HARDCORE

Members hardcore punk rock band Minor Threat. Performing at The Wilson Center in Washington, D.C.
 (Photo credit: Wikipedia)

Hardcore was originally acclaimed as dirt, quick and bustling punk-rock, which emerged in the US in late 70-is through early 80-is. The hard-core bands, including Black Flag, Circle Jerks, Teen Idles, Minor Threat, Jerry’s Kids posed as founders of hardcore.

Until 80-is, hardcore appeared to be peculiar of ear-teasing, short and quick songs of approximately 1 to 1.5 minutes with the presence of social lyrics. This stage completed due to bands’ tendency either to split up or, to, simply, shift to different musical style. Those times hardcore is labelled the old school hardcore.

Some bands, including Earth Crisis, All Out War, Strife, following the old school hardcore, enriched their music with a combination of slow melodies and metal elements, which, thus, committed to the establishment of the new school of hardcore.

The others, like Husker Du, Meat Puppets and Embrace, however, applying restrictions to "hardness" in their music, developed the new styles of grunge and emocore, respectively. The emocore boasts the peculiar features of emotional performance, melodic and soft back-vocal, minor chords as well as typical behaviour on stage.

The Bad Religion band, established in 1980, omitting usual now the presence of slowness and duration in songs, posed as establisher of new musical trend through introducing professional beck-vocal. The style appears to lack in the denomination but is conditionally nicknamed as skate-punk (trifle lighter form of the said music is played by Blink-182 and New Found Glory), although it differs from traditional pop-punk, represented by Ramonez, Buzzcocks and Lookout records, both, in origin and style.

As the time passed by, the hardcore influenced the development of such styles as fast-core, thresh core and crossover, however, the bands, following the said style failed to experience the support of the great audience, as their processors did. 

Thus, a bulk of modern alternative music stemmed from hardcore. Notably, the old school hardcore is still in demand and keeps developing, irrespective of breeding more popular musical trends. A slew of bands still promotes the style worldwide among music lovers. 

The styles encountered development in a parallel manner (they experienced step-by-step development from the very beginning).

It should be noted that a style, depending on social background and geographical location may possess original and unique nuances.

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Top 50 MUSIC QUOTATONS

Discover the phenomenal complexity of music and reflect on the way it can positively influence your life with this sound collection of riveting quotes...

1. "Music, the greatest good that mortals know, And all of heaven we have below." -- Joseph Addison
2. "Music was my refuge. I could crawl into the space between the notes and curl my back to loneliness." --Maya Angelou
3. "Music is either good or bad, and it's got to be learned. You got to have balance." -- Louis Armstrong
4. "Music washes away from the soul the dust of everyday life." -- Berthold Auerbach
5. "The aim and final end of all music should be none other than the glory of God and the refreshment of the soul." --Johann Sebastian Bach
6. "Music is the mediator between the spiritual and the sensual life." -- Ludwig van Beethoven
7. "Music - The one incorporeal entrance into the higher world of knowledge which comprehends mankind but which mankind cannot comprehend." -- Ludwig van Beethoven
8. "Music can change the world. " -- Ludwig Van Beethoven
9. "Music can name the unnameable and communicate the unknowable." -- Leonard Bernstein
10. "Music has to breathe and sweat. You have to play it live. " -- James Brown
11. "Music is well said to be the speech of angels." -- Thomas Carlyle
12. "All music comes from God." -- Johnny Cash
13. "If you learn music, you'll learn most all there is to know. " -- Edgar Cayce
14. "Music is nothing separate from me. It is me... You'd have to remove the music surgically. " -- Ray Charles
15. "Good music is good no matter what kind of music it is. " -- Miles Davis
16. "There is no feeling, except the extremes of fear and grief, that does not find relief in music." -- George Eliot
17. "You are the music while the music lasts." --T. S. Eliot
18. "We need magic, and bliss, and power, myth, and celebration and religion in our lives, and music is a good way to encapsulate a lot of it. " -- Jerry Garcia
19. "Music is the language of the spirit. It opens the secret of life bringing peace, abolishing strife." -- Kahlil Gibran
20. "When people hear good music, it makes them homesick for something they never had and never will have." -- Edgar Watson Howe
21. "Music expresses that which cannot be said and on which it is impossible to be silent." -- Victor Hugo
22. "The history of a people is found in its songs." -- George Jellinek
23. "Music is the vernacular of the human soul." -- Geoffrey Latham
24. "It requires wisdom to understand wisdom; the music is nothing if the audience is deaf." -- Walter J. Lippmann
25. "Just as certain selections of music will nourish your physical body and your emotional layer, so other musical works will bring greater health to your mind." -- Hal A. Lingerman
26. "Music is the harmonious voice of creation; an echo of the invisible world." -- Giuseppe Mazzini
27. "Music is a beautiful opiate if you don't take it too seriously." -- Henry Miller
28. "I started making music because I could." -- Alanis Morissette
29. "Music helps you find the truths you must bring into the rest of your life. " -- Alanis Morissette
30. "Music is spiritual. The music business is not. " -- Van Morrison
31. "Like everything else in nature, music is a becoming, and it becomes its full self when its sounds and laws are used by intelligent man for the production of harmony, and so made the vehicle of emotion and thought." -- Theodore Mungers
32. "Without music life would be a mistake." -- Friedrich Wilhelm Nietzsche
33. "In music the passions enjoy themselves." -- Friedrich Wilhelm Nietzsche
34. "Music is your own experience, your own thoughts, your wisdom. If you don't live it, it won't come out of your horn. They teach you there's a boundary line to music. But, man, there's no boundary line to art." -- Charlie Parker
35. "Music should be something that makes you gotta move, inside or outside. " -- Elvis Presley
36. "It's the music that kept us all intact, kept us from going crazy. " -- Lou Reed
37. "The music business was not safe, but it was FUN. It was like falling in love with a woman you know is bad for you, but you love every minute with her, anyway." -- Lionel Richie
38. "Music should never be harmless." -- Robbie Robertson
39. "Give me a laundry list and I'll set it to music." -- Gioacchino Antonio Rossini
40. "All music is important if it comes from the heart. " -- Carlos Santana
41. "Music is the key to the female heart." -- Johann G. Seume
42. "The best music... is essentially there to provide you something to face the world with. " -- Bruce Springsteen
43. "All I try to do is write music that feels meaningful to me, that has commitment and passion behind it." -- Bruce Springsteen
44. "In music one must think with the heart and feel with the brain." --George Szell
45. "When I hear music, I fear no danger. I am invulnerable. I see no foe. I am related to the earliest times, and to the latest." -- Henry David Thoreau
46. "For heights and depths no words can reach, music is the soul's own speech." --Unknown
47. "Most of us go to our grave with our music still inside of us." --Unknown
48. "I believe in the power of music. To me, it isn't just a fad. This is a positive thing." -- Eddie Vedder
49. "Music at its essence is what gives us memories. " -- Stevie Wonder
50. "There's a basic rule which runs through all kinds of music, kind of an unwritten rule. I don't know what it is. But I've got it." -- Ron Wood

By Danielle Hollister Resource Box -  Danielle Hollister (2004) is the Publisher of BellaOnline Quotations Zine - A free newsletter for quote lovers featuring more than 10,000 quotations in dozens of categories like - love, friendship, children, inspiration, success, wisdom, family, life, and many more. Read it online at - http://www.bellaonline.com/articles/art8364.asp Article Source: EzineArticles

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Where the Unknown Music Roams - Expand Your MUSIC LIBRARY

The station building and one of the towers of Motala longwave transmitter (Photo credit: Wikipedia)

You've heard all your favorite music and artists on your local radio station. You've tuned in while hoping to hear something new and exciting. Unfortunately, the radio stations usually play the same tunes over and over. This causes other musicians to get left out in the cold. You may never hear of many fabulous rock singers, R and B artists, jazz professionals and Gospel greats if you only listen to what your radio station has to offer. Here are some tips to show you how to expand your music library with great songs you've probably never heard before.

Where Did The Music Go?

If hundreds of singing groups and musicians submit their songs to producers each year, but only a few get chosen, then where do all these amazing musicians go? Where and how are their songs being heard? Do they just give up? In the past, many of them would likely quit playing or singing all together once they were rejected in the mainstream music industry. But nowadays, a new avenue of getting their sensational music to the public has arisen; it's called the World Wide Web!

There are now thousands of hip songs available online today that will probably never make it to the radio stations. The artists' names will probably never be mentioned in the mainstream music industry. But, that doesn't mean the songs are cheesy or that the artists have bad singing voices. It simply means they didn't get chosen to be in the top music charts. Their music might be wonderful, but was overlooked or got lost in the crowd of other musicians and bands.

A Variety of Music

This happening isn't limited to only one certain type of music or musician. Almost any type of music can fall victim to getting tossed in the "rejection" pile. This includes jazz, Latin, pop, R and B, hip-hop, reggae, rock, folk, comedy, Gospel, blues, techno, spoken word, rap, etc.

No matter what your taste in music, there are probably thousands of artists who never made it in the big-time that you would enjoy listening to their music. Your music library can grow with great music CDs from these singers so you can listen to many different songs whenever you want instead of being limited to the over-played music on the radio.

Music on the Web

There are specialty websites online that focus on publicizing music and artists that have never been heard before. You can go online to listen to unique sample music, buy CDs, and buy merchandise. These artists are great even though they never made it big. You can usually try their music before you buy it to be certain it is right for you. So, there's nothing to lose, but lots of amazing music to gain.

Music for Your Business

If you own a business where music is played often, you can also play some "unknown" music over the loudspeaker for others to hear. Your customers will be amazed at all the distinct songs they hear in your store. You'll be the talk of the town!

Whether it's rock, jazz or hip-hop you enjoy, or if it's Gospel, country, folk, or some other type of music, you can expand your music library in no time with many great tunes that never made it to the top!

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PRINCE - We Miss You

Photo:  Micahmedia (Wikipedia)

Prince (* 7. Juni 1958  - † 21. April 2016)

World MUSIC Genres

Armenian folk musicians. (Photo credit: Wikipedia)

This is a list of some of the world's music genre and their definitions.

African Folk - Music held to be typical of a nation or ethnic group, known to all segments of its society, and preserved usually by oral tradition.
Afro jazz - Refers to jazz music which has been heavily influenced by African music. The music took elements of marabi, swing and American jazz and synthesized this into a unique fusion. The first band to really achieve this synthesis was the South African band Jazz Maniacs.
Afro-beat - Is a combination of Yoruba music, jazz, Highlife, and funk rhythms, fused with African percussion and vocal styles, popularized in Africa in the 1970s.
Afro-Pop - Afropop or Afro Pop is a term sometimes used to refer to contemporary African pop music. The term does not refer to a specific style or sound, but is used as a general term to describe African popular music.
Apala - Originally derived from the Yoruba people of Nigeria. It is a percussion-based style that developed in the late 1930s, when it was used to wake worshippers after fasting during the Islamic holy month of Ramadan. 

Assiko - is a popular dance from the South of Cameroon. The band is usually based on a singer accompanied with a guitar, and a percussionnist playing the pulsating rhythm of Assiko with metal knives and forks on an empty bottle.
Batuque - is a music and dance genre from Cape Verde.
Bend Skin - is a kind of urban Cameroonian popular music. Kouchoum Mbada is the most well-known group associated with the genre.
Benga - Is a musical genre of Kenyan popular music. It evolved between the late 1940s and late 1960s, in Kenya's capital city of Nairobi.
Biguine - is a style of music that originated in Martinique in the 19th century. By combining the traditional bele music with the polka, the black musicians of Martinique created the biguine, which comprises three distinct styles, the biguine de salon, the biguine de bal and the biguines de rue. 

Bikutsi - is a musical genre from Cameroon. It developed from the traditional styles of the Beti, or Ewondo, people, who live around the city of Yaounde.
Bongo Flava - it has a mix of rap, hip hop, and R&B for starters but these labels don't do it justice. It's rap, hip hop and R&B Tanzanian style: a big melting pot of tastes, history, culture and identity.
Cadence - is a particular series of intervals or chords that ends a phrase, section, or piece of music.
Calypso - is a style of Afro-Caribbean music which originated in Trinidad at about the start of the 20th century. The roots of the genre lay in the arrival of African slaves, who, not being allowed to speak with each other, communicated through song.
Chaabi - is a popular music of Morocco, very similar to the Algerian Rai.
Chimurenga - is a Zimbabwean popular music genre coined by and popularised by Thomas Mapfumo. Chimurenga is a Shona language word for struggle.
Chouval Bwa - features percussion, bamboo flute, accordion, and wax-paper/comb-type kazoo. The music originated among rural Martinicans.
Christian Rap - is a form of rap which uses Christian themes to express the songwriter's faith.
Coladeira - is a form of music in Cape Verde. Its element ascends to funacola which is a mixture of funanáa and coladera. Famous coladera musicians includes Antoninho Travadinha.
Contemporary Christian - is a genre of popular music which is lyrically focused on matters concerned with the Christian faith.
Country - is a blend of popular musical forms originally found in the Southern United States and the Appalachian Mountains. It has roots in traditional folk music, Celtic music, blues, gospel music, hokum, and old-time music and evolved rapidly in the 1920s.

Traditional Chinese music played by aging Naxi musicians. Photo taken in Lijiang, Yunnan province, China.
 (Photo credit: Wikipedia)

Dance Hall - is a type of Jamaican popular music which developed in the late 1970s, with exponents such as Yellowman and Shabba Ranks. It is also known as bashment. The style is characterized by a deejay singing and toasting (or rapping) over raw and danceable music riddims.
Disco - is a genre of dance-oriented pop music that was popularized in dance clubs in the mid-1970s.
Folk - in the most basic sense of the term, is music by and for the common people.
Freestyle - is a form of electronic music that is heavily influenced by Latin American culture.
Fuji - is a popular Nigerian musical genre. It arose from the improvisation Ajisari/were music tradition, which is a kind of Muslim music performed to wake believers before dawn during the Ramadan fasting season.
Funana - is a mixed Portuguese and African music and dance from Santiago, Cape Verde. It is said that the lower part of the body movement is African, and the upper part Portuguese.
Funk - is an American musical style that originated in the mid- to late-1960s when African American musicians blended soul music, soul jazz and R&B into a rhythmic, danceable new form of music.
Gangsta rap - is a subgenre of hip-hop music which developed during the late 1980s. 'Gangsta' is a variation on the spelling of 'gangster'. After the popularity of Dr. Dre's The Chronic in 1992, gangsta rap became the most commercially lucrative subgenre of hip-hop.
Genge - is a genre of hip hop music that had its beginnings in Nairobi, Kenya. The name was coined and popularized by Kenyan rapper Nonini who started off at Calif Records. It is a style that incorporates hip hop, dancehall and traditional African music styles. It is commonly sung in Sheng(slung),Swahili or local dialects.
Gnawa - is a mixture of African, Berber, and Arabic religious songs and rhythms. It combines music and acrobatic dancing. The music is both a prayer and a celebration of life.
Gospel - is a musical genre characterized by dominant vocals (often with strong use of harmony) referencing lyrics of a religious nature, particularly Christian.
Highlife - is a musical genre that originated in Ghana and spread to Sierra Leone and Nigeria in the 1920s and other West African countries.
Hip-Hop - is a style of popular music, typically consisting of a rhythmic, rhyming vocal style called rapping (also known as emceeing) over backing beats and scratching performed on a turntable by a DJ.
House - is a style of electronic dance music that was developed by dance club DJs in Chicago in the early to mid-1980s. House music is strongly influenced by elements of the late 1970s soul- and funk-infused dance music style of disco.
Indie - is a term used to describe genres, scenes, subcultures, styles and other cultural attributes in music, characterized by their independence from major commercial record labels and their autonomous, do-it-yourself approach to recording and publishing.
Instrumental - An instrumental is, in contrast to a song, a musical composition or recording without lyrics or any other sort of vocal music; all of the music is produced by musical instruments.
Isicathamiya - is an a cappella singing style that originated from the South African Zulus.
Jazz - is an original American musical art form which originated around the beginning of the 20th century in African American communities in the Southern United States out of a confluence of African and European music traditions.
Jit - is a style of popular Zimbabwean dance music. It features a swift rhythm played on drums and accompanied by a guitar.
Juju - is a style of Nigerian popular music, derived from traditional Yoruba percussion. It evolved in the 1920s in urban clubs across the countries. The first jùjú recordings were by Tunde King and Ojoge Daniel from the 1920s. 

Kizomba - is one of the most popular genres of dance and music from Angola. Sung generally in Portuguese, it is a genre of music with a romantic flow mixed with African rhythm.
Kwaito - is a music genre that emerged in Johannesburg, South Africa in the early 1990s. It is based on house music beats, but typically at a slower tempo and containing melodic and percussive African samples which are looped, deep basslines and often vocals, generally male, shouted or chanted rather than sung or rapped.
Kwela - is a happy, often pennywhistle based, street music from southern Africa with jazzy underpinnings. It evolved from the marabi sound and brought South African music to international prominence in the 1950s.
Lingala - Soukous (also known as Soukous or Congo, and previously as African rumba) is a musical genre that originated in the two neighbouring countries of Belgian Congo and French Congo during the 1930s and early 1940s
Makossa - is a type of music which is most popular in urban areas in Cameroon. It is similar to soukous, except it includes strong bass rhythm and a prominent horn section. It originated from a type of Duala dance called kossa, with significant influences from jazz, ambasse bey, Latin music, highlife and rumba.
Malouf - a kind of music imported to Tunisia from Andalusia after the Spanish conquest in the 15th century.
Mapouka - also known under the name of Macouka, is a traditional dance from the south-east of the Ivory Coast in the area of Dabou, sometimes carried out during religious ceremonies.
Maringa - is a West African musical genre. It evolved among the Kru people of Sierra Leone and Liberia, who used Portuguese guitars brought by sailors, combining local melodies and rhythms with Trinidadian calypso.
Marrabenta - is a form of Mozambican dance music. It was developed in Maputo, the capital city of Mozambique, formerly Laurenco Marques.
Mazurka - is a Polish folk dance in triple meter with a lively tempo, containing a heavy accent on the third or second beat. It is always found to have either a triplet, trill, dotted eighth note pair, or ordinary eighth note pair before two quarter notes.
Mbalax - is the national popular dance music of Senegal. It is a fusion of popular dance musics from the West such as jazz, soul, Latin, and rock blended with sabar, the traditional drumming and dance music of Senegal.
Mbaqanga - is a style of South African music with rural Zulu roots that continues to influence musicians worldwide today. The style was originated in the early 1960s.
Mbube - is a form of South African vocal music, made famous by the South African group Ladysmith Black Mambazo. The word mbube means "lion" in Zulu
Merengue - is a type of lively, joyful music and dance that comes from the Dominican Republic
Morna - is a genre of Cape Verdean music, related to Portuguese fado, Brazilian modinha, Argentinian tango, and Angolan lament.
Museve - is a popular Zimbabwe music genre. Artists include Simon Chimbetu and Alick Macheso
Oldies - term commonly used to describe a radio format that usually concentrates on Top 40 music from the '50s, '60s and '70s. Oldies are typically from R&B, pop and rock music genres.
Pop - is an ample and imprecise category of modern music not defined by artistic considerations but by its potential audience or prospective market.
Quadrille - is a historic dance performed by four couples in a square formation, a precursor to traditional square dancing. It is also a style of music.
R&B - is a popular music genre combining jazz, gospel, and blues influences, first performed by African American artists.
Rai - is a form of folk music, originated in Oran, Algeria from Bedouin shepherds, mixed with Spanish, French, African and Arabic musical forms, which dates back to the 1930s and has been primarily evolved by women in the culture.
Ragga - is a sub-genre of dancehall music or reggae, in which the instrumentation primarily consists of electronic music; sampling often serves a prominent role in raggamuffin music as well.
Rap - is the rhythmic singing delivery of rhymes and wordplay, one of the elements of hip hop music and culture.
Rara - is a form of festival music used for street processions, typically during Easter Week.
Reggae - is a music genre first developed in Jamaica in the late 1960s. A particular music style that originated following on the development of ska and rocksteady. Reggae is based on a rhythm style characterized by regular chops on the off-beat, known as the skank.
Reggaeton - is a form of urban music which became popular with Latin American youth during the early 1990s. Originating in Panama, Reggaeton blends Jamaican music influences of reggae and dancehall with those of Latin America, such as bomba, plena, merengue, and bachata as well as that of hip hop and Electronica.
Rock - is a form of popular music with a prominent vocal melody accompanied by guitar, drums, and bass. Many styles of rock music also use keyboard instruments such as organ, piano, synthesizers.
Rumba - is a family of music rhythms and dance styles that originated in Africa and were introduced to Cuba and the New World by African slaves.
Salegy - is a popular type of Afropop styles exported from Madagascar. This Sub-Saharan African folk music dance originated with the Malagasy language of Madagascar, Southern Africa.
Salsa - is a diverse and predominantly Spanish Caribbean genre that is popular across Latin America and among Latinos abroad.
Samba - is one of the most popular forms of music in Brazil. It is widely viewed as Brazil's national musical style.

Village musicians in Hyderabad singing and playing a drum and string instrument. The latter is decorated with swastika and aum signs. (Photo credit: Wikipedia)

Sega - is an evolved combination of traditional Music of Seychelles,Mauritian and Réunionnais music with European dance music like polka and quadrilles.
Seggae - is a music genre invented in the mid 1980s by the Mauritian Rasta singer, Joseph Reginald Topize who was sometimes known as Kaya, after a song title by Bob Marley. Seggae is a fusion of sega from the island country, Mauritius, and reggae.
Semba - is a traditional type of music from the Southern-African country of Angola. Semba is the predecessor to a variety of music styles originated from Africa, of which three of the most famous are Samba (from Brazil), Kizomba (Angolan style of music derived directly from Zouk music) and Kuduro (or Kuduru, energetic, fast-paced Angolan Techno music, so to speak).
Shona Music - is the music of the Shona people of Zimbabwe. There are several different types of traditional Shona music including mbira, singing, hosho and drumming. Very often, this music will be accompanied by dancing, and participation by the audience.
Ska - is a music genre that originated in Jamaica in the late 1950s and was a precursor to rocksteady and reggae. Ska combined elements of Caribbean mento and calypso with American jazz and rhythm and blues.
Slow Jam - is typically a song with an R&B-influenced melody. Slow jams are commonly R&B ballads or just downtempo songs. The term is most commonly reserved for soft-sounding songs with heavily emotional or romantic lyrical content.
Soca - is a form of dance music that originated in Trinidad from calypso. It combines the melodic lilting sound of calypso with insistent (usually electronic in recent music) percussion.
Soukous - is a musical genre that originated in the two neighbouring countries of Belgian Congo and French Congo during the 1930s and early 1940s, and which has gained popularity throughout Africa.
Soul - is a music genre that combines rhythm and blues and gospel music, originating in the United States.
Taarab - is a music genre popular in Tanzania. It is influenced by music from the cultures with a historical presence in East Africa, including music from East Asia, Sub-Saharan Africa, North Africa, the Middle East and Europe. Taarab rose to prominence in 1928 with the rise of the genre's first star, Siti binti Saad.
Tango - is a style of music that originated among European immigrant populations of Argentina and Uruguay. It is traditionally played by a sextet, known as the orquesta típica, which includes two violins, piano, doublebass, and two bandoneons.
Waka - is a popular Islamic-oriented Yoruba musical genre. It was pioneered and made popular by Alhaja Batile Alake from Ijebu, who took the genre into the mainstream Nigerian music by playing it at concerts and parties; also, she was the first waka singer to record an album.
Wassoulou - is a genre of West African popular music, named after the region of Wassoulou. It is performed mostly by women, using lyrics that address women's issues regarding childbearing, fertility and polygamy.
Ziglibithy - is a style of Ivorian popular music that developed in the 1970s. It was the first major genre of music from the Ivory Coast. The first major pioneer of the style was Ernesto Djedje.
Zouglou - is a dance oriented style of music from the Côte d'Ivoire (Ivory Coast) that first evolved in the 1990s. It started with students (les parents du Campus) from the University of Abidjan.
Zouk - is a style of rhythmic music originating from the French islands of Guadeloupe and Martinique. It has its roots in kompa music from Haiti, cadence music from Dominica, as popularised by Grammacks and Exile One.

By Titus Kamau - Article Source: EzineArticles

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MARIO LANZA 1921-1959

Image of Mario Lanza used for promotional purposes for the film Serenade. (Photo credit: Wikipedia)

Mario Lanza was undoubtedly one of the most loved Tenors of all time, his emotional renditions of famous arias and ballads have left a lasting legacy for all time. Born Arnold Alfredo Cocozza in 1921 (The year Enrico Caruso died), he inspired so many modern tenors to have a career in the opera houses of the world.

He had a meteoric rise to fame, and his career went the way of films, where he soon became a matinee idol. Here is a list of his films.

That Midnight Kiss (1949) with Kathryn Grayson

The Toast of New Orleans (1950) with Kathryn Grayson

The Great Caruso (1951) with Ann Blyth. Many consider this to be Lanza,s finest role.

Because Your Mine (1952) with Dorretta Morrow

The Student Prince (1954) Although Mario Lanza,s voice was used in this film, he did not appear in it personally.

Serenade (1956) All about a rising opera star! with Joan Fontaine.

Seven Hills of Rome (1957) with Renato Rascel and Marisa allasio.

For The First Time (1959) with Johanna Van Kozian and Zsa Zsa Gabor.

He truly had a gift that is only granted once or twice in one or two centuries, Mario could take a simple Neapolitan love song and turn it into an aria. Once you heard him perform it is often said that he made it his own, and no other could sing it like him with so much excitement and feeling. One such song is Core N Grato.

There are many stories abound about why he did not appear in "The Student Prince", I have in the past heard that he would disappear and binge on food, and his weight would balloon up and down. Another angle is a disagreement on the music, all conjecture and I wonder if anyone outside of his family really knows the truth, about this and his untimely death in 1959. (Another can of worms).

With that said let's just marvel at his talent and be thankful for a career (although brief), that has and continues to bring a lot of pleasure to all that hear him.

Whether you are a fan of Mario Lanza or not, you cannot help but be moved by at least one of his aria,s or ballads. It is like a fine wine "Once tasted never forgotten" and the world will never forget Mario Lanza's rendition of the "Drinking Song" amongst a host of others to take pleasure in.

By Steve Thorn - Article Source: EzineArticles

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An Alternative Way To Adjust Your GUITAR Nut

Truss rod adjustment bolt visible from the side of the headstock
(Photo credit: Wikipedia)

Most new guitars arrive from the factory with the nut just barely playable. Older guitars may have the nut filed or worn down so much that fret buzz cannot be eliminated by neck or string height adjustment. If you have a new guitar, or you are replacing the nut with a new one, here is an alternative method to file and adjust the nut material to make your guitar play like the professional's guitars play.

Before adjusting anything, make sure your guitar is strung up correctly and that your neck is straight and not bowed or warped. If your neck is bowed you first need to adjust the truss rod. If your neck is warped it will require a more extensive repair. For the lowest possible action or to avoid fret buzz all across your fingerboard, it may be necessary to have your frets levelled and crowned first.

You will need a set of nut files (available from Stewart MacDonald), and a good set of feeler gauges as well. Different grades of sandpaper are very useful too.

Fret each string individually, starting with the High E, between the second and third fret, use your feeler gauge to check the amount of space between the bottom of the string and the first fret. You should have approximately .005" of space between each one, with the string barely touching the second fret. If this measurement is close or dead on then move on to the next string right up to the Low E string. You may want to record the gap on a scrap piece of paper as you move across the fretboard, to see the nut slot's height in relation to the fretboard as you do so.

For most players, a string height (also known in guitar slang as “action”) of 3/64" of an inch is considered normal. Some players choose a higher string height such as 4/64" of an inch while players which tend to have a light touch and want the fastest action possible strive to lower the action as close as possible to 2/64" which in many cases's is very hard to setup and maintain without fret buzzing somewhere on the fingerboard.

Of course, you can use the traditional method to set your string height in relation to the nut, by using multiple feeler gauges below the nut and filing down to the factory depth and width. However, I have found this method to provide a better and more consistent feel while playing near the nut.

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"Practice, Practice, Practice," Your Way to CARNEGIE HALL

Carnegie Hall, New York City. (Photo credit: Wikipedia)

The Carnegie Hall is New York's premier concert hall and is located at the corner of 57th Street and 7th Avenue in Manhattan. It is considered as one of the most prestigious locations to host events of an artistic nature, such as musicals, concerts, and dance performances etc.

The Hall built in 1891 is one of last big New York buildings, which has been built entirely out of masonry which basically means that it has no steel frame, unlike the more modern buildings. The building was designed by architect William Burnet Tuthill and was sponsored and built by Andrew Carnegie who was at one time considered the 2nd richest man in the United States behind John D Rockefeller.

Andrew Carnegie was born in Scotland and as a child migrated to the United States with his parents. He was a self-made man who is the very essence of a self-made man with a genuine 'rags to riches' story. He has gifted many free public libraries to around 2500 communities. Carnegie was a prolific writer and in his work 'The Gospel of Wealth' he articulated his view that, 'The man who dies thus rich dies disgraced'. He lived by this belief and gave away his fortune to various charities at the time of his death.

A post-concert photo of the main hall's stage inside of Carnegie Hall. (Photo credit: Wikipedia)

Another such legacy of Carnegie is indeed the Carnegie Hall which is one of four such concert halls around the States. It has an artistic programme plus a development and marketing department. During the season it has about 250 performances though since the New York Philharmonic moved in 1962 the Hall has not had a resident company.

For many going to Carnegie Hall is an entire event, from taking in the production to the after a meal. There are many places around the Hall where people can enjoy some good food such as the Seasonal, the Europa Café or the Carnegie Deli. Also, there are a number of garages located around which ease the parking problem somewhat in this densely populated city. However, it may not be cheap so always check out the rates before opting for parking.

The famous joke for this music and performance hall is that one day a visitor to New York has asked a local, "Pardon me, how do you get to Carnegie Hall?', to which the reply had been 'Practice, Practice, Practice", which explains the importance of the Hall as a performance venue. While the performances do not come cheap, it is always worth saving up to enjoy an event as it will be one of those 'once in a lifetime' experiences, which will be money well spent.

There is an abundance of hotels near Carnegie Hall New York such as the Hotel Pennsylvania, Park Central Hotel, Warwick New York Hotel and the Hudson Hotel just to mention a very few of the available options. With a little research, it is easy to find a hotel or accommodation to suit individual budgets. So make sure to include the Carnegie Hall as a must see when you visit New York.

By Larry Austin Larry Austin is a freelance journalist who writes on travel related topics such as on Hotels near Carnegie Hall New York and worldwide destination reviews etc. He is currently working for roomsnet.com which offers visitors the option of worldwide hotel bookings. Article Source: EzineArticles

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3 Steps to PLAYING Comfortably for a Crowd

Batsheva Dance Company theatre crowd in Tel Aviv, Israel. (Photo credit: Wikipedia)

Most people are not comfortable performing in front people. When I say of performing, such as an instrument, or singing, or acting, I mean more than just knowing how to do well at your chosen craft, I mean doing it well and in front of people. It’s the “in front of people” part that gets us every time. How many of us sing like a bird in the shower but then when people are watching we can’t carry a note. Here are three steps to start you on the road to comfort (never complete) when called on to shine.

1. Don’t neglect to practice. Whether you sing or play an instrument practice is a key to being relaxed. The more familiar you are with what you are performing, the less anxiety you will have about messing up.

2. Don’t back up. Piano teaches pass this on all the time. If you mess up in the middle, or any place in your piece, don’t back up and repeat the offending passage. Keep going. Chances are your audience didn’t even notice.

3. Try not to be critical of your technical skill. Focus more on your overall performance. How does it sound as a whole? If you’re a pianist and you worry during your piece about your fingering then you’re ignoring the song and how it sounds. Worry about technicalities when you practice. Which should be often.

With time playing in front of and for other people will come much easier. You'll be a natural. So use every opportunity to show your stuff!

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CHOPIN - Piano Sonata No. 2 'Funeral March'

Arthur Rubinstein  (Photo credit: Wikipedia)

Arthur Rubinstein (1887 - 1982) was a Polish pianist and one of the great virtuosos of the 20th century. He was declared a child prodigy at the age of four and had perfect pitch. By the age of thirteen, he had already made his debut with the Berlin Philharmonic.

He toured all over the world during his long life. There may have been other pianists that could play a certain piece or composer with more insight, but everything Rubinstein played was rock-solid in interpretation and technique. His tone was golden, he was incapable of producing a harsh tone from the piano. His repertoire was huge. For example, he could perform in short notice 27 different piano concertos. He was also an excellent chamber music musician.

He made recordings from 1928 to about 1976, with most of his recordings being done for RCA. all of his RCA recordings have been issued on music CD, the entire set contains 94 CD's and runs to 106 hours. He concertized until his eyesight failed him and he retired in 1976 at age eighty-nine. His last concert was in Wigmore Hall in London where he had first played nearly seventy years previously.

Portrait of Fryderyk Chopin. (Photo credit: Wikipedia)

Rubinstein is most well known for his Chopin performances. Rubinstein was one of the first pianists early in the 20th century to play Chopin as the music was written. That's not to say he played it coldly and analytically, but Rubinstein purposefully rids himself of the excesses in performance and interpretation that had become somewhat of a tradition in Chopin's music. There is no better player of Chopin's 2nd sonata than Rubinstein. He plays with expression and passion that totally serves the music.

Chopin's 2nd sonata confused music lovers when it was first published in 1837. Schumann said it lacked cohesion and Chopin "simply bound together four of his most unruly children." The sonata is in 4 movements and follows the layout of Beethoven's Piano Sonata #12, which was one of Chopin's favorite Beethoven sonatas. The sonata opens with what some have called a tribute to Beethoven, as it is very similar to Beethoven's opening of his final piano sonata, Opus 111 in C minor, another favorite of Chopin. 

The second movement is a scherzo, the third movement is the famous Funeral March. The enigmatic final Presto movement has been subject to many interpretations. In the preface to the American edition of the sonatas, James Huneker quotes from Karol Mikuli, the editor of the sonatas and one of Chopin's pupils, that Chopin said of this movement, "The left hand and right hand are gossiping after the March". Arthur Rubinstein himself said of the movement that, "One hears the winds of night sweeping over churchyard graves, the dust blowing and the dust that remains."

By Alan Beggerow Visit Musical Musings for thoughts and impressions about musicians, composers, and their music. http://muswrite.blogspot.com/ Article Source: EzineArticles

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7 Tips for Effective MUSICAL PRACTICE

A piano player who lives only for it. (Photo credit: Wikipedia)

The quality of your practice is much more important than the quantity. The old saying "practice makes perfect" is only true if the practice itself is perfect. Here are 7 tips to help make your practice more effective and efficient. 

Practice motions slowly 

The muscular memory of our bodies allows us to physically carry out patterns of motion with little or no conscious involvement. Examples of muscular memory include walking, riding a bicycle, typing, and of course playing a musical instrument. 

In order to develop this memory, the muscles require training in the form of repeated conscious guidance from the mind. First, the mind must learn the pattern. Then the mind must "teach" the pattern to the muscles. 

The mind initially must control all the motions of the muscles. The more controlled and precise the motions, the more quickly the muscles will develop muscle memory. 

Slow practice also allows the mind to teach "antagonistic muscles" to relax. Antagonistic muscles are those that move in opposite directions. By relaxing antagonistic muscles you can reduce tension and facilitate faster and easier performance and avoid potential injury. 

Practice in small cells 

A "practice cell" is simply a finite series of motions. Musical cells can correspond to anything from a few notes to an entire work. When practicing, it is important to practice small cells of just a few notes. Practicing small cells limits the amount of information the muscles have to learn at one time. It also facilitates the mind's focus and concentration. 

Link the end of one cell to the beginning of the next 

To help the muscles develop a sense of continuum throughout the piece of music, the last motion in a cell should be the first motion of the following cell. 

Practice each cell in bursts 

Once the muscles have learned a pattern, they will be capable of executing it without conscious control. Initiate the pattern through a conscious command and allow the muscles to execute it in a burst. 

Don't practice mistakes 

For every repetition required to learn a pattern of motion, it takes 7 times the number of repetitions to change the pattern. If in the course of your practice you make an error, stop. Review in your mind the pattern. And further, reduce the speed of your motions. 

Pause between repetitions 

When dealing with repetitive activities, the mind is better able to focus when the repetitions are broken up by short pauses. After two or three repetitions, pause for about 30 seconds to regain focus. 

Take frequent breaks and don't "over-practice" 

B.F. Skinner and other experts have found that the mind's ability to learn drops significantly after prolonged intense concentration. Research shows that studying too long (i.e. more than four hours) can deplete chemicals in the brain necessary for learning. Therefore, it is best to take frequent breaks (a 5-minute break about every 20-25 minutes) and practice no more than 4 hours consecutively. 

By applying these techniques, you can dramatically improve the quality of your practice. You'll be able to use your time more efficiently and increase the effectiveness of your practice.

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VIOLIN Vibrato

Violin Player - Flickr - aldenchadwick CC

Gaze at and Genuinely Hear Nature's Vibrato as you Learn to Master the Violin

Late twentieth century psychologists described a "split" between the look and the gaze, describing how looking at a person or object equips you with factual, empirical data about what you see, but gazing involves studying the object with "the eyes of the heart," learning to read the soul of all you behold. All fine artists must perfect their gaze. Their art demands no less. Similarly, psychologists describe radical differences between listening and hearing, valorizing hearing. When you can detect a stone's heartbeat, you have mastered the fine art of hearing. Follow your imagination to the nucleus of your most cherished possession and hear the sub-molecular music the atoms play as they draw their orbits around their common center-little different from drawing your bow across your strings, and certainly rich with vibrato.

In order to master any musical instrument, and especially in order to master the violin, you must learn to hear. And your ability to hear the world all around you will have the most profound effect on your violin vibrato-the sounds of nature and feeling represented on your four strings.

In the late eighteenth and early nineteenth centuries, Romantic composers used their music to recreate and intensify Nature's sublimity-Her overwhelming power and her breathtaking beauty. The greater the sublimity, the most intense the vibrato, because nothing in nature sustains one single and pitch-perfect note. Nature tends to warble, babble, trill, and sigh, all of which require vibrato. How would you ever set the music to the butterfly's wings without vibrato? How would you ever score the sunbeams glancing from the rippling brook without this technique? Lightning's flash demands staccato, and then thunder's gathering roar absolutely requires rolling vibrato from the furthest reaches of the bass clef. No vibrato, no romance.

Fast forward to the early twentieth century and the birth of the "modern" era. In all of the fine arts, "modern" works intend to represent man's domination of his environment and the rise of automation. In music, Gershwin's Rhapsody in Blue sets the paradigm, because it lives and thrives at the intersection of the urban landscape and human emotion-both of which demand vibrato. A "rhapsody," by definition, recreates a mood or series of emotions. As Rhapsody in Blue moves from serene-little vibrato-to reflective and vaguely melancholy-slow -to manic as traffic around the Eiffel Tower-speedy, the notes and harmonies recreate feelings and sensations, but the changes in vibrato subliminally determine the audience's different moods. Even in its disciplined, precisely noted triumphal passages, Gershwin's masterpiece includes violin and oboe descants that quiver like a nervous lover's "Will you...?" The counterpoint captures the contrast between industrial mechanism and human need. No vibrato, no mood. And the vibrato's speed determines the mood.

Just about everything in the modern world vibrates, and few things perfectly sustain a single note. The water pump in your Land Rover, for example, spins against its belt playing approximately a "high-C" accentuated with an incredibly fast vibrato. With a little practice, you can match your own to your water pump's speed, recreating post-modern nature, matching the mood of your play to the frenzy that drives your life. But make sure you include the tremulous descant set in a minor key and calling for slow, mellifluous vibrato, so that you leave ample room for post-modern human nature, too.

Hailey Alton is a violin performer, music lover, and enthusiast. -  Article Directory: EzineArticles

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Everything You Need to Know About VIOLIN From A-Z - ROSIN

Rosin (Photo credit: Wikipedia)

Hello, today I am continuing with my series everything you need to know about violin from A-Z. Today we are on R for rosin. Rosin is the soft sticky reddish substance that you coat your violin bow with. The purpose of rosin is to allow your violin bow hair to grip the strings causing them to vibrate and produce sound. Without rosin we wouldn't be able to play the violin, the bow would just glide smoothly over the strings producing no sound.

Rosin is made from the resin of pine trees collected throughout the world. It is taken from the tree in the same way that maple is taken from maple trees. First, a hole is punched into the tree a drip channel and collection bucket is fitted. Several grooves are cut above this bucket and resin runs out of the tree and into the container.

Other tree saps will be added to this resin the mixture is then heated purified and poured into molds. After the rosin sets it is cut into blocks smoothed polished and packed into containers. Furthermore, there are two kinds of rosin. The first kind is the darker stickier rosin which is more suited to cooler climates the second is the lighter harder less sticky rosin. Both will work equally well on any violin and you should try out as many different brands as you can in order to find the one that best suits your needs. Be very careful when applying rosin to your violin if you use too much it will drip onto the violin and cause permanent staining.

By Eric B Hill Eric B. Hill is a professional violin player and teacher with over 20 years experience. Article Source: EzineArticles

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