Showing posts with label Guitar. Show all posts
Showing posts with label Guitar. Show all posts

Monday, May 15, 2017

BAR CHORDS - What's The Easiest Way To Play Bar Chords On The GUITAR?

English: Picture taken from taking barre chord...
Picture taken from taking barre chord on guitar. 

(Photo credit: Wikipedia)

Bar chords are the first advanced step for the guitar player. You have some kind of understanding of how to play open guitar chords and you have practiced till your fingertips are hardened enough not to hurt any more. So the next step is to learn the basic open chord shapes that move up the guitar neck to make bar chords and to start on the next stage of educating your left hand and arm in the art of guitar playing.

When you learn bar chords you will see that there are some basic chords that you have already learnt how to play that can be moved up the fretboard to form chords in more keys. The way we move open chords up the fretboard is by placing the first finger on the left hand across the guitar's neck and using the other fingers to complete the chord shape.

When you first try to play bar chords you will notice the change in sound. You have made all the guitar strings shorter, so they do not have the same amount of sustain and reverberation. The next thing you notice is that bar chords are painful. The pain should lessen as you practice but if it doesn't there are some things about your guitar playing you will need to look at.

First, if there is any adjustment needed to the way you press down on the strings with your left hand, you will need to relax your hand and experiment a little. Hold the chord shape but do not exert the pressure needed to make a clean sound. Now see if there is any tension in your arm. Just check to see if you can feel it. Go all the way up and down the arm fro the shoulder to the fingertips and relax any little areas of tension. This might result in some change in how you are holding your hand on the strings. As you try this checking for tension, also take note of if you hold your breath and clench your jaw. If you do either of those things, let the tension drop away in those areas.

Other areas that might need attention when you are looking for the easiest way to play bar chords are the height of your guitar's action and the need for hand exercises. You can do an online search for balls or other gizmos that you can use to help build finger strength, or for hand and finger strengthening exercises. But before you get too far into exercises, if your guitar's action is high you will need to press hard to make bar chords. Acoustic guitars have a relatively high action so the strings do not buzz. If you feel that your action might be too high you can adjust it by filing down the slots in your bridge so that the strings sit lower. If you make the strings too low you will need to buy another bridge bone.



If you are able to switch between acoustic and electric guitars you can clear up the question about your guitar's action because electric guitars have a lower action than acoustics. There are also tricks that you can use to avoid the pain of guitar chords, like using the open D fingering to move up the frets instead of using the open E shape to make a bar chord. This limits your chords to the top three strings. Also you can try loosening the tension on your strings or fooling around with open tunings, but do not go meddling with your guitar unless you are really sure you have some medical condition that stops you from playing bar chords. For now just assume that your hand will stop hurting once you have practiced enough.



Monday, April 3, 2017

History of the GUITAR

It is very difficult to trace a line back to the exact birth of the instrument we know as the guitar today, as there is a lot of myth and uncertainty surrounding its origins.

Taylor steel-string guitar.
Taylor steel-string guitar.
(Photo credit: 
Wikipedia)

This is mainly due to the fact there have been a number of similar instruments throughout the ages. Many historians claim the guitar originated at various points in time. Some believe the guitar in its earliest form dates back some 4000 years, however no-one really knows for sure. This is due to a number of artworks that depict guitar-like instruments being used at various times throughout history. Many ancient Egyptian paintings portray musical instruments that could be mistaken for the guitar.

A popular theory is that the guitar could have been invented by the classical-era Greeks. This is due to confusion, however, mainly with the similarity of its name with the Kithara. The Kithara was in fact a type of harp or lyra, which bares little resemblance with the guitar other than in name.

The guitar as we know today appears to be an ancestor of the lute. The lute had four strings which would be plucked, not strummed as with a guitar. The body was oval in shape and had a rounded back. The downside of this construction was that the lute was not a very loud instrument, meaning it could not be played along side other instruments. Although missing many of the elements of today’s guitar, it is an important step in the guitars evolution.

The first written mention of the guitar as a distinct instrument is from the 14th century. In this very early form the instrument had three double courses (or pairs) of strings plus a single string (tuned the highest in pitch), similar in comparison to the lute, as mentioned earlier.

The next step was in the vihuela, which originated in Spain sometime in the 15th century. The vihuela had a slightly ‘pinched’ waist – less pronounced than today’s guitar and a smaller body then the lute. It also had added treble strings, again arranged in pairs and was made to be strummed rather than plucked as the lute was.

It wasn’t until the 16th century that the two instruments were ‘combined’, in a manner of speaking, when an instrument was made with a body like that of the vihuela but closer in size to the lute.

The guitar became popular throughout Europe during the 16th and 17th centuries and by the late 17th century a fifth course of strings had been added below the other four. By the mid-18th century the guitar began to take its modern form. The double courses were changed to single strings, and a sixth string was added above the existing five. It is very unclear whether this took place in France or in Italy, but the resulting instrument was very similar to that of which we know today.

The late 18th-19th century, guitar makers changed many aspects of the instruments design. These included broadening the width and thinning the depth of the body, increasing the curve of the waist, and adding internal bracing – all in effort to amplify the sound. The end result meant the guitar could now be played along side other instruments without struggling to compete in terms of volume.

The guitar became very popular with people because it was a very easy instrument to learn at least a few basic chords and songs. However, the guitar was not accepted well with the ‘serious’ musical community, hence the reason there is very few concertos written for the instrument – and is still dismissed by many classically trained musicians today. In the early 19th century, Fernando Sor became one of the most prolific composers for, and promoters of, the guitar as a ‘concert’ instrument. It was him, and others like him, which paved the way for AndrĂ©s Segovia to emerge and help bring the guitar to the immense popularity it enjoys today.

The 20th century has seen the majority of the instrument’s improvements. Firstly the strings used, which were cat gut until that time, were replaced by metal and nylon ones. The classical guitar was then modified to make the steel string acoustic guitar we know today. This required additional bracing to strengthen the body, and the introduction of the truss rod to give support to the neck. Again this resulted in an even louder instrument.



Many tried to amplify the sound further by electrifying the guitar. Many of the first attempts were made by the Martin Company in the 1930’s. It was here the invention of the magnetic pick-up occurred. The first amplifiers came about around the same time and were pioneered by Leo Fender.

The first ‘electric’ guitars were nothing more then existing acoustic guitars that had been modified to include a magnetic pick-up. This caused many problems due to the fact that they had hollow bodies, which would resonate the sound produced by the amp as well as the strings of the guitar – which creates ‘feedback’.

It was Les Paul that developed the first ‘solid’ bodied guitar which he named ‘The Log’ – due to it being little more then a plank of wood with a neck and two double coil pick-ups attached. To make his invention more appealing he stuck two halves of an acoustic guitar on either side, giving it a more traditional look. He went on to sell the idea to Gibson who still produce the ‘Les Paul’ model that you see today.



It was Leo Fender however, that really brought the electric guitar into mass production and made it available at far less a cost then all previous attempts (more on the Fender story can be seen on our ‘History of Fender’ section). The first mass production guitar was the Broadcaster, which we now know as the Telecaster, which was released in 1948. He later went on to design and produce the Stratocaster, in 1954, probably the most well known electric guitar to date. Leo Fender was also the innovator of the electric bass guitar which he invented for live use along side the guitar, as a normal contrabass could not compete in terms of volume - The first model being the Fender Precision Bass.

Since then various forms of the guitar have come and gone but the main form of the instrument has rarely differed far from what we have seen from the 1950’s onwards. The main differences have been in the choice of materials used in the manufacture of the guitar. This has mainly been in the attempt of producing increased sustain or simply due to the scarcity of certain woods. Nowadays a complete range of guitars are available, from the lower priced entry level models to the premium custom shop models for all of us to enjoy, what ever our level of ability.title:History of the Guitar




Sunday, March 19, 2017

An Alternative Way To Adjust Your GUITAR Nut

Most new guitars arrive from the factory with the nut just barely playable. Older guitars may have the nut filed or worn down so much that fret buzz cannot be eliminated by neck or string height adjustment. If you have a new guitar, or you are replacing the nut with a new one, here is an alternative method to file and adjust the nut material to make your guitar play like the professionals guitars play.

English: 2003-ish Fender Made-in-Mexico Strato...
2003-ish Fender Made-in-Mexico Stratocaster with .11 gauge strings. (Photo credit: Wikipedia)

Before adjusting anything, make sure your guitar is strung up correctly and that your neck is straight and not bowed or warped. If your neck is bowed you first need to adjust the truss rod. If your neck is warped it will require a more extensive repair. For the lowest possible action or to avoid fret buzz all across your finger board it may be necessary to have your frets leveled and crowned first.

You will need a set of nut files (available from Stewart MacDonald), and a good set of feeler gauges as well. Different grades of sandpaper are very useful too.

Fret each string individually, starting with the High E, between the second and third fret, use your feeler gauge to check the amount of space between the bottom of the string and the first fret. You should have approximately .005" of space between each one, with the string barely touching the second fret. If this measurement is close or dead on then move on to the next string right up to the Low E string. You may want to record the gap on a scrap piece of paper as you move across the fret board, to see the nut slot's height in relation to the fret board as you do so.

For most players a string height (also known in guitar slang as “action”) of 3/64" of an inch is considered normal. Some players choose a higher sting height such as 4/64" of an inch while players which tend to have a light touch and want the fastest action possible strive to lower the action as close as possible to 2/64" which in many case's is very hard to setup and maintain without fret buzzing somewhere on the finger board.

Of course, you can use the traditional method to set your string height in relation to the nut, by using multiple feeler gauges below the nut, and filing down to the factory depth and width. However, I have found this method to provide a better and more consistent feel while playing near the nut.

Tuesday, February 28, 2017

How to Play BASS Fast

Learning how to play bass fast is not as hard as it may seem. Having the ability to play bass fast has many advantages. You will be able to play anything thrown at you and your musical ideas will not be limited by your speed. Unfortunately, most people try to play fast without proper preparation. I am going to show you exactly how to build speed in a way that will give you excellent technique!

English: Victor Wooten playing his bass guitar...
ictor Wooten playing his bass guitar (Photo credit: Wikipedia)

When practicing bass, you should always play along with a metronome. A metronome will help you develop natural time, which is very important to speed. You can get one at a music store for as little as $10.

To practice speed, we are going to be playing sixteenth notes. A sixteenth note is a division of a beat by four. That means that every beat your metronome gives you, you should play four notes. Just find a pattern that you like to play. A simple scale will work fine. Find a speed on your metronome that you find comfortable and play along with it for a few minutes. Then up the speed by ten BPM (beats per minute). Play with this new speed until it becomes comfortable.

Continue in this fashion until the speed is just too much for you to keep up with. Once you identify your speed limit, try to play at ten BPM faster than your limit. It will be way too fast for you to play with but try it a few times anyway. Then back the metronome back ten BPM. You will find that now you can play at a speed that you could not before.

An important thing to building speed is to practice in this fashion every day. Even if you just practice ten minutes a day, it will do wonders for building speed!

They have a great bass player that I know you can learn a lot from! Watching great bass players will help you a lot so take the time to do so!