How To Preserve Good SINGING VOICE

Portrait of Harry Belafonte
(Photo credit: Wikipedia)

Good professional singers not only have to be fit and healthy to look good for stage performances, they must also know how to maintain and preserve a good singing voice.

You have only one voice and when your voice is damaged permanently, it will probably spell the end of a singer's. Many singers who have not been through professional singing coaching by good singing coaches or attend any singing schools may not even know that they may be damaging their voice.

Many singers also forget that when their singing voice does not feel right and they are not singing effortlessly as they should be, they will have a tendency to compensate for bad and unhealthy singing habits. These newly created or old bad habits may become stuck unconsciously and will have to be unlearned with the right vocal exercises. That is if the singer is aware that such habits are already in existence in the first place.

There are many things you can do to damage your singing voice and sometimes the damage will lead to permanent damage to your vocal chords. Here are some examples of what can harm your voice and there are much more.

a) Constant screaming or talking forcefully all the time. This happens very often if you are singing in a night club environment where you have to speak above the din to be heard.

Making funny voices maybe cute, but you may be doing terrible damages to your vocal folds.

b) Dry air and/or not enough water consumption will dry up your larynx and thus placing too much friction on them.

c) Poor diet, lack of sleep, stress will place more toll on your body and your singing mechanism.

d) Caffeine consumption, alcohol consumption, smoking will also damage your voice.

e) Talking, singing or whispering when you have laryngitis or sore throat. You need to rest your voice when you have a sore throat.

True professional singers must spend a lifetime working to minimize the stresses on their voices. Why should they want to destroy their singing career by being ignorant about what these bad habits can do to their singing?

What is more, if the voice is damaged because of frequent abuse and polyps grow on the larynx, they may even need to go for a surgery to remove the polyps. That will mean an of income and avoidable medical expenses. So you must preserve and maintain a healthy singing voice if you want to have a successful singing career.

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GOOD SINGING Tone Quality

Glottal cycle, animated (Photo credit: Wikipedia)

A common pursuit amongst singers is the quest for a good head and chest voice/tone resonance. Although we have discussed to some extent about head/chest resonance in previous articles, there will still be a lot of confusion on this subject such as balancing tonal brilliance and depth of the resonance.

Blending these two voice qualities or vocal colors is a major source of confusion and frustration for many aspiring singers. However, once you understand how the voice work, blending the vocal colors should become easy and automatic as speaking expressively.

In fact, once you are able to blend the tones, you will begin to sing with more emotion and passion because you will know how to create the tones that will draw out the feelings and the emotions of the songs that you are singing. Some people call it singing with feeling.

It is well established that the head resonance, when properly supported, has a brilliant ringing tone quality as compared to the chest resonance singing tone. This bright voice tone is developed in the bones and cavities above and, behind and around the nose known as the mask.

The result from an unsupported head resonance is very different and is characterized by a false falsetto tone. This oddity occurs when a singer suddenly switches into a choir boy tone.

The resonators have a lot to do with what your voice sounds like. This is why you can listen to many singers with high voices and yet each of them will have a different blend of sound and tonal quality.

Now try this experiment to feel the resonating system of the head. Gently tap your finger on the bone between the upper lip and the nose. Can you hear the gentle thud it made? Now tap the bridge of your nose and then your forehead just below your hairline and again listen to the thugs again.

Did you notice that the thuds were higher in pitch as you ascend from the lip to the forehead? By performing this experiment, you will know that certain bones are predisposed to amplify various pitch levels.

When singers refer to chest resonance, they are actually talking about vocal tone which is characterized by darker vowel qualities or mellowness. However, the term is a misnomer. By dictionary definition, an effective resonating chamber is a hollow place surrounded by hard surfaces. However, the chest is too full of organs to be suitable for amplifying the singing tone.

Throat and chest resonance occurs where there is plenty of empty space for amplification of the lower vibrations created by the vocal cords in the mouth and throat. Contrary to popular thinking, most so-called "chest resonance" actually comes from the throat. However, there is also a distinct sensation of vibration in the chest when singing, especially in the sternum or breastbone area. This feel of tone gathering in the chest area can be used very effectively to stabilize high notes.

So in order to get good singing tone, then you must practice with the right vocal exercises to blend the head and chest tone.

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How to SING Better - 3 Tips for Immediate Results

If you want to learn how to sing better, engaging in daily singing practice is the best long-term strategy for improving your voice.

That said, it is possible to learn how to sing better almost immediately, by following the three tips outlined in this article. The tips address three things that too many singers are not aware of, yet each of them have enormous impact on the quality of your voice.

If you correctly put these three tips into practice when singing, you will notice a significant improvement in the quality and tone of your singing voice in a very short space of time.

Tip #1: Breathe "naturally"

Many singers get confused about how to breathe when singing. They end up doing all sorts of strange things that feel weird and uncomfortable, because they hear instructions like "expand your ribs" or "pull in your stomach" and don't entirely get what body actions are required.

Try this. Lie down on your back, and relax. Gently place one hand on your stomach, and one near your lower ribs. Try not to think about the breath, just let it happen.

Start to pay attention to the parts of your torso that move as you breathe, and those that don't. When you breathe in singing, you should be breathing the same way, naturally, only with deeper breaths. Your lower ribs will expand and move out, while your upper body will stay still because you're filling up the bottom of your lungs, and not shallow breathing up the top.

Breathing should never cause strain. Relax, and breathe naturally when you sing.

Tip #2: Keep your tongue on the floor of your mouth

It sounds a bit funny, but sometimes tongues have a habit of getting in the way when you sing. Most of the time you don't notice them, but if you tense up when you sing and the root of your tongue gets tense, it can result in a strained sound and tightness in the voice and the throat.

Try putting the tip of your tongue on the back of your bottom teeth, and then feel the sides of your tongue against the insides of your back bottom teeth. It should feel relaxed, not tense.

As you sing, try to keep your tongue down in your mouth. Don't press it down hard, or tense it up, just be aware of keeping it low in your mouth. It will move a little as you sing, but keeping the tip near the front of your bottom teeth can make a considerable difference to your sound.

Tip #3: Memorise your music

If you're singing and reading music, or lyrics, at the same time as you sing, then a large portion of your brain is not focused on singing. The act of reading music or words takes up a fair chunk of processing power in your brain. If you're trying to sing at the same time then you're only half concentrating on singing.

The key is to get away from your music. Memorise it. Learn it by heart. Use repetition and song memorisation games when you're not singing, just throughout the day, whenever you think of them. That way, when you come to sing a song, you can focus purely on the act of singing, without reading. You will be surprised how much better your singing is when you are able to completely focus on your performance.

Summary

The process of becoming a singer involves constantly learning more about how your voice works, and putting into daily practice each thing that you learn. To improve your singing voice, make it your goal, today, to implement these three tips into your practice routine. You will notice a difference in a short period of time.

Learning to sing better means being open to try new things and take advice from more experienced singers. Remember that you will always progress faster and sing better with the assistance of voice lessons, either from a local singing teacher or a high-quality singing training program.

Good luck with your singing journey.

By Nic D Nic D is a music teacher, e-Learning expert and musician with almost 30 years of experience. Visit her web site at: http://www.howcanyousingbetter.com Article Source: EzineArticles

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How To SING Like An Angel and Create Beautiful VOCAL Tones

Singing Cast (Photo credit: Wikipedia)

One of the more challenging tasks of becoming a singer is creating beautiful vocal tones while singing. This is a work in progress and any "singer" who says that he has his tonal work figured out is probably not the best model for a beginning singer.

The first step in creating beautiful vocal sounds is by exploring your voice's unique tonal qualities. Here are three steps that will reveal to you the actual tonal quality of your singing voice:

1. Draw a breath and try to sigh for as long as possible. It pays to be relaxed when performing this vocal exercise.

Your muscles should be loose and flexible when you sigh, especially the muscles around the head, throat, and shoulders. Make sure that your posture is correct when singing.

2. The next exercise will help reveal your high and low notes. To explore your high and low notes, take a deep breath and imitate the sound of a loud siren.

Make sure that you imitate the low and high intervals of a siren. Listen to your siren imitation or you can even record it to so you can examine your voice later.

3. Lastly, imagine that you have become a millionaire overnight. Whoop as loudly as you can, and as many times as you want. The loud whooping sound also releases your vocal quality.

When you are done exploring your voice's tonal quality, try to find songs that match that tone. You may be surprised at the variety of songs that you can easily perform using that unique voice of yours!

You see, it is important that you always learn from listening to your own voice. Singing voices can always be improved with method, remember that. A non-singer with some talent can become a superstar with the right method. We can't all be like the late Whitney Houston or John Legends, so for those of us who need to learn how to sing, we must focus on the best techniques.T

The next step to creating beautiful vocal tones is to learn now to properly release your vocal power.

1. Before singing, gently massage all of the muscles surrounding the face, jaws, neck, and shoulder area. These are your "final frontier" muscles, since they will be fully responsible for making the final transmission/projection of your voice. If muscles around these areas are not relaxed, you will not be able to sing with ease.

2. People usually use their chin as a reference point when opening their mouth. This is not the way to do it when you are singing. Instead of using your chin as a reference point, I want you to release your jaw using your lower jaw hinge as a reference point. Your chin should drop straight down but the conscious movement should be centered on the lower jaw's hinge

The last step to producing angelic vocal tones is knowing how to position your voice box or larynx for optimal tone. Yes, believe it or not, it can be done!

The larynx or voice box is made of flexible, cartilaginous tissue that vibrates to create the sound that you hear when you sing or talk. This amazing organ is capable of producing hundreds of different sounds. You only have to know how to produce the sound yourself, and the voice box will be responsible for generating the sound that you want to hear.

The voice box works better if it generates sound from a low position on your throat. How will you do that? Should you push it down with your finger? Definitely not, as this might cause physical damage to your voice box.

Instead of touching your voice box, I want you to smell the air as if you smelled the most delicious food in the world. Why? Because when a person smells this way, even the throat muscles respond, and the movement automatically lowers the position of the larynx. At this position the larynx is ready to produce a wider range of tones, from low bass to high soprano.

There you have it. Now you have the tools to create beautiful vocal tones.

By Jamie Richards My name is Jamie and I've been teaching countless students how to sing for more than ten years. In that time, I've gained a lot of knowledge about the best methods that novice singers should learn if they really want to learn how to sing. As a vocal coach and music teacher, it is my goal to help anyone who wishes to advance their singing skills, so I'd like to share my knowledge with you, free of charge. Article Source: EzineArticles

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How To Front Your Own Band As A LEAD SINGER

Fronting their own band is a dream of every beginner singer. So how can you front a band and develop your own band's own distinctive style of music and performance? How to at the same time developing your own individually unique singing style? How are you going to be distinguished and get noticed from those thousands of bands playing only cover versions of popular music and imitating their favourite bands and lead singers?

Sheryl Crow and Mick Jagger during the Licks Tour
(Photo credit: Wikipedia)

First thing to do is to view as many DVD performances of famous singers fronting their bands from the musical genre you have chosen as the forte of your band's music. Examine how distinctive and different they are from each other. Notice each band playing with their own style and song delivery. Take note of everyone's body language and what signals and vibes the famous bands and singers are sending out.

Let us take a look at some of these singers and bands. Take Mick Jagger of The Rolling Stones for example. See how he pouts his lips and struts on stage cockily exuding sensual visuals and confident charisma at the same time. Those body language became his characteristics and singing charisma. In the advertisement world,it is called image branding.

If someone were to name you some popular singers, you will immediately associate a clear mental picture of that singer during a performance. That is how powerful your body language and distinctive branding can be. In otherwords, be different from the crowd by developing your own style of singing and performance.

Just try it. Close your eyes and when someone mentions to you these names, what do you see in your mental picture? Elvis Presley, Boy George, Bono of U2, Kate Bush, Cindy Lauper, Michael Jackson and even The Village People. Get the picture? (pun not intended, grin)

So, you must develop your own distinctive style of singing and stage performance to get noticed and create a brand for your band.

Learn from those excellent singers fronting their own bands. Learn from them how they keep time and rythym when they move on stage? Which action and movement during their performances that drew audience reactions? How do these singers whip their fans into a frenzy? What are the facial expressions at every stage of a song? How do they tell an emotional story from the lyrics of the songs that get people moved?

Learn and borrow some traits from these singers, and then develop them further with your own unique singing style blended in.

Once you have developed your personal distinctive singing style, the next step is to rehearse with your band. Your band must know what you want and this must be communicated before every rehearsal and reinforced. Things like when you want to bring the song into a climax, when to bring it down to tug at audience heartstrings, when to pause to create a dramatic impact...etc

Invest a little moeny in your band by buying some good music sheets so that the band can play together as a team with the same music sheets and scores.If you leave your band members to play by ear, all the band members will interpret the songs in their own way and you would have lost alot of time and energy to get the band to play tightly together.

Therefore you need to work closely with your band members since as a lead singer, you are probably the band leader as well. You then must insist that the band play the keys that you are comfortable to sing in, stick to the musical arrangements and follow the effects of the songs you want to portray.

Once this is done, rehearse until the band and you are inseparable components of the song, then you are there! You are now ready to front a good band as a lead singer, get recognized as a singer and band leader of distinction.

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Hearing Voices: Understanding The Different VOICE TYPES

Olive Fremstad (1871 - 1951)
,Swedish-American mezzo-soprano
 and soprano opera singer
(Photo credit: Wikipedia)

Voice type is a particular system for classifying opera and classical singers. The system allows composers, singers, and listeners to easily and quickly categorize voices. Here's a simple breakdown of the different types of singing voices.

Female Soprano: The female soprano voice typically ranges from middle C to at least the “soprano C,” that is two octaves higher. The voice is high-pitched and will vary from a light and sweet soubrette style to a rich and powerful dramatic soprano.

Female Mezzo-Soprano: The mezzo-soprano is more often used for choral voices. The mezzo-soprano range is often lower than the soprano and the tessitura, or comfortable timbre, is lower as well.

Female Contralto/Alto: The Contralto, or Alto, is the lowest female voice, usually deep and dark. The term alto is usually used in choral and popular music.

Male Sopranist: The sopranist is a man capable of reaching the levels of a female soprano. It is the highest range for male voices, and often sung in falsetto or by young men. Technically, part of the tenor range.

Male Tenor: Though there are a number of sub-classifications, tenor generally refers to simply a higher pitched male voice.

Male Baritone: This is the level that falls between a tenor and a bass. Deep and rich, but still with movement. The lyric baritone is a touch higher and lighter than the dramatic baritone, which calls for a fuller voice.

Male Bass: The bass is very low, in fact it is the lowest segment of the musical vocal. When a bass male sings, the room should rumble. The basso profundo is the deepest and darkest of the singing voices, one often used for dramatic and scary events. Meanwhile, the Basso cantante still retains a touch of agility.

Next time you're listening to your favorite singer, see if you can tell which class they are in.

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