the American public. The original score of the piece shows only chords and a few notes. Mason Williams had a twenty-three year old composer named Mike Post finish off the arrangement.
At the Grammys it won Best Instrumental Composition and Best Instrumental Performance for Mason Williams and Best Instrumental Arrangement for Mike Post who has had a career full of triumphs in the field of TV theme music. His latest victory is the theme(s) for the "Law And Order" series.
Classical Gas has been employed as the theme music for several news programs, the background music for the Apollo 4 movie, and featured in a number of other movies and TV shows. Many people have mistakenly attributed Mason Williams' solo version of the tune for a cover by Eric Clapton.
Classical Gas is quite an easy piece to play, the challenge is to play it with passion and dynamics because it appears to non-guitarists, more difficult to play than it really is. Maybe this is the reason it is among the most requested guitar pieces ever.
Bar chords are the first advanced step for the guitar player. You have some kind of understanding of how to play open guitar chords and you have practiced till your fingertips are hardened enough not to hurt any more. So the next step is to learn the basic open chord shapes that move up the guitar neck to make bar chords and to start on the next stage of educating your left hand and arm in the art of guitar playing.
When you learn bar chords you will see that there are some basic chords that you have already learnt how to play that can be moved up the fretboard to form chords in more keys. The way we move open chords up the fretboard is by placing the first finger on the left hand across the guitar's neck and using the other fingers to complete the chord shape.
When you first try to play bar chords you will notice the change in sound. You have made all the guitar strings shorter, so they do not have the same amount of sustain and reverberation. The next thing you notice is that bar chords are painful. The pain should lessen as you practice but if it doesn't there are some things about your guitar playing you will need to look at.
First, if there is any adjustment needed to the way you press down on the strings with your left hand, you will need to relax your hand and experiment a little. Hold the chord shape but do not exert the pressure needed to make a clean sound. Now see if there is any tension in your arm. Just check to see if you can feel it. Go all the way up and down the arm fro the shoulder to the fingertips and relax any little areas of tension. This might result in some change in how you are holding your hand on the strings. As you try this checking for tension, also take note of if you hold your breath and clench your jaw. If you do either of those things, let the tension drop away in those areas.
Other areas that might need attention when you are looking for the easiest way to play bar chords are the height of your guitar's action and the need for hand exercises. You can do an online search for balls or other gizmos that you can use to help build finger strength, or for hand and finger strengthening exercises. But before you get too far into exercises, if your guitar's action is high you will need to press hard to make bar chords. Acoustic guitars have a relatively high action so the strings do not buzz. If you feel that your action might be too high you can adjust it by filing down the slots in your bridge so that the strings sit lower. If you make the strings too low you will need to buy another bridge bone.
If you are able to switch between acoustic and electric guitars you can clear up the question about your guitar's action because electric guitars have a lower action than acoustics. There are also tricks that you can use to avoid the pain of guitar chords, like using the open D fingering to move up the frets instead of using the open E shape to make a bar chord. This limits your chords to the top three strings. Also you can try loosening the tension on your strings or fooling around with open tunings, but do not go meddling with your guitar unless you are really sure you have some medical condition that stops you from playing bar chords. For now just assume that your hand will stop hurting once you have practiced enough.
It is very difficult to trace a line back to the exact birth of the instrument we know as the guitar today, as there is a lot of myth and uncertainty surrounding its origins.
Taylor steel-string guitar. (Photo credit: Wikipedia)
This is mainly due to the fact there have been a number of similar instruments throughout the ages. Many historians claim the guitar originated at various points in time. Some believe the guitar in its earliest form dates back some 4000 years, however no-one really knows for sure. This is due to a number of artworks that depict guitar-like instruments being used at various times throughout history. Many ancient Egyptian paintings portray musical instruments that could be mistaken for the guitar.
A popular theory is that the guitar could have been invented by the classical-era Greeks. This is due to confusion, however, mainly with the similarity of its name with the Kithara. The Kithara was in fact a type of harp or lyra, which bares little resemblance with the guitar other than in name.
The guitar as we know today appears to be an ancestor of the lute. The lute had four strings which would be plucked, not strummed as with a guitar. The body was oval in shape and had a rounded back. The downside of this construction was that the lute was not a very loud instrument, meaning it could not be played along side other instruments. Although missing many of the elements of today’s guitar, it is an important step in the guitars evolution.
The first written mention of the guitar as a distinct instrument is from the 14th century. In this very early form the instrument had three double courses (or pairs) of strings plus a single string (tuned the highest in pitch), similar in comparison to the lute, as mentioned earlier.
The next step was in the vihuela, which originated in Spain sometime in the 15th century. The vihuela had a slightly ‘pinched’ waist – less pronounced than today’s guitar and a smaller body then the lute. It also had added treble strings, again arranged in pairs and was made to be strummed rather than plucked as the lute was.
It wasn’t until the 16th century that the two instruments were ‘combined’, in a manner of speaking, when an instrument was made with a body like that of the vihuela but closer in size to the lute.
The guitar became popular throughout Europe during the 16th and 17th centuries and by the late 17th century a fifth course of strings had been added below the other four. By the mid-18th century the guitar began to take its modern form. The double courses were changed to single strings, and a sixth string was added above the existing five. It is very unclear whether this took place in France or in Italy, but the resulting instrument was very similar to that of which we know today.
The late 18th-19th century, guitar makers changed many aspects of the instruments design. These included broadening the width and thinning the depth of the body, increasing the curve of the waist, and adding internal bracing – all in effort to amplify the sound. The end result meant the guitar could now be played along side other instruments without struggling to compete in terms of volume.
The guitar became very popular with people because it was a very easy instrument to learn at least a few basic chords and songs. However, the guitar was not accepted well with the ‘serious’ musical community, hence the reason there is very few concertos written for the instrument – and is still dismissed by many classically trained musicians today. In the early 19th century, Fernando Sor became one of the most prolific composers for, and promoters of, the guitar as a ‘concert’ instrument. It was him, and others like him, which paved the way for Andrés Segovia to emerge and help bring the guitar to the immense popularity it enjoys today.
The 20th century has seen the majority of the instrument’s improvements. Firstly the strings used, which were cat gut until that time, were replaced by metal and nylon ones. The classical guitar was then modified to make the steel string acoustic guitar we know today. This required additional bracing to strengthen the body, and the introduction of the truss rod to give support to the neck. Again this resulted in an even louder instrument.
Many tried to amplify the sound further by electrifying the guitar. Many of the first attempts were made by the Martin Company in the 1930’s. It was here the invention of the magnetic pick-up occurred. The first amplifiers came about around the same time and were pioneered by Leo Fender.
The first ‘electric’ guitars were nothing more then existing acoustic guitars that had been modified to include a magnetic pick-up. This caused many problems due to the fact that they had hollow bodies, which would resonate the sound produced by the amp as well as the strings of the guitar – which creates ‘feedback’.
It was Les Paul that developed the first ‘solid’ bodied guitar which he named ‘The Log’ – due to it being little more then a plank of wood with a neck and two double coil pick-ups attached. To make his invention more appealing he stuck two halves of an acoustic guitar on either side, giving it a more traditional look. He went on to sell the idea to Gibson who still produce the ‘Les Paul’ model that you see today.
It was Leo Fender however, that really brought the electric guitar into mass production and made it available at far less a cost then all previous attempts (more on the Fender story can be seen on our ‘History of Fender’ section). The first mass production guitar was the Broadcaster, which we now know as the Telecaster, which was released in 1948. He later went on to design and produce the Stratocaster, in 1954, probably the most well known electric guitar to date. Leo Fender was also the innovator of the electric bass guitar which he invented for live use along side the guitar, as a normal contrabass could not compete in terms of volume - The first model being the Fender Precision Bass.
Since then various forms of the guitar have come and gone but the main form of the instrument has rarely differed far from what we have seen from the 1950’s onwards. The main differences have been in the choice of materials used in the manufacture of the guitar. This has mainly been in the attempt of producing increased sustain or simply due to the scarcity of certain woods. Nowadays a complete range of guitars are available, from the lower priced entry level models to the premium custom shop models for all of us to enjoy, what ever our level of ability.title:History of the Guitar
Most new guitars arrive from the factory with the nut just barely playable. Older guitars may have the nut filed or worn down so much that fret buzz cannot be eliminated by neck or string height adjustment. If you have a new guitar, or you are replacing the nut with a new one, here is an alternative method to file and adjust the nut material to make your guitar play like the professionals guitars play.
Before adjusting anything, make sure your guitar is strung up correctly and that your neck is straight and not bowed or warped. If your neck is bowed you first need to adjust the truss rod. If your neck is warped it will require a more extensive repair. For the lowest possible action or to avoid fret buzz all across your finger board it may be necessary to have your frets leveled and crowned first.
You will need a set of nut files (available from Stewart MacDonald), and a good set of feeler gauges as well. Different grades of sandpaper are very useful too.
Fret each string individually, starting with the High E, between the second and third fret, use your feeler gauge to check the amount of space between the bottom of the string and the first fret. You should have approximately .005" of space between each one, with the string barely touching the second fret. If this measurement is close or dead on then move on to the next string right up to the Low E string. You may want to record the gap on a scrap piece of paper as you move across the fret board, to see the nut slot's height in relation to the fret board as you do so.
For most players a string height (also known in guitar slang as “action”) of 3/64" of an inch is considered normal. Some players choose a higher sting height such as 4/64" of an inch while players which tend to have a light touch and want the fastest action possible strive to lower the action as close as possible to 2/64" which in many case's is very hard to setup and maintain without fret buzzing somewhere on the finger board.
Of course, you can use the traditional method to set your string height in relation to the nut, by using multiple feeler gauges below the nut, and filing down to the factory depth and width. However, I have found this method to provide a better and more consistent feel while playing near the nut.
Learning how to play bass fast is not as hard as it may seem. Having the ability to play bass fast has many advantages. You will be able to play anything thrown at you and your musical ideas will not be limited by your speed. Unfortunately, most people try to play fast without proper preparation. I am going to show you exactly how to build speed in a way that will give you excellent technique!
ictor Wooten playing his bass guitar (Photo credit: Wikipedia)
When practicing bass, you should always play along with a metronome. A metronome will help you develop natural time, which is very important to speed. You can get one at a music store for as little as $10.
To practice speed, we are going to be playing sixteenth notes. A sixteenth note is a division of a beat by four. That means that every beat your metronome gives you, you should play four notes. Just find a pattern that you like to play. A simple scale will work fine. Find a speed on your metronome that you find comfortable and play along with it for a few minutes. Then up the speed by ten BPM (beats per minute). Play with this new speed until it becomes comfortable.
Continue in this fashion until the speed is just too much for you to keep up with. Once you identify your speed limit, try to play at ten BPM faster than your limit. It will be way too fast for you to play with but try it a few times anyway. Then back the metronome back ten BPM. You will find that now you can play at a speed that you could not before.
An important thing to building speed is to practice in this fashion every day. Even if you just practice ten minutes a day, it will do wonders for building speed!
They have a great bass player that I know you can learn a lot from! Watching great bass players will help you a lot so take the time to do so!
